The Best of Wedding Photography.pdf - Free
The Best of Wedding Photography.pdf - Free
The Best of Wedding Photography.pdf - Free
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WEDDING PHOTOJOURNALISM:<br />
A MODIFIED APPROACH<br />
It should also be noted that, today, there are a growing<br />
number <strong>of</strong> new photographers who don’t particularly care<br />
if they are “purists,” in the photojournalistic sense. While<br />
they tend to work unobtrusively, they will sometimes set<br />
up moments between the couple or the members <strong>of</strong> the<br />
wedding party, pose images, or ask their subjects to repeat<br />
an appealing expression or gesture.<br />
Greg Gibson, an award-winning photojournalist turned<br />
award-winning wedding photographer, respects the role<br />
<strong>of</strong> the wedding photojournalist, but is not trapped by the<br />
definition. He says, “My clients are pr<strong>of</strong>essional people,<br />
they want to enjoy their day and not be encumbered by<br />
posing for pictures. <strong>The</strong>y want to record the day, the real<br />
feelings they share with their friends and family members.<br />
My experience gives my work instant credibility. I try to<br />
take advantage <strong>of</strong> the resources at a wedding. If a bride is<br />
getting dressed in an area with bad light I may say, ‘Can we<br />
come over here and do this?’ But I don’t try to create moments,<br />
or impose something on their day by saying, ‘Let<br />
me get you and your mother hugging.’ I try to let those<br />
Greg Gibson’s experience gives him<br />
instant credibility. He is used to<br />
pulling the strongest moments out <strong>of</strong><br />
an event’s ebb and flow. This image<br />
was captured with his EOS 1D<br />
Mark II and 16mm f/2.8 lens at<br />
ISO 640.<br />
Greg Gibson is a master at isolating<br />
these wonderful moments at weddings.<br />
Image photographed with<br />
Canon EOS 1D Mark II and<br />
85mm f/1.2 lens at ISO 400 at 1/60<br />
second at f/1.2.