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The Best of Wedding Photography.pdf - Free

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sign, so are the “rules” that govern them: the concepts <strong>of</strong><br />

tension and balance. Tension is a state <strong>of</strong> imbalance within<br />

an image—a big sky and a small subject, for example, is a<br />

situation with visual tension. Balance is where two items,<br />

which may be dissimilar in shape, create a harmony within<br />

the photograph because they are have more-or-less equal<br />

visual strength.<br />

Double-Trucks and Panoramic Pages. Using images<br />

in the panoramic format can add great visual interest, particularly<br />

if using the bleed-mount digital or library-type albums<br />

(see pages 110–11). Panoramics cannot be created<br />

as an afterthought, however, since the degree <strong>of</strong> required<br />

enlargement will be extreme. Panoramics must be planned<br />

and good camera technique is essential. If shooting a<br />

group as a panoramic, focus one-third <strong>of</strong> the way into the<br />

group for optimal depth <strong>of</strong> field and use a tripod to ensure<br />

the image is sharp. Make sure that you have enough<br />

depth <strong>of</strong> field to cover front to back in the group. If the<br />

bride and groom are the center <strong>of</strong> your panoramic shot, be<br />

sure to <strong>of</strong>fset them so that they don’t fall in the gutter <strong>of</strong><br />

a panoramic or two-page spread.<br />

Details. Contemporary wedding albums almost always<br />

feature many more images than a standard wedding<br />

album. <strong>The</strong>se images are <strong>of</strong>ten combined, montage style,<br />

in an album or on a page to lend a sense <strong>of</strong> wealth and<br />

richness to the story. Image details make up the bulk <strong>of</strong><br />

such colorful layouts. Once your mindset is established<br />

that these types <strong>of</strong> images will be part <strong>of</strong> the album, you<br />

begin to see them everywhere throughout the day. <strong>The</strong>y<br />

can be <strong>of</strong> the wedding cake—a favorite—or the bride’s<br />

shoes, or the bouquet, or dozens <strong>of</strong> other items seen on<br />

the wedding day. Often, the details are what make a wedding<br />

an elegant affair.<br />

DESIGN TEMPLATES<br />

Photographer Martin Schembri has created a set <strong>of</strong> commercially<br />

available design templates that come on four<br />

different CDs and help photographers create elegant<br />

Yervant <strong>of</strong>ten uses graphic elements to balance pages. Here, he used a huge script letter T, for Tanya, that is suggestive <strong>of</strong> the pose <strong>of</strong> the actual<br />

Tanya on the right. <strong>The</strong> eye ping-pongs back and forth between the letter T and the bride.<br />

WEDDING ALBUMS 113

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