TIME IN THE NOVELS OF MILOS CRNJANSKI - Nottingham eTheses

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BIBLIOGRAPHY Commentaries on the Novels of Milo§ Crnjanski Milan, "Milo§ Crnjanski: Seobe", Srpski knji~evni ~lasnik, ~929, XXVIII. 4. pp293-299. (republished with some revision as:. "Seobe". Knji~evnost izme~u dva rata I. edited by Jovan Hristi6, Srpska knji~evnost u knji~evnoj kritici. vol 7. Nolit. Bel~rade. ~965. pp242-257) Bo~danovi6, Dedinac. Milan. "Dnevnik 0 earnojevi6u od Milo§a Crnjansko~. Putevi. ~922. ~. pp29-32 Dereti6. Jovan. "Me~uratni poetski roman (Rani Crnjanski, Rastko Petrovi6."i dr.)". Srpski roman ~800-~950. Nolit. Bel~rade. ~98~. pp250-286 Dra§kovi6. Aleksandar. "Lament nad sUdbinom". Gradina. ~978. XIII. 2. pp28-34 D~ad~i6. D~ad~i6. Petal". Prostori sre6e u delu Milo~a Crnjansko~. Nolit. Belzrade. ~976 Petar. "The Non-Causal System of Links in the Novels of M. Crnjanski". Relations. ~981. 3-4. pp~7-27 Gli§i6. Slobodanka. "Mo6 i nemo6 erotsko~". ~. ~977. XXIII. ~1. pp5-32 Gli§i6. Slobodanka. "Erotski motivi u romanu Milo~a Crnjansko~". Gradina. ~979. XIV. 3. pp~3-23 Zoran. "Roman jednoz naciona. Milo§ Crnjanski Seobe i Druia knjiia seoba. SKZ. Beo~rad, 1962". Knji~evne novine. ~4 December 1962. p3 Glu~~evi6. GOY. Edward, "Existence and Symbol: Nature in Seobe I and II". Milo§ Crnjanski and Modern Serbian Literature, edited bV David Norris. Astra Press. Nottin~ham.~988. pp47-59 Hawkesworth. Celia. "Distancin~ Devices in Dnevnik 0 earnojevi6u, Milo§ Crnjanski and Modern Serbian Literature. edited by David Norris. Astra Press. Nottin~ham. 1988. PP35-45 Hronjec,_Vi6ezoslav. "Da li je Milo§ Crnjanski napisao roman Podzemni klub". Knji~evne novine. 1 November 1986. p18 Hronjec. Vi6ezoslav. "OdCovor Mirjani Popovi6-Radovi6". Knji~evne novine. 15 January 1987. p2. (published as a letter)
BIBLIOGRAPHY I~njatovi6. Dra~oljub. "Dnevnik 0 Carnojevi6u ili nihilizam kao upozorenje". Knji!evno delo Milo~a Crnjansko~. edited bv Predra~ Palavestra and Svetlana Radulovi6. Institut za knji!evnost i umetnost. Posebna izdanja. IV. Bel~rade. 1972. pp75-92 Srba. "The All-Inclusive Form of Crnjanski". Relations. 1981~ 3-4. pp39-44 I~njatovi6. Ijar. Sarlo "Seobe Milo~a Crnjansko~". Savremenik. 1971. XVII. 3. pp209-213 Il'vina. G. Ya •• "Liricheskii mi~ Milosha Tsrnvanskovo", Razvitive vu~oslavskovo roman a v 20-30-e ~odv XX v .• Nauka. Moscow, 1985. pp34-59 Ivanovi6. Radomir. "Roman 0 otuClenju i samootuc!enju". Stremljenja. 1973. XIV. 1, pp53-78 Jeremi6. Dra~an. "Roman Milo~a Crnjansko~. ili prevaziClenja suprotnosti izmeClu poezije i istorije". Knji!evne novine. 1 Au~ust 1972. p3 and p14 Je~i6. Nedeljko, "Milo~ Crnjanski: Seobe i Dru~a knji~a seoba. SKZ. Beo~rad. 1962". Stremljenja. 1963. IV. 2. pp193-196 Je~i6, Nedeljko. "Koje iZdanje Dnevnika 0 Carnojevi6u je 'pravo'7". Letopis Matice srpske, 1987, 439. 2; pp276-293 Jevti6. Borivoje, "G. Crnjanski: psiholo~ (Seobe, Geca Kon, Beo~rad, 1929, III, 70, pp210~213 ~omila 1929)", Pre~led, Kalaji6, Dra~o~, "Roman o"Londonu i Evropa", ~, 1972, XVIII. 5, pp571-584 Kalezi6. Vasilije. "Uz knji!evno delo Milo~a Crnjansko~". Knjilevnost i jezik. 1961, VIII. 1, pp20-27 Ka~anin. Milan. "Milo. Crnjanski: Seobe. Roman. Beo~rad. 1929 (Izdanje G. Kona)". Letopis Matice srpske, 1929. 320. 2. pp147-148 Koljevi6. Svetozar. "Ruski London (Milo. Crnjanski: Roman 0 Londonu. Nolit. Beo~rad. 1971.)". Savremenik. 1972, XVIII, 6~ pp572-575 Koljevi6, Svetozar. "Violation as Innocence", Relations, 1981. 3-4, PPll-16 365
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TIME IN THE NOVELS OF MILOS CRNJANS
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ABSTRACT TIME IN THE NOVELS OF MILO
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CHAPTER ONE PART ONE CHAPTER ONE TH
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CHAPTER ONE preoccupations and char
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CHAPTER ONE (1971). There are simil
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CHAPTER ONE than in his studies. Th
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CHAPTER ONE his connection with Ben
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CHAPTER ONE One could not speak ~et
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CHAPTER ONE his collection o~ poems
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CHAPTER ONE debate with other croup
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CHAPTER ONE and a style similar to
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CHAPTER ONE slikara koji su osnoval
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CHAPTER ONE project in the post-war
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CHAPTER ONE adoption of the term ne
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CHAPTER ONE stru~~le of the earlv R
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CHAPTER ONE discontinuing the line
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CHAPTER ONE this discussion on the
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CHAPTER ONE impression that the con
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CHAPTER ONE knji~evni ;lasnik (66).
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CHAPTER ONE His recollection of his
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CHAPTER ONE and that he used his po
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----------------------- CHAPTER ONE
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CHAPTER ONE The~ took all my books
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CHAPTER ONE areas of social and cul
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CHAPTER ONE Crnjanski's memoirs fro
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CHAPTER ONE 1962. Far from beine pe
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CHAPTER ONE Habsbur~ armv. Thev led
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CHAPTER ONE chanced. He had intende
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CHAPTER ONE verv d~fferent sentence
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CHAPTER ONE doe. not view the.e eve
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CHAPTER ONE Much of what informed h
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CHAPTER ONE December 1959, p15. 11.
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CHAPTER ONE 36. Draaila Vitolevi6.
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CHAPTER ONE 66. Mi101 Crnjanski. Su
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CHAPTER ONE 93. Ljub11a .1erem16, "
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CHAPTER TWO PART TWO CHAPTl!iR TWO
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CHAPTER TWO The Antholocy to which
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CHAPTER TWO His rriend told him or
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CHAPTER TWO su bo~e, ~ak tamo do zv
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CHAPTER TWO hi. outlook. which i. i
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CHAPTER TWO intuitive. As Milan Bo~
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CHAPTER TWO the actual time of narr
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CHAPTER TWO articles (such as the o
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CHAPTER TWO The "new sensibil.ities
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CHAPTER TWO Pound's emphasis on 1an
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CHAPTER TWO which also links the in
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CHAPTER TWO Ber~son, as for Crnjans
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CHAPTER TWO in the "rhythm ot each
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CHAPTER TWO cause and effect. ver~
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CHAPTER TWO tempol"alitv. but bv st
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CHAPTER TWO Moderna umetni~ka lirik
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CHAPTER TWO rhythm"). Later in the
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CHAPTER TWO Notes 1. Sima Pandurovi
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CHAPTER TWO 36. Joseph Frank. "Spat
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CHAPTER THREE Crnjanski's lyricism
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CHAPTER THREE persuade him of the n
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CHAPTER THREE to find themselves al
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CHAPTER THREE writin~. and their du
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CHAPTER THREE i vi~u: "Izdajice. iz
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CHAPTER THREE o toj je s~1c1 mu~e61
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CHAPTER THREE action, the focus on
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CHAPTER THREE ("1 am ~~ing; down").
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CHAPTER THREE to the insicnificant.
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CHAPTER THREE dominates much o-r th
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CHAPTER THREE of self in his dream.
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CHAPTER THREE Po~azlivenim vodama.
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CHAPTER THREE Uili su u Pe~uj tako
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CHAPTER THREE The whole campaien th
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CHAPTER THREE In Vuk's consciousnes
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CHAPTER THREE simultaneous. The int
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CHAPTER THREE boucht, he wanted to
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CHAPTER THREE main verb is deterred
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CHAPTER THREE the passin,; ot an ev
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CHAPTER THREE ni~ht cooin~. he list
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CHAPTER THREE zalivala svoje poljup
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CHAPTER THREE the po~nt. of v~ew of
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CHAPTER THREE social custom in the
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CHAPTER THREE his ~riends ~or Vuk I
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CHAPTBR THRBB 89) 1 •• 1.0 'oun
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CHAPTER THREE Notes 1. M. Svetovaki
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CHAPTER THREE 45. Novioa Petkovi6.
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CHAPTER THREE 90. III. p16. p223. 9
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CHAPTER FOUR Voice. in this context
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CHAPTER FOUR di~~erent arransement
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CHAPTER FOUR Novom Sadu. izc~eda da
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CHAPTER FOUR chronic~e. The events
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CHAPTER POUR structure of events, h
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CHAPTER FOUR not explain his presen
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CHAPTER POUR institutions which all
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CHAPTER FOUR European civilisation
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CHAPTER POUR a creative order. Each
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CHAPTER FOUR su Oni. Isakovi~i.u Au
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CHAPTER FOUR and die for Russia. an
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CHAPTER POUR tortured re~lections e
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CHAPTER FOUR I com~ort him with wha
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CHAPTER FOUR one point that ".John
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CHAPTER FOUR impersonal and distanc
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CHAPTER FOUR in the lancuac. o~ the
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CHAPTER FOUR question which misht b
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CHAPTER FOUR because of the intri~u
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CHAPTER FOUR class, that lady - mur
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CHAPTER FOUR Dloni mu vi~e u uvo da
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CHAPTER FOUR those which Rjepnin ha
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CHAPTER FOUR anal~sis has shown tha
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CHAPTER FOUR sort of ·larce, stran
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CHAPTER POUR in o~de~ to set the ~a
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CHAPTER POUR expression of time is
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CHAPTER FOUR seoba. "Epic and Time
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CHAPTER FOUR U4. Boris Uspenskv. A
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CHAPTER FIVE PART THREE CHAPTER FIV
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CHAPTER FIVE characters' invo~vemen
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CHAPTER FIVE absurd and a~ien in th
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CHAPTER FIVE left Russia, he has ju
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CHAPTER FIVE Xzabe~a. and h~s f~~st
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CHAPTER FIVE are sharp~v contrasted
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CHAPTER FIVE th1S? 11). closes thus
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CHAPTER FIVE dane sam prvi put nau~
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CHAPTER F1.VE says. "H06u da ti pri
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CHAPTER. FIVE spends the niaht. and
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CHAPTER FIVE Greek honeyed words. a
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CHAPTER FIVE psvche wh1Ch eX1sts be
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CHAPTER F~VE aeainst the diarist's
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CHAPTER FIVE by" 51). By avoidin~ t
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CHAPTER FIVE his diary with a para&
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CHAPTER FIVE United States. Third.
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CHAPTER FIVE An officer is 1ike a f
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CHAPTER FIVE London at the time" 67
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CHAPTER FIVE The passa~e continues
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CHAPTER FIVE and his class-mates: G
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CHAPTER FIVE of their vears. thev w
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CHAPTER FIVE station. The cinema is
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CHAPTER FIVE 1948 but with a parall
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CHAPTER FIVE on himselt. the other
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CHAPTER FIVE prolazili ljudi ilene.
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CHAPTER FIVE heart of Rjepnin's psv
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CHAPTER FIVE Rjepnin considers retu
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CHAPTER FIVE bein~-in-time. Both Dn
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CHAPTER FIVE Notes 1. Leslie A. Joh
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CHAPTER FIVE UB. II. p11. U9. II. p
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CHAPTER FIVE 98. IX. p325. 99. Duii
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CHAPTER SIX i bein~-in-time wi.t~ t
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CHAPTER S.IX c~ttle. around the for
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CHAPTER SIX trend in the epic in wh
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CHAPTER SIX tuture becomes present.
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CHAPTER SIX the loss o~ the ~ather'
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CHAPTER SIX their oontaot with natu
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CHAPTER SIX his ~ather. However. th
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CHAPTER SIX In P'cs. Vuk is invited
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CHAPTER SIX search. The final passa
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CHAPTER SIX sneeom. opet doselili d
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CHAPTER SIX experience sQmethin~ wh
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CHAPTER SIX seemed to him as if hea
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CHAPTER SIX Nemalt1na, samo~a, b01e
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CHAPTER SIX Zatim je Zemun doznao j
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CHAPTER SIX dance. clances and kiss
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CHAPTER SIX her shadow in the mire,
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CHAPTER SIX ona jo! vide neko zlatn
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CHAPTER SIX symbols of the sta~ and
Page 317 and 318: CHAPTER SIX sad odlaze. Prva velika
Page 319 and 320: CHAPTER SIX of the nation at Kosovo
Page 321 and 322: CHAPTER SIX molda samo oni znaju" (
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Page 325 and 326: CHAPTER SIX She was dead for more t
Page 327 and 328: CHAPTER SIX based on the values ot
Page 329 and 330: CHAPTER SIX iz~leda da se taj rat n
Page 331 and 332: CHAPTER SIX todav. The details whic
Page 333 and 334: CHAPTER SIX ohapter of the novel. w
Page 335 and 336: CHAPTER SIX The ~ears are passin~ e
Page 337 and 338: CHAPTER SIX Notes 1. III. pll'3. 2.
Page 339 and 340: CHAPTER SIX 47. III, p79. 46. III,
Page 341 and 342: CHAPTER SIX 99. Mircea Eliade. Cosm
Page 343 and 344: CHAPTER SEVEN CHAPTER SEVEN CONCLUD
Page 345 and 346: CHAPTER SEVEN follow ~apidlY in the
Page 347 and 348: CHAPTER SEVEN temporal relationship
Page 349 and 350: CHAPTER SEVEN oriein, linked to but
Page 351 and 352: CHAPTER SEVEN Carnojevi6u, are pers
Page 353 and 354: CHAPTER SEVEN search o~ salvation.
Page 355 and 356: CHAPTER SEVEN discourse which opens
Page 357 and 358: CHAPTER SEVEN The moti~ o~ return a
Page 359 and 360: CHAPTER SEVEN Crnjanski himself def
Page 361 and 362: CHAPTER SEVEN 11. I. p210. 18. II.
Page 363 and 364: BIBLIOGRAPHY of Arts and Sciences,
Page 365 and 366: , Crnjanski, Milo~. "Objalnjenje 'S
Page 367: BIBLIOGRAPHY SECONDARY SOURCES The
Page 371 and 372: BIBLIOGRAPHY Lovri6. Jasmina. "Funk
Page 373 and 374: BIBLIOGRAPHY Serbian Literature, ed
Page 375 and 376: BIBLIOGRAPHY Zdrale. Radovan. "Crnj
Page 377 and 378: BIBLIOGRAPHY Srpski knjifevni glasn
Page 379 and 380: BIBLIOGRAPHY Mirkovi6, Mil.osl.av,
Page 381 and 382: BIBLIOGRAPHY Kru!evac. 1988 Travar.
Page 383 and 384: BIBLIOGRAPHY 7-8. pp809-817 Mirkovi
Page 385 and 386: BIBLIOGRAPHY SUPPLEMENTARY MATERIAL
Page 387 and 388: BIBLIOGRAPHY Modernism Bradburv, Ma
Page 389 and 390: BIBLIOGRAPHY Time in Literature Bak
Page 391 and 392: BIBLIOGRAPHY Spencer. Sharon. Space
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