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Neolithic and Bronze Age Landscapes of North Mayo: Report 2011

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Works. During the 1980s the cities <strong>of</strong> Galway, Cork <strong>and</strong> Dublin had marked significant historical<br />

dates by celebrating the 500, 800 <strong>and</strong> millennium years in the three cities. The writer proposed to<br />

<strong>Mayo</strong> County Council that a rural county with roots extending back for at least five thous<strong>and</strong> years<br />

should designate 1993 as ‘<strong>Mayo</strong> 5000’ to celebrate five thous<strong>and</strong> years <strong>of</strong> rural settlement which<br />

continues to be the dominant form <strong>of</strong> settlement in the county. The Council agreed <strong>and</strong> a<br />

promotional programme <strong>and</strong> a series <strong>of</strong> events were organised throughout the county. Many <strong>of</strong> the<br />

events throughout the county were <strong>of</strong> a one-<strong>of</strong>f local nature but a number, briefly described below<br />

had a wider <strong>and</strong> more far reaching effect.<br />

An Post agreed to issue a commemorative stamp to mark the opening <strong>of</strong> Céide Fields <strong>and</strong> the artist<br />

Charles Roycr<strong>of</strong>t succeeded in accommodating a view <strong>of</strong> the fields <strong>and</strong> the <strong>North</strong> <strong>Mayo</strong> coastline,<br />

the detailed plan <strong>of</strong> four square kilometres <strong>of</strong> the site, a cross-section <strong>of</strong> the bog <strong>and</strong> the chronology<br />

all within the confines <strong>of</strong> the postage stamp.<br />

An international sculpture symposium was held over a period <strong>of</strong> three weeks where sculptors<br />

working with the aid <strong>of</strong> local volunteers <strong>and</strong> social employment workers created fifteen pieces <strong>of</strong><br />

earth <strong>and</strong> stone construction throughout <strong>North</strong> <strong>Mayo</strong>. In keeping with the non-nucleated<br />

settlement pattern <strong>of</strong> Céide Fields the creations were not all created in a sculpture park but instead<br />

were widely dispersed throughout <strong>North</strong> <strong>Mayo</strong>. Because the symposium was established as part <strong>of</strong><br />

the celebration <strong>of</strong> the <strong>Mayo</strong> 5000 it was a condition <strong>of</strong> the tenders for participation that the<br />

proposed creation should have the potential to survive for another five thous<strong>and</strong> years, which is why<br />

earth <strong>and</strong> stone construction was specified.<br />

In order to highlight the opening <strong>of</strong> Céide Fields in early summer 1993 it was decided that one <strong>of</strong> the<br />

highlights <strong>of</strong> the <strong>Mayo</strong> 5000 celebration should be the performance <strong>of</strong> a specially commissioned<br />

symphony ‘The Spirit <strong>of</strong> <strong>Mayo</strong>’ in the National Concert Hall in Dublin. The symphony was preceded<br />

by a traditional concert <strong>of</strong> Irish music <strong>and</strong> dance. The symphony was composed by Bill Whelan,<br />

dancers included Michael Flatley <strong>and</strong> Jean Butler, among the singers <strong>and</strong> musicians were Anúna <strong>and</strong><br />

Davy Spillane <strong>and</strong> the concert was produced by John McColgan <strong>of</strong> Abhainn Productions. Within a<br />

month <strong>of</strong> the concert in June 1993 Moya Doherty <strong>of</strong> Abhainn Productions was asked to produce the<br />

Eurovision Contest being held in Dublin in Spring 1994. Putting the same performers ‘on the centre<br />

stage <strong>of</strong> Eurovision’ Doherty created a ten minute interval act called Riverdance <strong>and</strong> in their own<br />

words ‘the rest is history’.<br />

The achievement <strong>of</strong> securing a major interpretative centre for Céide Fields <strong>and</strong> the celebration <strong>of</strong><br />

<strong>Mayo</strong> 5000 was not without its disappointments. The original project had envisaged the provision <strong>of</strong><br />

a regional display area <strong>and</strong> facilities for study <strong>and</strong> ongoing research. Unfortunately costs dictated<br />

that these elements had to be excised <strong>and</strong> the structure functions as an interpretative centre for<br />

general tourism. It was eventually decided to seek a basic research <strong>and</strong> study facility in Belderrig<br />

<strong>and</strong> again the County Council with the County Vocational Education Committee with the writer,<br />

Martin Downes <strong>and</strong> a local Belderrig committee succeeded in securing a grant <strong>of</strong> half a million<br />

pounds in 1998 on the recommendation <strong>of</strong> the then Minister for Science <strong>and</strong> Technology, Mr. Noel<br />

Treacy. This provided two basic laboratories, one for science <strong>and</strong> one for archaeological research<br />

<strong>and</strong> another general purpose building for conferences <strong>and</strong> meetings which also functions as a<br />

Belderrig community centre.<br />

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