private and public use of the living room - Bilkent University

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understanding, clustering and dispersing, status consistency and status inconsistency, degree of conformity and flavor” (pp. 112- 115). Although Riggins (1994) provides a detailed categorization of domestic objects, because the research was auto-bibliographic and based on his family house and living room, it is restrictive according to Woodward (2001). According to a more recent study based on a research where in-depth interviews are held with fifty respondents in their living rooms, objects displayed in the living rooms are used for three purposes: “as familial obligation, as markers of memory and as commemorative objects” (Money, 2007, p. 373). Similarly, Vogel (2002) has found that objects which are representative of something are displayed in the living rooms and other objects are placed in a less public place of the house. Vogel (2002) put the representative objects into five categories as, “personal characteristic representation of self and others, status representation, relationship representation including reminders of relationships, interest representation and memory representation” (p. 103). Another study that examines the transaction between objects and people reveals that women keep the objects which are special to them mostly in their living rooms (Csikszentmihalyi & Rochberg- Halton, 1981). Although that research is about the domestic objects and not directly related to living rooms, previous research indicates the significance of domestic objects for the analysis of the living room. 22
Bilgin (1991) states that it is possible to define the identity of the user by looking at the objects that he or she uses. The reverse is also true; from psycho-social characteristics of the user, it is possible to predict what objects he or she might use. He (1991) also states the importance of the living room for the relationship between the person and object. The living room is the place in which family and guests get together, so it consists of objects that are related to the activities that are performed in the living room. The style of the living room depends on the aesthetic and decorative concerns of the user and the symbolic value that is assigned to objects. Living rooms are designed through the objects that are found aesthetic, decorative and recreative. The main fittings and furniture that are used in the living rooms by various income groups are listed as sitting units, cabinets, coffee tables, dining units and accessories (Yıldırım & Başkaya, 2006). 2.5. Factors Affecting the Use and the Interior Design of the Living Room Factors affecting the use and the interior design of the living room could be grouped as personal, physical, and cultural. Personal factors are the socio-demographic characteristics of dwellers. Physical factors are the physical characteristics of the house, and cultural factors are the cultural background of the dweller or the period and the culture in which the house is constructed (see Table 2.1. for factors affecting the use and the interior design of the living room). 23
Page 1: PRIVATE AND PUBLIC USE OF THE LIVIN
Page 4 and 5: ÖZET EVLERDE SALONUN ÖZEL VE GENE
Page 6 and 7: TABLE OF CONTENTS SIGNATURE PAGE ..
Page 8 and 9: LIST OF FIGURES Figure 2.1. Soggior
Page 10 and 11: Figure 3.23. The relationship betwe
Page 12 and 13: Figure C.29. Photograph of a living
Page 14 and 15: Table B.15. Independent samples t-
Page 16 and 17: home, the understanding of the term
Page 18 and 19: The psychological context of the ho
Page 20 and 21: that is imbued with these instances
Page 22 and 23: Besides their meaning as a reflecti
Page 24 and 25: private uses of the living rooms ar
Page 26 and 27: house (Bachelard, 1969). On the oth
Page 28 and 29: Lastly, the modern type of a house
Page 30 and 31: Altman and Gauvain (1981) explain t
Page 32 and 33: Figure 2.5. The living area in trad
Page 34 and 35: 2.3. Living Room as a Reflection of
Page 38 and 39: Table 2.1. Factors affecting the us
Page 40 and 41: 2004). She (2004) also defines anot
Page 42 and 43: The housewife who continually rearr
Page 44 and 45: the house defines the number of roo
Page 46 and 47: of guests occurred in one room. In
Page 48 and 49: The main focus of the study is to e
Page 50 and 51: elements in the living rooms. Activ
Page 52 and 53: Table 3.1. Distribution of age Age
Page 54 and 55: Figure 3.2. Location of Angora Evle
Page 56 and 57: As the research area of the thesis,
Page 58 and 59: Figure 3.6. Basement and ground flo
Page 60 and 61: music, eating, reading newspapers,
Page 62 and 63: The intentions for the interior des
Page 64 and 65: Number of Private Living Room Activ
Page 66 and 67: Frequency of Living Room Use Every
Page 68 and 69: Number of Houses 18 16 14 12 10 8 6
Page 70 and 71: Number of Houses Few Days in a Moun
Page 72 and 73: family rooms, intentions related to
Page 74 and 75: Therefore, it can be said that the
Page 76 and 77: activities and hosting guests. In t
Page 78 and 79: indicates that older respondents sp
Page 80 and 81: Interestingly, the wife of that res
Page 82 and 83: The person whose identity is reflec
Page 84 and 85: 25 20 15 10 Aesthetical Objects Exi
Page 86 and 87:
female respondents. Previous studie
Page 88 and 89:
Figure 3.27. Photograph of a Living
Page 90 and 91:
Figure 3.30. Photograph of a living
Page 92 and 93:
Figure 3.33. Photograph of a living
Page 94 and 95:
then the objects in the living room
Page 96 and 97:
espondents designed their living ro
Page 98 and 99:
Cromley, E. C. (1990). Alone togeth
Page 100 and 101:
Rybczynski, W. (1987). Home: A shor
Page 102 and 103:
12- Salonunuzu oluştururken nelerd
Page 104 and 105:
14- What changes do you plan to mak
Page 106 and 107:
Table B.4. Intentions related to fu
Page 108 and 109:
Table B.11. Time spent in the house
Page 110 and 111:
Table B.15. Independent samples t-
Page 112 and 113:
Table B.18. Gender vs. The person w
Page 114 and 115:
Table B.22. Aesthetical objects vs.
Page 116 and 117:
Figure C.4. Photograph of a living
Page 118 and 119:
Page 120 and 121:
Page 122 and 123:
Page 124 and 125:
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