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The Best of Wedding Photography.pdf - Free

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LEFT—Joe Photo always makes it a point to photograph the rings with the wedding invitation. That makes it imperative to carry a macro lens.<br />

RIGHT—An outdoor reception with very little available light proved a challenge for capturing the bride and groom dancing. Parker Pfister<br />

wanted to record the twinkle lights in the background so he increased his ISO and lowered the exposure down to 1/25 second at f/4.5 with a 20mm<br />

lens on his D1X. Spotlights illuminated the couple from behind and no fill light was used to retain the romantic feeling <strong>of</strong> the photograph.<br />

close-up image <strong>of</strong> the rings, you will need a macro lens,<br />

and you will probably have to light the scene with flash—<br />

unless you make the shot outdoors or in good light.<br />

THE CAKE CUTTING<br />

Cakes have gotten incredibly expensive—some cost more<br />

than $10,000! For this reason, a stand-alone portrait <strong>of</strong><br />

the cake is a good idea, both for the cake-maker and for<br />

the bride and groom.<br />

THE FIRST DANCE<br />

One trick is to tell the couple beforehand, “Look at me<br />

and smile.” That will keep you from having to circle the<br />

couple until you get both <strong>of</strong> them looking at you for the<br />

first-dance shot. Or you can tell them, “Just look at each<br />

other and don’t worry about me, I’ll get the shot.”<br />

96 THE BEST OF WEDDING PHOTOGRAPHY<br />

Often, photographers will photograph the first dance<br />

by whatever available light exists (<strong>of</strong>ten spotlights) on the<br />

dance floor. This is possible with fast lenses and fast ISOs.<br />

Just as frequently, the photographer will use bounce flash<br />

and a slow shutter speed to record the ambient light in the<br />

room and the surrounding faces watching the couple’s first<br />

dance. <strong>The</strong> bounce flash will freeze the couple but there is<br />

<strong>of</strong>ten some blurring due to the slow shutter speed.<br />

THE BOUQUET TOSS<br />

Whether you’re a photojournalist or traditionalist, this<br />

shot looks best when it’s spontaneous. You need plenty <strong>of</strong><br />

depth <strong>of</strong> field, which almost dictates a wide-angle lens.<br />

You’ll want to show not only the bride but also the faces<br />

in the background. Although you can use available light,<br />

the shot is usually best done with two flashes—one on the

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