The Best of Wedding Photography.pdf - Free
The Best of Wedding Photography.pdf - Free
The Best of Wedding Photography.pdf - Free
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LEFT—Working as a pair or trio <strong>of</strong> photographers allows one <strong>of</strong> you to get up in the choir l<strong>of</strong>t and make an incredible shot such as this. Photograph<br />
by Charles Maring. RIGHT—David Worthington is a master <strong>of</strong> the formal bridal portrait. This image was made with window light and a small<br />
reflector with a Fuji FinePix S2 Pro and 37mm lens at ISO 200 at 1/45 second at f/3.3. <strong>The</strong> room lights add low-key accents throughout the background<br />
<strong>of</strong> the image.<br />
entering the church, the parents being escorted in, the<br />
bride’s dad “giving her away,” the first time the bride and<br />
groom meet at the altar, the minister or priest talking with<br />
them, the ring exchange, the exchange <strong>of</strong> vows, the kiss,<br />
the bride and groom turning to face the assembly, the<br />
bride and groom coming up the aisle, and any number <strong>of</strong><br />
two dozen variations—plus all the surprises along the way.<br />
Note that this scenario applies only to a Christian wedding.<br />
Every religion has its own customs and traditions<br />
that you need to be familiar with before the wedding.<br />
Some churches don’t allow any photography during<br />
the ceremony. You will, <strong>of</strong> course, know this if you’ve<br />
taken the time to visit the church prior to the wedding.<br />
Regardless <strong>of</strong> your style <strong>of</strong> coverage, family groups are<br />
pictures that will be desired by all. You must find time to<br />
make the requisite group shots, but also be aware <strong>of</strong> shots<br />
that the bride may not have requested, but expects to see.<br />
<strong>The</strong> bride with her new parents and the groom with his<br />
92 THE BEST OF WEDDING PHOTOGRAPHY<br />
are great shots, according to Monte Zucker, but are not<br />
ones that will necessarily be “on the list.”<br />
FORMALS<br />
Following the ceremony, you should be able to steal the<br />
bride and groom for about ten minutes—no more, or you<br />
will be taking too much <strong>of</strong> their time and the others in attendance<br />
will get a little edgy. Most photographers will get<br />
what they need in less than ten minutes.<br />
In addition to a number <strong>of</strong> formal portraits <strong>of</strong> the<br />
couple—their first pictures as man and wife—you should<br />
try to make whatever obligatory group shots the bride has<br />
asked for. This may include a group portrait <strong>of</strong> the wedding<br />
party, a portrait with the bride’s family and the<br />
groom’s family, and so on.<br />
If there are too many “must” shots to do in a short<br />
time, arrange to do some after the ceremony and some at<br />
the reception. This can be all thought out beforehand.