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The Best of Wedding Photography.pdf - Free

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ide and one on the ladies waiting for the bouquet. Your<br />

timing has to be excellent, as the bride will <strong>of</strong>ten “fake<br />

out” the group just for laughs. This might fake you out, as<br />

well. Try to get the bouquet as it leaves the bride’s hands<br />

and before it is caught—and if your flash recycles fast<br />

enough, get a shot <strong>of</strong> the lucky lady who catches it.<br />

TABLE SHOTS<br />

Table shots don’t usually turn out well, are rarely ordered,<br />

and are tedious to make. If your couple absolutely wants<br />

table shots, ask them to accompany you from table to<br />

table. That way they can greet all <strong>of</strong> their guests, and it<br />

will make the posing quick and painless. Instead <strong>of</strong> table<br />

shots, consider one big group that encompasses nearly<br />

everyone at the reception.<br />

LITTLE ONES<br />

A great photo opportunity comes from spending time with<br />

the smallest attendees and attendants—the flower girls and<br />

ring bearers. <strong>The</strong>y are thrilled with the pageantry <strong>of</strong> the<br />

wedding day and their involvement <strong>of</strong>ten <strong>of</strong>fers a multitude<br />

<strong>of</strong> memorable shots.<br />

BELOW—J. B. Sallee saw this beautiful painting hanging over the bar<br />

and decided to duplicate it in a suitable manner by posing the bride<br />

across three bar stools. He used a 24mm lens on his D2X and an ISO<br />

<strong>of</strong> 640 and manually set the white balance to daylight so that the tungsten<br />

lighting would record with warmth.<br />

BELOW—<strong>The</strong> little ones are especially fragile on the wedding day and<br />

present some wonderful photo opportunities. Photograph by Marcus Bell.<br />

THE KEY SHOTS 97

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