The Best of Wedding Photography.pdf - Free

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TOP—Becker is great at shooting groups. This one was made with a 17mm rectilinear fisheye so you have very little distortion at the frame edges. ABOVE—You can never make too many images of the bride, especially ones including her veil or bouquet. This was spontaneous—a grab shot that Charles Maring captured in a split second. RIGHT—The bouquet should be the subject of at least one series of photographs. Here, Tibor Imely wanted to show the similarity between the bouquet’s white roses and the white brocade roses in the wedding gown. The photograph is almost a still life. It is an award winner entitled Simple Beauty.
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WEDDING The Best of PHOTOGRAPHY Amh
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INTRODUCTION . . . . . . . . . . .
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T his is the third edition of The B
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1. THE EVOLUTION OF WEDDING PHOTOGR
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WEDDING PHOTOJOURNALISM: A MODIFIED
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things happen spontaneously and use
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2. THE WEDDING PHOTOGRAPHER’S MIN
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Joe Buissink has been known to work
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ABOVE—The photographer must be al
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LEFT—Greg Gibson has a finely hon
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Michael Schuhmann created this wond
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The slower the film speed or digita
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of four or five areas of the viewfi
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30 THE BEST OF WEDDING PHOTOGRAPHY
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ity or file size, it does affect le
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From outside the reception, Jerry D
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flash. Falloff is less than with ot
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4. CAMERA TECHNIQUE Whether you’v
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TOP—J.B. Sallee used a 70mm lens
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TOP—With a 17mm lens on his D1X,
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LEFT—A tricky exposure situation
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Since most wedding photographers op
Page 49 and 50: This is a beautiful pose created by
Page 51 and 52: LEFT—Marcus Bell created this han
Page 53 and 54: Tom Muñoz has a great deal of resp
Page 55 and 56: LEFT—There is something special a
Page 57 and 58: form the pattern. They are used to
Page 59 and 60: Marcus Bell is brilliant at posing
Page 61 and 62: On location, sometimes you can find
Page 63: LEFT—The natural lighting pattern
Page 66 and 67: from the camera lens. It is a drama
Page 68 and 69: ecommended unless your only concern
Page 70: Backlighting with direct sunlight c
Page 73 and 74: TOP—David Worthington created thi
Page 75: ABOVE—Melanie Nashan captured the
Page 79 and 80: Metering and Exposure. Here is how
Page 81 and 82: Al Gordon is a virtuoso of flash fi
Page 83 and 84: the light, you’ll find that it is
Page 85 and 86: BUILD A GOOD RELATIONSHIP Alisha an
Page 87: his best man. Bridesmaids will arri
Page 90 and 91: As part of the wedding photography,
Page 93 and 94: LEFT—Working as a pair or trio of
Page 95 and 96: What couple would not be thrilled w
Page 97 and 98: LEFT—Joe Photo always makes it a
Page 99: 10. HELPFUL TIPS The following is a
Page 103: LEFT—A popular shot is the gown h
Page 106 and 107: THE TRAIN Wedding dresses often inc
Page 108 and 109: LEFT—One of the reasons to create
Page 110 and 111: T he big payoff of the wedding day
Page 112 and 113: Mini Albums. Australian wedding pho
Page 114 and 115: sign, so are the “rules” that g
Page 116 and 117: Yervant’s Page Gallery templates
Page 118 and 119: David Williams puts together unique
Page 120 and 121: P hotographers who refused to accep
Page 122 and 123: CA. Jerry has been highly decorated
Page 124 and 125: on her residential property. She ha
Page 126 and 127: M Memory cards, 33 N Names, remembe
Page 128 and 129: LIGHTING TECHNIQUES FOR HIGH KEY PO
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