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The Best of Wedding Photography.pdf - Free

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digitally, has described this as “being in the moment,” a<br />

Zen-like state that at least for him is physically and emotionally<br />

exhausting. Buissink stays in the moment from the<br />

time he begins shooting and will stay in that mode for six<br />

to eight hours.<br />

UNIQUENESS<br />

While they may contain similar features, no two weddings<br />

are ever the same—and it is the photographer’s responsibility<br />

to show what is unique about each wedding. Greg<br />

Gibson, a two-time Pulitzer-Prize winning journalist<br />

turned wedding photographer says, “All weddings are<br />

alike, there’s a man and a woman in love, they’re going to<br />

have this big party, there’s the anticipation,<br />

the preparation, the ceremony, the<br />

party. It’s like the movie Groundhog<br />

Day. But the challenge is to find the nuances<br />

in each one.” That challenge is<br />

what keeps Gibson fresh—he does fifty<br />

weddings a year and says it’s fun. “Yes,<br />

it’s fun. When I go to a wedding people<br />

are always glad to see me. I’m welcomed<br />

in. As a journalist that isn’t always the<br />

case. Monica [Lewinsky] wasn’t happy<br />

to see me when I showed up at the<br />

Mayflower Hotel.”<br />

STYLE<br />

Today’s wedding coverage reflects an<br />

editorial style, pulled from the pages <strong>of</strong><br />

bridal magazines. Noted Australian<br />

wedding photographer Martin Schembri<br />

calls the style <strong>of</strong> the contemporary<br />

wedding coverage a “magazine style”<br />

with a “clean, straight look.” If you<br />

study these magazines you will notice<br />

that there is <strong>of</strong>ten very little difference<br />

between the advertising photographs<br />

and the editorial ones used to illustrate<br />

articles. <strong>The</strong> style may be natural or chic,<br />

Yervant Zanazanian created this fabulous portrait<br />

<strong>of</strong> bride and groom in the shade <strong>of</strong> a house.<br />

Notice the beautifully content glow in the bride’s<br />

expression. Yervant’s skills, both as a photographer<br />

and with people, are evident in every frame<br />

<strong>of</strong> his wedding coverage.<br />

high energy or laid-back, but uniqueness is critical—it’s<br />

the real product people are buying.<br />

PEOPLE SKILLS<br />

While wedding photojournalists are generally more reactive<br />

than proactive, they cannot be flies on the wall for the<br />

entire day. Interaction with the participants is crucial, so<br />

you need to be a people person, capable <strong>of</strong> inspiring trust<br />

in the bride and groom.<br />

Joe Buissink has been labeled a “salt <strong>of</strong> the earth” personality<br />

who makes his clients instantly like and trust him.<br />

That trust leads to complete freedom to capture the event<br />

as he sees it. He advises, “You must hone your communi-<br />

THE WEDDING PHOTOGRAPHER’S MINDSET 23

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