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TIME IN THE NOVELS OF MILOS CRNJANSKI - Nottingham eTheses

TIME IN THE NOVELS OF MILOS CRNJANSKI - Nottingham eTheses

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CHAPTER FOUR<br />

happiness which e~uded<br />

him in his marriaee and in the<br />

service o~ the Habsbure Empire. He never rea~ised his<br />

dream. Hi. nephews and his adopted son. Pav~e Isakovia.<br />

continue to dream o~<br />

emieratine to Russia in Druea<br />

knji,a seoba. The nove~ has o~ten been described a.<br />

epic (2). However. a~thoueh there are man¥ epic<br />

~eatures<br />

in the work. there are others which counter<br />

them.<br />

The distinction between the epic and non-epic<br />

~eatures is here considered as the e~~ects o~ the<br />

narratine voice.. which is particularl¥ evident in the<br />

novel'. oreanisation o~<br />

time.<br />

The events o~ the nove~ are not contained in one<br />

uni~¥in, tempora~ model. There are ~our narratin,<br />

voices which or,anise the event. o~ the nove~ accordine<br />

to the de.ien. o~ di~~erent time schemes. The¥ are here<br />

termed the chronic~e. authorial. hi.torica~ and epic<br />

voice..<br />

These term. are appropriate to the ,eneral<br />

ftunction o~<br />

each voice as a narrati v.e device in<br />

Crnjanski'. novel.<br />

The chronicle voice narrates events<br />

in their linear .eQuence.<br />

The authorial voice narrate.<br />

event. ~rom the point oft view o~ the characters. The<br />

hi.torical voice is concerned with the hi.torical and<br />

political details and causes which surround events.<br />

The<br />

epic voice_repre.ents a sp.ci~ic<br />

vi.w oft time expr •••• d<br />

b¥ Pavle Isakovil. Th.¥ are distincuished one ftrom the<br />

other b¥ the tempora~ laps which separate them ~rom the<br />

events which the¥ relate. Bach voice a180 introduces a<br />

162

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