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1999-2000 - The University of Scranton

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GERM 425 Dr. Kamla<br />

German Literature up to 1945 3 credits<br />

(Prerequisites: GERM 311-312, or equivalent)<br />

An in-depth study <strong>of</strong> such authors as<br />

Brecht, Mann, Kafka and Rilke.<br />

GERM 427 Dr. Kamla<br />

Postwar German Literature 3 credits<br />

(Prerequisites: GERM 311-312, or equivalent)<br />

Concentration on contemporary<br />

authors such as Frisch, Durrenmatt, Grass<br />

and Boll, as well as representative authors<br />

from East Germany.<br />

GERM 482-483 Staff<br />

Independent Study Variable credit<br />

(Prerequisites: GERM 311-312, or equivalent)<br />

A tutorial program open to junior and<br />

senior students only. Content determined<br />

by mentor.<br />

HEBREW<br />

HEBR 101-102 Staff<br />

(C)Biblical Hebrew 6 credits<br />

A systematic introduction to the fundamentals<br />

<strong>of</strong> Biblical Hebrew grammar and<br />

to certain aspects <strong>of</strong> ancient Semitic language<br />

and culture.<br />

Note: Additional work in Italian,<br />

Japanese, Portuguese, and Russian is<br />

available by arranging independent study<br />

and/or foreign study.<br />

ITALIAN<br />

ITAL 101-102 Staff<br />

*(C) Elementary Italian 6 credits<br />

Introduction to the Italian language.<br />

Designed for beginners.<br />

ITAL 207 Dr. Picchietti<br />

(C,D,W)Italian Women’s 3 credits<br />

Writing in Translation<br />

This course addresses a multitude <strong>of</strong><br />

women’s voices and experiences in Italy<br />

in the twentieth century, as expressed in<br />

works <strong>of</strong> prose, poetry, theater, and film.<br />

Not all the artists subscribe to a feminist<br />

ideology, but their works share an interest<br />

148<br />

in issues concerning women. Students will<br />

examine the styles, themes, and historical<br />

contexts <strong>of</strong> the primary works. This course<br />

does not count toward the Italian minor or<br />

major.<br />

ITAL 208 Dr. Picchietti<br />

(D,W)Envisioning Italy 3 credits<br />

From Novel to Film:<br />

<strong>The</strong> Case <strong>of</strong> Neorealism<br />

This course addresses the way in which<br />

authors and film makers have envisioned<br />

Italy in the Neorealist tradition. Students<br />

will analyze neorealist novels and their<br />

cinematic adaptations to determine similarities<br />

and differences in the artists’<br />

visions and interpretations <strong>of</strong> Italian society.<br />

This course does not count toward the<br />

Italian minor or major.<br />

ITAL 209 Dr. Picchietti<br />

Italian Cinema: 3 credits<br />

From Origins to Present<br />

An examination <strong>of</strong> the evolution <strong>of</strong> Italian<br />

cinema from the silent era to the present.<br />

Focus on the impact <strong>of</strong> historical events<br />

on the film industry, on the changing concerns<br />

and perspectives <strong>of</strong> film makers, and<br />

on the transformations in style and content<br />

in reaction to specific moments in Italian<br />

history. Films with subtitles. Taught in<br />

English. This course does not count for<br />

any minor or major requirement in foreign<br />

language.<br />

ITAL 211-212 Staff<br />

*(C, D) Intermediate Italian 6 credits<br />

(Prerequisites: ITAL 101-102, or equivalent)<br />

Grammatical review, written and oral<br />

composition with selected cultural readings<br />

<strong>of</strong> intermediate difficulty.<br />

ITAL 295 Dr. Picchietti<br />

Italian Culture and Society 3 credits<br />

An examination <strong>of</strong> Italian culture and<br />

society from the Renaissance to today.<br />

<strong>The</strong> course traces the development <strong>of</strong><br />

Italian culture and society through primary<br />

texts, including essays, plays, short stories,<br />

films, opera and contemporary music,<br />

and sculpture and painting. <strong>The</strong> course<br />

includes travel to Italy.

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