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The Best of Wedding Photography.pdf - Free

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David Williams puts together unique image constructions he calls “detail minis.” Here is an album page using sixteen detail minis. <strong>The</strong>re is crafty<br />

design work in the assembly <strong>of</strong> the images—the photographer/designer’s goal always to keep the eye in motion and to keep the subject matter rich<br />

and interesting. He records all <strong>of</strong> these minis with a 50mm f/1.2 lens wide open to minimize depth <strong>of</strong> field and to speed up his shooting.<br />

DAVID ANTHONY WILLIAMS:<br />

A MAJESTIC APPROACH<br />

One <strong>of</strong> the elements David Anthony Williams brings to his<br />

albums is pure life. His album pages are living, moving entities.<br />

This design philosophy is the same as his theory<br />

about wedding photography. “If you’ve studied and practiced<br />

posing, observed lighting, and learned to assess an<br />

environment, you’re halfway there. But how good are the<br />

images going to be if your priorities are with the technical,<br />

and not with the activity and life happening before you?”<br />

Williams is practiced at the art <strong>of</strong> image construction.<br />

He says, “Advertising photographers deal with them every<br />

day. But still we come back to the essential <strong>of</strong> a people picture<br />

that goes far beyond technique. And that is the photographer<br />

giving life to the creation they have assembled.”<br />

His image constructions, for example, might be <strong>of</strong> the<br />

many faces <strong>of</strong> the bride’s emotions, with the wedding dress<br />

as a blurry backdrop and inset photos defining her many<br />

moods. Or he might do a montage <strong>of</strong> details—the ring,<br />

the flowers, the fabric <strong>of</strong> her dress—and combine them<br />

with a pensive portrait <strong>of</strong> the bride, imagining these things.<br />

Williams also uses the technique <strong>of</strong> providing a series <strong>of</strong><br />

eight or sixteen identically sized images across two pages—<br />

a window-frame effect. <strong>The</strong> pages are laid out in perfect,<br />

brutal symmetry. However, the motion and direction<br />

come from the elements within the pictures or the content<br />

<strong>of</strong> the pictures.<br />

He will also contrast this symmetry by creating a series<br />

<strong>of</strong> vertical image constructions within the horizontal space<br />

<strong>of</strong> the album page. Almost like raindrops, these panels de-<br />

WEDDING ALBUMS 117

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