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TIME IN THE NOVELS OF MILOS CRNJANSKI - Nottingham eTheses

TIME IN THE NOVELS OF MILOS CRNJANSKI - Nottingham eTheses

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CHAPTER ONE<br />

verv d~fferent sentence structures wh~ch character~se<br />

the two nove1s (105). Others have cons~dered the t~me<br />

between the appearances of the two nove1s as mark~nz<br />

the<br />

division between two creat~ve periods ~n Crnjanski's<br />

lite. while maintaininc that the two periods are<br />

connected both ~n<br />

terms of Crnjanski's narrative stv1e<br />

and the sUbject matter of the two novels (106).<br />

Much of<br />

the difference between the two novels has been described<br />

in terms of zreater lvricism in Seobe. and a zreater<br />

interest in the historical backcround and inclusion of<br />

an epic flavour in Druca kn~iza seoba (107).<br />

Crnjansk~ draws on his experience as an ~mizre in<br />

London for his last novel. Roman 0 Londonu. It<br />

concerns the plicht of an em1cr' Russian aristocrat.<br />

Prince Nikolaj ROdionovia Rjepnin. who is forced to<br />

leave Russia shortlvafter the October revolution.<br />

While waitinc at Kerch to be evacuated. he. catches sicht<br />

of a vounc zirl. Na4a. a1so waitinz on.the Qu&Vside.<br />

She is seventeen. and ten vears vouncer than Rjepnin.<br />

but soon to become his wife.<br />

He and Na4a live in<br />

variouscities.on the continent. and move from Paris to<br />

London in 1940 because of th.e war •.. The n.ovel tells<br />

their storv from the becinninc of 1947 to late 1948.<br />

It<br />

i. difficult to be sure about the preci.e chronolozv of<br />

the storV.<br />

Sveto%ar Koljevi6 describe. the PrOblem of<br />

the "temporal cross'""\Z'et'erence." in the novel. (1.08).<br />

Tracinc the vear ot' their arrival from comments made bV

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