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TIME IN THE NOVELS OF MILOS CRNJANSKI - Nottingham eTheses

TIME IN THE NOVELS OF MILOS CRNJANSKI - Nottingham eTheses

TIME IN THE NOVELS OF MILOS CRNJANSKI - Nottingham eTheses

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CHAPTER FOUR<br />

CHAPTER FOUR<br />

<strong>THE</strong> LATER <strong>NOVELS</strong>, TZME AND VOZCE<br />

Xn the previous chapter Crn~anski's use o~ lan~ua~e<br />

in his two eartv novels was examined ~or<br />

relationship to the expression or time.<br />

its<br />

Xt was<br />

concluded that in his rirst novel. Dnevnik 0<br />

earno~evi6u. Crnjanski emphasises the representation o~<br />

simultaneitv between times as thev occur in the mind or<br />

the diarist. and in the second novel the characters<br />

ascribe di~~erent meanin~s to relationships o~ sequence<br />

and duration.<br />

2n both novels characters create<br />

individual time schemes. This ~eature o~ Crnjanski'.<br />

work is embedded in the verv lan~ua~e<br />

he use.. both in<br />

terms or sentence structure and 1n terms o~<br />

narrat1ve<br />

or~anisation.<br />

Crnjanski continues to use .entence<br />

structure 1n similar wavs in h1s two later novels.<br />

He<br />

continues to disrupt normal svntax. to u.e "parcelaci~a<br />

re6enice" (tt~ra~mentat1on<br />

or the sentence" 1). bV<br />

de~errin~ the verb and omittin~ verbs. to disrupt the<br />

seq~ence o~ l1near time and to subordinate action to<br />

character. Howeve.. a more si.ni~1cant<br />

element in hi.<br />

later novels is the presentation o~<br />

the narrat1nc voices<br />

which or~anise the relationships o~ .equence and<br />

duration between events.<br />

160

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