The Best of Wedding Photography.pdf - Free
The Best of Wedding Photography.pdf - Free
The Best of Wedding Photography.pdf - Free
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<strong>The</strong> slower the film speed or digital ISO, the more detail and less noise will be apparent. Such is the case in this striking image by John Poppleton,<br />
who <strong>of</strong>ten puts beautiful brides in industrial settings to produce visually incongruous images.<br />
gether “scrubbed” layers. It’s amazing to see what can be<br />
done with this action.<br />
White Balance. Digital also allows you to change white<br />
balance on the fly, providing more accurate color balance<br />
from image to image. If you are shooting in deep afternoon<br />
shade, for instance, you can set your white balance<br />
appropriately. If you move indoors soon thereafter and are<br />
shooting by tungsten room light, you can quickly adjust<br />
the white balance to a tungsten or incandescent setting—<br />
or rely on the camera’s auto white balance function to determine<br />
the optimal white-balance setting.<br />
Some manufacturers <strong>of</strong>fer a wide range <strong>of</strong> white-balance<br />
options that correspond to a range <strong>of</strong> color temperatures<br />
(measured in degrees Kelvin). Others use more<br />
photographer-friendly terms like “afternoon shade.” Most<br />
also include settings for fluorescent and incandescent<br />
lighting. Additionally, custom functions allow you to create<br />
your own unique white-balance settings to correspond<br />
to certain known shooting conditions or mixed-light<br />
conditions.<br />
26 THE BEST OF WEDDING PHOTOGRAPHY<br />
Obviously, the more flexibility you have in accurate<br />
white-balance recording, the less color correction you will<br />
have to perform later in Photoshop. Some camera systems<br />
even <strong>of</strong>fer a white-balance bracketing feature. <strong>The</strong> topic is<br />
covered in greater detail on pages 44–45.<br />
Color and Black & White. With some DSLR models<br />
you can instantly shift back and forth between color and<br />
black & white capture, creating even more variety in your<br />
images. With film, this would require changing rolls or<br />
cameras.<br />
Quality Reproductions. With film, the negative or<br />
transparency is the original image. When prints or copies<br />
are made from that original, these second-generation images<br />
suffer a fall<strong>of</strong>f in sharpness and image quality. Digital<br />
copies, on the other hand, maintain the integrity <strong>of</strong> their<br />
data indefinitely and do not suffer any kind <strong>of</strong> degradation<br />
in subsequent generations. A copy is every bit as good as<br />
the original.<br />
Reducing Costs. Bambi Cantrell, a noted wedding<br />
photojournalist from the San Francisco area, routinely