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Encyclopedia of Connecticut biography, genealogical-memorial ...

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it, and this, with his natural aptitude for<br />

his work, was instrumental in securing<br />

for him the position <strong>of</strong> foreman in two<br />

months. During all the years that he<br />

had devoted to organ building, Mr. Aus-<br />

tin has devoted a large portion <strong>of</strong> his<br />

spare time to the study <strong>of</strong> the scientific<br />

and physical principles underlying the<br />

construction <strong>of</strong> the instruments, and as a<br />

result this study, which was the moving<br />

factor in his rise out <strong>of</strong> the class <strong>of</strong> the<br />

mechanical workman, has made him an<br />

inventor <strong>of</strong> note in his line <strong>of</strong> work. Up<br />

to the present time he has taken out<br />

nearly forty patents covering almost<br />

every phase <strong>of</strong> pipe organ construction.<br />

In the summer <strong>of</strong> 1893, he severed his<br />

connection with the first firm which had<br />

employed him in America, and became<br />

associated with the Clough & Warren<br />

Company, which built organs under Mr.<br />

Austin's patents. This association continued<br />

until the fall <strong>of</strong> 1898, when Mr.<br />

Austin came to Hartford, and organized<br />

the Austin Organ Company, which was<br />

incorporated in 1899. He became gen-<br />

eral manager <strong>of</strong> the corporation, continu-<br />

ing in that capacity until about ten years<br />

ago, when the repsonsibilities <strong>of</strong> presi-<br />

dent were added to those <strong>of</strong> general<br />

manager <strong>of</strong> the company.<br />

The business, which has grown to such<br />

importance in Hartford, was started on<br />

a small scale with three men in the old<br />

Bliss plant, which was rented with the<br />

understanding that the rent was to apply<br />

on the purchase price. As the business<br />

has grown, additions have been made,<br />

until now the plant occupies about fifty-<br />

four thousand square feet <strong>of</strong> floor space.<br />

It is built entirely <strong>of</strong> brick, and is equipped<br />

with every modern device for increasing<br />

efficiency and conserving the health, comfort<br />

and safety <strong>of</strong> employees. The company<br />

employs about one hundred and<br />

sixty people, and in 191 5 the volume <strong>of</strong><br />

ENCYCLOPEDIA OF BIOGRAPHY<br />

315<br />

business went over the five hundred thousand<br />

dollar mark. The Austin Organ<br />

Company is quite generally recognized as<br />

the leading firm <strong>of</strong> organ builders in this<br />

country. They built and erected the<br />

organs used in the Panama Exposition<br />

at San Francisco, and also at the fair in<br />

San Diego. They have installed about a<br />

dozen organs in Hartford. The business<br />

<strong>of</strong> the firm extends all over the country.<br />

They installed the organ in the Taber-<br />

nacle in Salt Lake City ; the City Hall<br />

at Portland, Maine; the Auditorium at<br />

Atlanta, Georgia ; the Auditorium in Los<br />

Angeles ; Medinah Temple in Chicago<br />

All Saint's Cathedral in Albany, New<br />

York ; and many other organs in places<br />

too numerous to mention. In fact, there<br />

is scarcely a large centre <strong>of</strong> population<br />

in this country in which Austin organs<br />

have not been placed. A recent and most<br />

notable example is the organ built by the<br />

Austin Organ Company for the auditorium<br />

<strong>of</strong> the new Public Ledger building in<br />

Philadelphia, Pennsylvania, which is<br />

spoken <strong>of</strong> in the "Chicago Diapason" as<br />

the largest organ ever constructed, and<br />

most unique in various <strong>of</strong> its appointments.<br />

The instrument is in fact an<br />

assemblage <strong>of</strong> three complete large<br />

organs, all played from one four-manuel<br />

console on the stage. The main organ,<br />

in rear <strong>of</strong> the stage, has four manuals and<br />

pedal, controlling 161 speaking stops;<br />

the dome organ and gallery organ, each<br />

has the same number <strong>of</strong> manuals with<br />

pedal, the former controlling 62 and the<br />

latter 60 speaking stops, a total <strong>of</strong> 283<br />

speaking stops. In addition is a special<br />

string organ, which can be played either<br />

separately, or in combination with either<br />

or all <strong>of</strong> the other organs. The mechani-<br />

cal accessories are a marvel <strong>of</strong> ingenuity<br />

and constructional skill, and "The Diapason"<br />

says that it may be safely affirmed<br />

that never before has an equal number <strong>of</strong>

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