TIME IN THE NOVELS OF MILOS CRNJANSKI - Nottingham eTheses

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BIBLIOGRAPHY Arendt. Hannah. Between Past and Future. Faber and Faber. London. 1961 St Au~ustine. Ber~son. Confessions. Book XI. edited by Roy Joseph Deferrer. The Fathers of the Church. vo1 21. Catho1ic University of America Press. Washin~ton. 1966. pp327-366 Henri. Time and Free Wi11: An Essay on the Immediate Data of Consciousness. Swan Sonnenschein. London. 1910 Ber~son. Henri. Matter and Memory. Geor~e A11en and Unwin. London. 1919 Ber~son. Henri. Mind EnerlY. Macmi11an. London, 1920 Ber~son, Henri, .An Introduction to Metaphysics, Libera1 Arts Press. New York, 1955 E1iade, Mirceau, Cosmos and History: The Myth of the Eterna1 Return, Harper and Row. New York. 1956 Fraisse, Pau1, The PsychololY of Time, Eyre and Spottiswoode. London, 1964 Fraser, Julius Thomas, ed., The Voices of Time: A Cooperative Survey of Man's Views of Time as Expressed by the Sciences and by the Humanities, A11en Lane The Pen~uin Press, London. 1968 Gunne1l, John G., Political Phi1osophy and Time, Wesleyan University Press. 1968 Jaspers. Kar1, Man in the Modern Ale. Routled~e Ke~an Pau1, London. 1951 and Jaspers, Kar1, The Orilin and Goal of History, Rout1edme and Ke~an Pau1. London, 1953 Jaspers. Kar1, Philospohy, vo1 2, University of Chicamo Press,1970 Lewis, Wyndham, Time and Western Man, Chatto and Windus. London. 1927 Nietzsche. Friedrich. "The Use and Abuse of History". The Comp1ete Works, edited by Dr Oscar Levy. vo1 5. Geor~e A11en and Unwin, London, 1921. pp1-100 Vinaver. Stanislav. ppob1emi nove estetike. Ber~sonovo u~en~e 0 ritmu. Vreme. Bel~rade. 1924
BIBLIOGRAPHY Time in Literature Bakhtin. Mikhai1. "Epic and Nove1". The Dia1o~ic Ima~ination. edited b~ Michael Ho1Qui.t. Universit~ of Texas Press. 1983. pp3-40 Bakhtin. Mikhai1. "Forms of Time and Chronotope in the Nove1". The Dia1o~ic Ima~ination. edited b~ Michael HolQuist. Universit~ of Texas Press. 1983. pp84-258 Barthes. Roland. "Introduction to the Structural Ana1~.is of Narratives". Ima~e - Mu.ic - Text. Fontana. London. 1982. pp79-124 Booth. W~ne C •• The Rhetoric of Fiction. Universit~ of Chica~o Press. 1983 Buck1e~. Jerome Hamilton. The Triumph of Time: A Studv of the Victorian Concepts of Time. Histor~, Proeress. and Decadence. Harvard Universitv Pre... 1967 Chatman. Sevmour. Story and Discour.e: Narrative Structure in Fiction and Film. Cornell Universitv Press. 1983 Pawkner. Harald William. The Timescapes of John Powle., A •• ociated Univer.itv -Presses, London. 1983 Frank. Jo.eph, "Spatial Form in Modern Literature". I!!.!t Widenin~ Gyre. Indiana Universitv Pre.s. 1963. pp3-62 Freedman. Ralph. The Lyrica1 Novel: Studies in Herman He •• e. Andrei Gide, and-Vir,inia Woolf. Princeton Univer.itv Pre... 1963 preidin. Gre~orv, "O.ip Mandel.tam: The Poetrv of Time (1908-1916)". California Slavic Studie •• 1980. XI. pp141-186 Genette. G'rard. Narrative Di.cour.e, An E •• ~ in Method, Cornell Univer.it~ Pre.s. 1980 Gi.h, Nanc~ K •• Time in the Poetry of T. So' E1iota A Study in Structure and Theme, Barne. and Noble Books. Totowa, New J.r.!U. 1981 Gla •• er, Richard, Time in Prench Life and Thoueht. Manche.ter Univer.itv Pr.... 1972 Hutchen., E1eanor N •• "An APproach Throu~h Time". 385
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TIME IN THE NOVELS OF MILOS CRNJANS
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ABSTRACT TIME IN THE NOVELS OF MILO
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CHAPTER ONE PART ONE CHAPTER ONE TH
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CHAPTER ONE preoccupations and char
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CHAPTER ONE (1971). There are simil
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CHAPTER ONE than in his studies. Th
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CHAPTER ONE his connection with Ben
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CHAPTER ONE One could not speak ~et
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CHAPTER ONE his collection o~ poems
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CHAPTER ONE debate with other croup
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CHAPTER ONE and a style similar to
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CHAPTER ONE slikara koji su osnoval
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CHAPTER ONE project in the post-war
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CHAPTER ONE adoption of the term ne
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CHAPTER ONE stru~~le of the earlv R
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CHAPTER ONE discontinuing the line
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CHAPTER ONE this discussion on the
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CHAPTER ONE impression that the con
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CHAPTER ONE knji~evni ;lasnik (66).
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CHAPTER ONE His recollection of his
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CHAPTER ONE and that he used his po
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----------------------- CHAPTER ONE
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CHAPTER ONE The~ took all my books
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CHAPTER ONE areas of social and cul
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CHAPTER ONE Crnjanski's memoirs fro
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CHAPTER ONE 1962. Far from beine pe
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CHAPTER ONE Habsbur~ armv. Thev led
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CHAPTER ONE chanced. He had intende
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CHAPTER ONE verv d~fferent sentence
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CHAPTER ONE doe. not view the.e eve
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CHAPTER ONE Much of what informed h
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CHAPTER ONE December 1959, p15. 11.
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CHAPTER ONE 36. Draaila Vitolevi6.
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CHAPTER ONE 66. Mi101 Crnjanski. Su
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CHAPTER ONE 93. Ljub11a .1erem16, "
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CHAPTER TWO PART TWO CHAPTl!iR TWO
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CHAPTER TWO The Antholocy to which
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CHAPTER TWO His rriend told him or
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CHAPTER TWO su bo~e, ~ak tamo do zv
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CHAPTER TWO hi. outlook. which i. i
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CHAPTER TWO intuitive. As Milan Bo~
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CHAPTER TWO the actual time of narr
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CHAPTER TWO articles (such as the o
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CHAPTER TWO The "new sensibil.ities
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CHAPTER TWO Pound's emphasis on 1an
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CHAPTER TWO which also links the in
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CHAPTER TWO Ber~son, as for Crnjans
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CHAPTER TWO in the "rhythm ot each
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CHAPTER TWO cause and effect. ver~
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CHAPTER TWO tempol"alitv. but bv st
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CHAPTER TWO Moderna umetni~ka lirik
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CHAPTER TWO rhythm"). Later in the
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CHAPTER TWO Notes 1. Sima Pandurovi
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CHAPTER TWO 36. Joseph Frank. "Spat
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CHAPTER THREE Crnjanski's lyricism
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CHAPTER THREE persuade him of the n
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CHAPTER THREE to find themselves al
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CHAPTER THREE writin~. and their du
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CHAPTER THREE i vi~u: "Izdajice. iz
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CHAPTER THREE o toj je s~1c1 mu~e61
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CHAPTER THREE action, the focus on
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CHAPTER THREE ("1 am ~~ing; down").
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CHAPTER THREE to the insicnificant.
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CHAPTER THREE dominates much o-r th
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CHAPTER THREE of self in his dream.
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CHAPTER THREE Po~azlivenim vodama.
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CHAPTER THREE Uili su u Pe~uj tako
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CHAPTER THREE The whole campaien th
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CHAPTER THREE In Vuk's consciousnes
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CHAPTER THREE simultaneous. The int
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CHAPTER THREE boucht, he wanted to
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CHAPTER THREE main verb is deterred
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CHAPTER THREE the passin,; ot an ev
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CHAPTER THREE ni~ht cooin~. he list
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CHAPTER THREE zalivala svoje poljup
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CHAPTER THREE the po~nt. of v~ew of
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CHAPTER THREE social custom in the
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CHAPTER THREE his ~riends ~or Vuk I
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CHAPTBR THRBB 89) 1 •• 1.0 'oun
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CHAPTER THREE Notes 1. M. Svetovaki
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CHAPTER THREE 45. Novioa Petkovi6.
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CHAPTER THREE 90. III. p16. p223. 9
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CHAPTER FOUR Voice. in this context
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CHAPTER FOUR di~~erent arransement
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CHAPTER FOUR Novom Sadu. izc~eda da
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CHAPTER FOUR chronic~e. The events
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CHAPTER POUR structure of events, h
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CHAPTER FOUR not explain his presen
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CHAPTER POUR institutions which all
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CHAPTER FOUR European civilisation
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CHAPTER POUR a creative order. Each
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CHAPTER FOUR su Oni. Isakovi~i.u Au
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CHAPTER FOUR and die for Russia. an
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CHAPTER POUR tortured re~lections e
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CHAPTER FOUR I com~ort him with wha
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CHAPTER FOUR one point that ".John
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CHAPTER FOUR impersonal and distanc
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CHAPTER FOUR in the lancuac. o~ the
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CHAPTER FOUR question which misht b
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CHAPTER FOUR because of the intri~u
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CHAPTER FOUR class, that lady - mur
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CHAPTER FOUR Dloni mu vi~e u uvo da
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CHAPTER FOUR those which Rjepnin ha
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CHAPTER FOUR anal~sis has shown tha
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CHAPTER FOUR sort of ·larce, stran
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CHAPTER POUR in o~de~ to set the ~a
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CHAPTER POUR expression of time is
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CHAPTER FOUR seoba. "Epic and Time
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CHAPTER FOUR U4. Boris Uspenskv. A
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CHAPTER FIVE PART THREE CHAPTER FIV
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CHAPTER FIVE characters' invo~vemen
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CHAPTER FIVE absurd and a~ien in th
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CHAPTER FIVE left Russia, he has ju
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CHAPTER FIVE Xzabe~a. and h~s f~~st
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CHAPTER FIVE are sharp~v contrasted
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CHAPTER FIVE th1S? 11). closes thus
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CHAPTER FIVE dane sam prvi put nau~
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CHAPTER F1.VE says. "H06u da ti pri
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CHAPTER. FIVE spends the niaht. and
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CHAPTER FIVE Greek honeyed words. a
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CHAPTER FIVE psvche wh1Ch eX1sts be
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CHAPTER F~VE aeainst the diarist's
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CHAPTER FIVE by" 51). By avoidin~ t
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CHAPTER FIVE his diary with a para&
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CHAPTER FIVE United States. Third.
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CHAPTER FIVE An officer is 1ike a f
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CHAPTER FIVE London at the time" 67
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CHAPTER FIVE The passa~e continues
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CHAPTER FIVE and his class-mates: G
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CHAPTER FIVE of their vears. thev w
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CHAPTER FIVE station. The cinema is
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CHAPTER FIVE 1948 but with a parall
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CHAPTER FIVE on himselt. the other
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CHAPTER FIVE prolazili ljudi ilene.
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CHAPTER FIVE heart of Rjepnin's psv
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CHAPTER FIVE Rjepnin considers retu
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CHAPTER FIVE bein~-in-time. Both Dn
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CHAPTER FIVE Notes 1. Leslie A. Joh
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CHAPTER FIVE UB. II. p11. U9. II. p
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CHAPTER FIVE 98. IX. p325. 99. Duii
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CHAPTER SIX i bein~-in-time wi.t~ t
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CHAPTER S.IX c~ttle. around the for
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CHAPTER SIX trend in the epic in wh
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CHAPTER SIX tuture becomes present.
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CHAPTER SIX the loss o~ the ~ather'
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CHAPTER SIX their oontaot with natu
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CHAPTER SIX his ~ather. However. th
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CHAPTER SIX In P'cs. Vuk is invited
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CHAPTER SIX search. The final passa
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CHAPTER SIX sneeom. opet doselili d
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CHAPTER SIX experience sQmethin~ wh
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CHAPTER SIX seemed to him as if hea
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CHAPTER SIX Nemalt1na, samo~a, b01e
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CHAPTER SIX Zatim je Zemun doznao j
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CHAPTER SIX dance. clances and kiss
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CHAPTER SIX her shadow in the mire,
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CHAPTER SIX ona jo! vide neko zlatn
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CHAPTER SIX symbols of the sta~ and
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CHAPTER SIX sad odlaze. Prva velika
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CHAPTER SIX of the nation at Kosovo
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CHAPTER SIX molda samo oni znaju" (
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CHAPTER SIX spokesperson for the wh
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CHAPTER SIX She was dead for more t
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CHAPTER SIX based on the values ot
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CHAPTER SIX iz~leda da se taj rat n
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CHAPTER SIX todav. The details whic
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CHAPTER SIX ohapter of the novel. w
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CHAPTER SIX The ~ears are passin~ e
Page 337 and 338: CHAPTER SIX Notes 1. III. pll'3. 2.
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Page 341 and 342: CHAPTER SIX 99. Mircea Eliade. Cosm
Page 343 and 344: CHAPTER SEVEN CHAPTER SEVEN CONCLUD
Page 345 and 346: CHAPTER SEVEN follow ~apidlY in the
Page 347 and 348: CHAPTER SEVEN temporal relationship
Page 349 and 350: CHAPTER SEVEN oriein, linked to but
Page 351 and 352: CHAPTER SEVEN Carnojevi6u, are pers
Page 353 and 354: CHAPTER SEVEN search o~ salvation.
Page 355 and 356: CHAPTER SEVEN discourse which opens
Page 357 and 358: CHAPTER SEVEN The moti~ o~ return a
Page 359 and 360: CHAPTER SEVEN Crnjanski himself def
Page 361 and 362: CHAPTER SEVEN 11. I. p210. 18. II.
Page 363 and 364: BIBLIOGRAPHY of Arts and Sciences,
Page 365 and 366: , Crnjanski, Milo~. "Objalnjenje 'S
Page 367 and 368: BIBLIOGRAPHY SECONDARY SOURCES The
Page 369 and 370: BIBLIOGRAPHY I~njatovi6. Dra~oljub.
Page 371 and 372: BIBLIOGRAPHY Lovri6. Jasmina. "Funk
Page 373 and 374: BIBLIOGRAPHY Serbian Literature, ed
Page 375 and 376: BIBLIOGRAPHY Zdrale. Radovan. "Crnj
Page 377 and 378: BIBLIOGRAPHY Srpski knjifevni glasn
Page 379 and 380: BIBLIOGRAPHY Mirkovi6, Mil.osl.av,
Page 381 and 382: BIBLIOGRAPHY Kru!evac. 1988 Travar.
Page 383 and 384: BIBLIOGRAPHY 7-8. pp809-817 Mirkovi
Page 385 and 386: BIBLIOGRAPHY SUPPLEMENTARY MATERIAL
Page 387: BIBLIOGRAPHY Modernism Bradburv, Ma
Page 391 and 392: BIBLIOGRAPHY Spencer. Sharon. Space
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