The Best of Wedding Photography.pdf - Free
The Best of Wedding Photography.pdf - Free
The Best of Wedding Photography.pdf - Free
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LEFT—Joe Photo always makes it a point to photograph the rings with the wedding invitation. That makes it imperative to carry a macro lens.<br />
RIGHT—An outdoor reception with very little available light proved a challenge for capturing the bride and groom dancing. Parker Pfister<br />
wanted to record the twinkle lights in the background so he increased his ISO and lowered the exposure down to 1/25 second at f/4.5 with a 20mm<br />
lens on his D1X. Spotlights illuminated the couple from behind and no fill light was used to retain the romantic feeling <strong>of</strong> the photograph.<br />
close-up image <strong>of</strong> the rings, you will need a macro lens,<br />
and you will probably have to light the scene with flash—<br />
unless you make the shot outdoors or in good light.<br />
THE CAKE CUTTING<br />
Cakes have gotten incredibly expensive—some cost more<br />
than $10,000! For this reason, a stand-alone portrait <strong>of</strong><br />
the cake is a good idea, both for the cake-maker and for<br />
the bride and groom.<br />
THE FIRST DANCE<br />
One trick is to tell the couple beforehand, “Look at me<br />
and smile.” That will keep you from having to circle the<br />
couple until you get both <strong>of</strong> them looking at you for the<br />
first-dance shot. Or you can tell them, “Just look at each<br />
other and don’t worry about me, I’ll get the shot.”<br />
96 THE BEST OF WEDDING PHOTOGRAPHY<br />
Often, photographers will photograph the first dance<br />
by whatever available light exists (<strong>of</strong>ten spotlights) on the<br />
dance floor. This is possible with fast lenses and fast ISOs.<br />
Just as frequently, the photographer will use bounce flash<br />
and a slow shutter speed to record the ambient light in the<br />
room and the surrounding faces watching the couple’s first<br />
dance. <strong>The</strong> bounce flash will freeze the couple but there is<br />
<strong>of</strong>ten some blurring due to the slow shutter speed.<br />
THE BOUQUET TOSS<br />
Whether you’re a photojournalist or traditionalist, this<br />
shot looks best when it’s spontaneous. You need plenty <strong>of</strong><br />
depth <strong>of</strong> field, which almost dictates a wide-angle lens.<br />
You’ll want to show not only the bride but also the faces<br />
in the background. Although you can use available light,<br />
the shot is usually best done with two flashes—one on the