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TIME IN THE NOVELS OF MILOS CRNJANSKI - Nottingham eTheses

TIME IN THE NOVELS OF MILOS CRNJANSKI - Nottingham eTheses

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CHAPTER THREE<br />

I would i;0 off somewhere far away and I<br />

would not turn back. I would i;O off<br />

somewhere into the yellow leaves •••<br />

One me je zai;rlila odmah. Ona je lep~a<br />

sad. Ona je sad puna tame. Ona ima<br />

ne~ei; bolesna ~to pre nije imala. ne~ei;<br />

~to se dobija od stida (p49).<br />

She embraced me immediatelv. She is more<br />

beautiful now. She is now full of<br />

darkness. She has somethini; ill about<br />

her which she did not 'have before.<br />

somethini; which one i;ets from shame.<br />

Bili smo sme~ni.<br />

(p51) •<br />

i mladi. ah tako mladi<br />

We were absurd. and uounc. oh so uounc.<br />

'N06i su ledene i zvezdane. Ostavljaju<br />

otvorene prozore. Ka!u led i zvezde 6e<br />

mi izle~iti plu6a (p65).<br />

The nii;hts are icv and starrv. Thev<br />

leave the windows open. They say the ice<br />

and the stars will cure mv luni;s.<br />

U starim mrtvim re~ima volim mo~u<br />

sudbinu, u oblacima m1sao mOi; stole6a a u<br />

osmehu mome skamenjenu snai;U roda mOi;<br />

(p65) •<br />

In the old dead words I<br />

love mv fate. in<br />

the clouds the thoui;ht of mv ace and in<br />

mv smile the petrified streni;th of mv<br />

,P""f III •<br />

Radoje Simi6 discusses manv similar points. with the<br />

intention of establishinc the continuitv of Crnjanski's<br />

stvle in his four major novels.<br />

His approach is<br />

descriptive of the lini;uistic patterns in Crnjansk1'.<br />

sentence structures rather than interpretative.<br />

-<br />

However. he comes to certain ceneral conclusions about<br />

Onevnik 0 ~arnojevi6u<br />

whiCh help to reinforce the<br />

point of our analysis: principally. the static nature of<br />

116

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