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The Best of Wedding Photography.pdf - Free

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LEFT—Working as a pair or trio <strong>of</strong> photographers allows one <strong>of</strong> you to get up in the choir l<strong>of</strong>t and make an incredible shot such as this. Photograph<br />

by Charles Maring. RIGHT—David Worthington is a master <strong>of</strong> the formal bridal portrait. This image was made with window light and a small<br />

reflector with a Fuji FinePix S2 Pro and 37mm lens at ISO 200 at 1/45 second at f/3.3. <strong>The</strong> room lights add low-key accents throughout the background<br />

<strong>of</strong> the image.<br />

entering the church, the parents being escorted in, the<br />

bride’s dad “giving her away,” the first time the bride and<br />

groom meet at the altar, the minister or priest talking with<br />

them, the ring exchange, the exchange <strong>of</strong> vows, the kiss,<br />

the bride and groom turning to face the assembly, the<br />

bride and groom coming up the aisle, and any number <strong>of</strong><br />

two dozen variations—plus all the surprises along the way.<br />

Note that this scenario applies only to a Christian wedding.<br />

Every religion has its own customs and traditions<br />

that you need to be familiar with before the wedding.<br />

Some churches don’t allow any photography during<br />

the ceremony. You will, <strong>of</strong> course, know this if you’ve<br />

taken the time to visit the church prior to the wedding.<br />

Regardless <strong>of</strong> your style <strong>of</strong> coverage, family groups are<br />

pictures that will be desired by all. You must find time to<br />

make the requisite group shots, but also be aware <strong>of</strong> shots<br />

that the bride may not have requested, but expects to see.<br />

<strong>The</strong> bride with her new parents and the groom with his<br />

92 THE BEST OF WEDDING PHOTOGRAPHY<br />

are great shots, according to Monte Zucker, but are not<br />

ones that will necessarily be “on the list.”<br />

FORMALS<br />

Following the ceremony, you should be able to steal the<br />

bride and groom for about ten minutes—no more, or you<br />

will be taking too much <strong>of</strong> their time and the others in attendance<br />

will get a little edgy. Most photographers will get<br />

what they need in less than ten minutes.<br />

In addition to a number <strong>of</strong> formal portraits <strong>of</strong> the<br />

couple—their first pictures as man and wife—you should<br />

try to make whatever obligatory group shots the bride has<br />

asked for. This may include a group portrait <strong>of</strong> the wedding<br />

party, a portrait with the bride’s family and the<br />

groom’s family, and so on.<br />

If there are too many “must” shots to do in a short<br />

time, arrange to do some after the ceremony and some at<br />

the reception. This can be all thought out beforehand.

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