TIME IN THE NOVELS OF MILOS CRNJANSKI - Nottingham eTheses

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CHAPTER ONE Frulkoj Gori. 0 Poeziji". Dnevnik. 31 Deoemeber 1967. p13. 54. Edmund Wi1son. Axe1's Cast1ea A Study in the 1maatnattve Literature of 1870-1930. Charles 8o~ibne~'a Sona. New Yo~k. 1959. pp1-2. 55. Maloolm Bradburv and .lames McFarlane. p1l7 • 56. Branimir ~osi6. p87. 57. "Laza Ko.ti6", XII, pili. 58. Predraa Pal .. ve.tra, ·"·Pe.n1~k1 roman Milol .. · Crnjanskoc". Gradina. 1981. XV. 2. pS • .59. Radomir Konstantinovi6. "Milol Crnjanski". Bi6e i ilezik. I. Prosveta. Be1crade. p349. 60. Slobodan 2. Markovi6. "Sumatraizam". Kn;lilevne poilave izmectu dva svetska rata. Mili6 Raki6. Val;Jevo. 1982, P.51l. 61. Pav1e Zori6. "Poezija se ne mole pisati bez rom .. nt1zm ..... Knililevne novine. 6 June 1970. P12. 62. Ra1ph Freedman. The LVrioal Novel: Studies in Herman Hesse. Andr6 Gide. and Vircinia Wool~. Prinoeton Universitv Press. 1963. pl. '. 63. Renato Pocci01i. The T.heow Of the AVMt-Garde. Belknap Press. Cambridce Malus •• 1981, p217. 64. Milol Crn;lanski, (written under the psuedonvm Harald .lotlonsson). f'odzemni klub. Napredak. Pan~evo. 1921. (repub1ished in. instalments in Politika, 12 Februarv to 12 Maroh 198.5. and in a xerox oopv bV Narodna biblioteka Srbije. Belerade. 198.5). 6.5. The debate whether it is an oricinal work bv Crn;Janski or a translation bv him oan be ~ollowed in the ~ollowinc artioles: Mirjana Popovi6-Radovi6, "Nyoznati detektivski roman Milola·Crn;Janekoc", Kp;li'eXt novine. 1.5 Januarv 198.5. pl.5. Vi6ezoslav Hron;leo, "Da li ;Ie Milo. Crn;laneki napisao roman ,odaemni klyb". Knili'.vne nov1pe. 1 November 1986, p18. Mir;fana Popovi6-Radovi6. ".ledini verodostojni svedok ;Ie pisao", Kn;lilevne novine, 1 December 1986. p19. I V16ez·oslav Hronjec. "Odcovor M1rjani popovi6- Radevi6", Kn;Ji'.vne novine. 1.5 .lanuarv 1987. p2 t (Published a. a letter). 62
CHAPTER ONE 66. Mi101 Crnjanski. Suzni krokodile Srpski knjilevni ,lasnik. 1931. XXXII. 1. pp26-34; 2. Pp107-118; 3. pp189-198: 4~ pp265-277. 67. Mi101 Crnjanski. Kap Ipanske krvi. Nolit. Bel,rade. 1970. (first serialised 1n Vreme. 15 Maroh to 17 April 1932. 24 to 29 Apr11 1932). 68. Branko A1eksi6. "Crnjanski i Maks Ofils takmaoi za Lolu Montez". Knj11evna re~. 25 Deoember 1986. p9. 69. Vladimir Bunjao. "Pisoi su dob11i nov pololaj". Knjil.vne novine. 16 D.oember 1977. p3. 10. Milo. Crn;lanski. Sv.ti Sava. Zadruea Prot.sorskoe dru.tva. ae1crad •• · 1934. 71. I. p205.· 12. Milan Komneni6. "Razeovor sa Crnjanskim". R.!.1:.2. 1973 XIX. 10. pl127. 73. Radovan Vu~kovi6. Poetika hrvatskoc i srpskoc .ksp,s10n1zrna, Sv;l.tlost, Saraj.vo, 1919, p189. 74. Radovan Vuikov16. pl,8 •. 75. Extracts ~~om the da11V pr ••• cono.~ninc the cu..pute. and tz-:Lal. ot the pe,,:Lod and an analVI:L. ot the issues w.~e publish.d bV Stanko Tomali6. a.ocrad.ke kn;l11.vnl at.ra, Binoza. Zaer.b. 1932. 76. 01ea Srdanovi6-Ba~a6. "Slulbovanje Milola Crnjanskoe u pan(f.va(fkoj ,imnaziji". ZbPFti kMat10e ,rpsk.za kn;fia.vnost i;f.zik. 1978. XXXVI. 1. PP167-177. 77. Radovan Popovi6, p182. pp162-166. 78. In his trave10eues from Croatia. Crnjanski shows no sian of host111tv or animositv towards Croatia. its historv. traditions. oultur" or p'ople. 79. M11an Bo,danovi6. "Slom posleratnoe modernlzma". Knjia,vnost lzmedu dva ,ala II, edited bv Jovan Hristi6. Srpska kn;lll.vnost u kn;fllevno;f krltiol, vol 8, Nolit. B.lerade. 1966. p343. (fi~st pub1i.hed in 1934). 80. Milan Boedanovi6, p346. 81. Marko Rlst16. "Prottv mOd,rm1atllk. knj11.vnoat1". Kn#1a,vnost ;Lzme.", dva,ata II. edit.d bv Jovan Hr1st16. Srpska kn;l11evnost u kn;l11evnoj kritic1. vol a, Nolit, Bel.rad •• 1966. p3'0. (first publi.hed in 1932) • .. 68
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TIME IN THE NOVELS OF MILOS CRNJANS
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ABSTRACT TIME IN THE NOVELS OF MILO
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CHAPTER ONE PART ONE CHAPTER ONE TH
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CHAPTER ONE preoccupations and char
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CHAPTER ONE (1971). There are simil
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CHAPTER ONE than in his studies. Th
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CHAPTER ONE his connection with Ben
Page 15 and 16: CHAPTER ONE One could not speak ~et
Page 17 and 18: CHAPTER ONE his collection o~ poems
Page 19 and 20: CHAPTER ONE debate with other croup
Page 21 and 22: CHAPTER ONE and a style similar to
Page 23 and 24: CHAPTER ONE slikara koji su osnoval
Page 25 and 26: CHAPTER ONE project in the post-war
Page 27 and 28: CHAPTER ONE adoption of the term ne
Page 29 and 30: CHAPTER ONE stru~~le of the earlv R
Page 31 and 32: CHAPTER ONE discontinuing the line
Page 33 and 34: CHAPTER ONE this discussion on the
Page 35 and 36: CHAPTER ONE impression that the con
Page 37 and 38: CHAPTER ONE knji~evni ;lasnik (66).
Page 39 and 40: CHAPTER ONE His recollection of his
Page 41 and 42: CHAPTER ONE and that he used his po
Page 43 and 44: ----------------------- CHAPTER ONE
Page 45 and 46: CHAPTER ONE The~ took all my books
Page 47 and 48: CHAPTER ONE areas of social and cul
Page 49 and 50: CHAPTER ONE Crnjanski's memoirs fro
Page 51 and 52: CHAPTER ONE 1962. Far from beine pe
Page 53 and 54: CHAPTER ONE Habsbur~ armv. Thev led
Page 55 and 56: CHAPTER ONE chanced. He had intende
Page 57 and 58: CHAPTER ONE verv d~fferent sentence
Page 59 and 60: CHAPTER ONE doe. not view the.e eve
Page 61 and 62: CHAPTER ONE Much of what informed h
Page 63 and 64: CHAPTER ONE December 1959, p15. 11.
Page 65: CHAPTER ONE 36. Draaila Vitolevi6.
Page 69 and 70: CHAPTER ONE 93. Ljub11a .1erem16, "
Page 71 and 72: CHAPTER TWO PART TWO CHAPTl!iR TWO
Page 73 and 74: CHAPTER TWO The Antholocy to which
Page 75 and 76: CHAPTER TWO His rriend told him or
Page 77 and 78: CHAPTER TWO su bo~e, ~ak tamo do zv
Page 79 and 80: CHAPTER TWO hi. outlook. which i. i
Page 81 and 82: CHAPTER TWO intuitive. As Milan Bo~
Page 83 and 84: CHAPTER TWO the actual time of narr
Page 85 and 86: CHAPTER TWO articles (such as the o
Page 87 and 88: CHAPTER TWO The "new sensibil.ities
Page 89 and 90: CHAPTER TWO Pound's emphasis on 1an
Page 91 and 92: CHAPTER TWO which also links the in
Page 93 and 94: CHAPTER TWO Ber~son, as for Crnjans
Page 95 and 96: CHAPTER TWO in the "rhythm ot each
Page 97 and 98: CHAPTER TWO cause and effect. ver~
Page 99 and 100: CHAPTER TWO tempol"alitv. but bv st
Page 101 and 102: CHAPTER TWO Moderna umetni~ka lirik
Page 103 and 104: CHAPTER TWO rhythm"). Later in the
Page 105 and 106: CHAPTER TWO Notes 1. Sima Pandurovi
Page 107 and 108: CHAPTER TWO 36. Joseph Frank. "Spat
Page 109 and 110: CHAPTER THREE Crnjanski's lyricism
Page 111 and 112: CHAPTER THREE persuade him of the n
Page 113 and 114: CHAPTER THREE to find themselves al
Page 115 and 116: CHAPTER THREE writin~. and their du
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CHAPTER THREE i vi~u: "Izdajice. iz
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CHAPTER THREE o toj je s~1c1 mu~e61
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CHAPTER THREE action, the focus on
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CHAPTER THREE ("1 am ~~ing; down").
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CHAPTER THREE to the insicnificant.
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CHAPTER THREE dominates much o-r th
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CHAPTER THREE of self in his dream.
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CHAPTER THREE Po~azlivenim vodama.
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CHAPTER THREE Uili su u Pe~uj tako
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CHAPTER THREE The whole campaien th
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CHAPTER THREE In Vuk's consciousnes
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CHAPTER THREE simultaneous. The int
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CHAPTER THREE boucht, he wanted to
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CHAPTER THREE main verb is deterred
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CHAPTER THREE the passin,; ot an ev
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CHAPTER THREE ni~ht cooin~. he list
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CHAPTER THREE zalivala svoje poljup
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CHAPTER THREE the po~nt. of v~ew of
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CHAPTER THREE social custom in the
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CHAPTER THREE his ~riends ~or Vuk I
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CHAPTBR THRBB 89) 1 •• 1.0 'oun
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CHAPTER THREE Notes 1. M. Svetovaki
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CHAPTER THREE 45. Novioa Petkovi6.
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CHAPTER THREE 90. III. p16. p223. 9
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CHAPTER FOUR Voice. in this context
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CHAPTER FOUR di~~erent arransement
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CHAPTER FOUR Novom Sadu. izc~eda da
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CHAPTER FOUR chronic~e. The events
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CHAPTER POUR structure of events, h
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CHAPTER FOUR not explain his presen
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CHAPTER POUR institutions which all
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CHAPTER FOUR European civilisation
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CHAPTER POUR a creative order. Each
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CHAPTER FOUR su Oni. Isakovi~i.u Au
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CHAPTER FOUR and die for Russia. an
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CHAPTER POUR tortured re~lections e
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CHAPTER FOUR I com~ort him with wha
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CHAPTER FOUR one point that ".John
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CHAPTER FOUR impersonal and distanc
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CHAPTER FOUR in the lancuac. o~ the
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CHAPTER FOUR question which misht b
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CHAPTER FOUR because of the intri~u
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CHAPTER FOUR class, that lady - mur
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CHAPTER FOUR Dloni mu vi~e u uvo da
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CHAPTER FOUR those which Rjepnin ha
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CHAPTER FOUR anal~sis has shown tha
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CHAPTER FOUR sort of ·larce, stran
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CHAPTER POUR in o~de~ to set the ~a
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CHAPTER POUR expression of time is
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CHAPTER FOUR seoba. "Epic and Time
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CHAPTER FOUR U4. Boris Uspenskv. A
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CHAPTER FIVE PART THREE CHAPTER FIV
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CHAPTER FIVE characters' invo~vemen
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CHAPTER FIVE absurd and a~ien in th
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CHAPTER FIVE left Russia, he has ju
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CHAPTER FIVE Xzabe~a. and h~s f~~st
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CHAPTER FIVE are sharp~v contrasted
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CHAPTER FIVE th1S? 11). closes thus
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CHAPTER FIVE dane sam prvi put nau~
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CHAPTER F1.VE says. "H06u da ti pri
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CHAPTER. FIVE spends the niaht. and
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CHAPTER FIVE Greek honeyed words. a
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CHAPTER FIVE psvche wh1Ch eX1sts be
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CHAPTER F~VE aeainst the diarist's
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CHAPTER FIVE by" 51). By avoidin~ t
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CHAPTER FIVE his diary with a para&
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CHAPTER FIVE United States. Third.
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CHAPTER FIVE An officer is 1ike a f
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CHAPTER FIVE London at the time" 67
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CHAPTER FIVE The passa~e continues
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CHAPTER FIVE and his class-mates: G
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CHAPTER FIVE of their vears. thev w
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CHAPTER FIVE station. The cinema is
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CHAPTER FIVE 1948 but with a parall
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CHAPTER FIVE on himselt. the other
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CHAPTER FIVE prolazili ljudi ilene.
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CHAPTER FIVE heart of Rjepnin's psv
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CHAPTER FIVE Rjepnin considers retu
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CHAPTER FIVE bein~-in-time. Both Dn
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CHAPTER FIVE Notes 1. Leslie A. Joh
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CHAPTER FIVE UB. II. p11. U9. II. p
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CHAPTER FIVE 98. IX. p325. 99. Duii
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CHAPTER SIX i bein~-in-time wi.t~ t
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CHAPTER S.IX c~ttle. around the for
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CHAPTER SIX trend in the epic in wh
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CHAPTER SIX tuture becomes present.
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CHAPTER SIX the loss o~ the ~ather'
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CHAPTER SIX their oontaot with natu
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CHAPTER SIX his ~ather. However. th
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CHAPTER SIX In P'cs. Vuk is invited
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CHAPTER SIX search. The final passa
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CHAPTER SIX sneeom. opet doselili d
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CHAPTER SIX experience sQmethin~ wh
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CHAPTER SIX seemed to him as if hea
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CHAPTER SIX Nemalt1na, samo~a, b01e
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CHAPTER SIX Zatim je Zemun doznao j
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CHAPTER SIX dance. clances and kiss
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CHAPTER SIX her shadow in the mire,
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CHAPTER SIX ona jo! vide neko zlatn
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CHAPTER SIX symbols of the sta~ and
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CHAPTER SIX sad odlaze. Prva velika
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CHAPTER SIX of the nation at Kosovo
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CHAPTER SIX molda samo oni znaju" (
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CHAPTER SIX spokesperson for the wh
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CHAPTER SIX She was dead for more t
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CHAPTER SIX based on the values ot
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CHAPTER SIX iz~leda da se taj rat n
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CHAPTER SIX todav. The details whic
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CHAPTER SIX ohapter of the novel. w
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CHAPTER SIX The ~ears are passin~ e
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CHAPTER SIX Notes 1. III. pll'3. 2.
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CHAPTER SIX 47. III, p79. 46. III,
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CHAPTER SIX 99. Mircea Eliade. Cosm
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CHAPTER SEVEN CHAPTER SEVEN CONCLUD
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CHAPTER SEVEN follow ~apidlY in the
Page 347 and 348:
CHAPTER SEVEN temporal relationship
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CHAPTER SEVEN oriein, linked to but
Page 351 and 352:
CHAPTER SEVEN Carnojevi6u, are pers
Page 353 and 354:
CHAPTER SEVEN search o~ salvation.
Page 355 and 356:
CHAPTER SEVEN discourse which opens
Page 357 and 358:
CHAPTER SEVEN The moti~ o~ return a
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CHAPTER SEVEN Crnjanski himself def
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CHAPTER SEVEN 11. I. p210. 18. II.
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BIBLIOGRAPHY of Arts and Sciences,
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, Crnjanski, Milo~. "Objalnjenje 'S
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BIBLIOGRAPHY SECONDARY SOURCES The
Page 369 and 370:
BIBLIOGRAPHY I~njatovi6. Dra~oljub.
Page 371 and 372:
BIBLIOGRAPHY Lovri6. Jasmina. "Funk
Page 373 and 374:
BIBLIOGRAPHY Serbian Literature, ed
Page 375 and 376:
BIBLIOGRAPHY Zdrale. Radovan. "Crnj
Page 377 and 378:
BIBLIOGRAPHY Srpski knjifevni glasn
Page 379 and 380:
BIBLIOGRAPHY Mirkovi6, Mil.osl.av,
Page 381 and 382:
BIBLIOGRAPHY Kru!evac. 1988 Travar.
Page 383 and 384:
BIBLIOGRAPHY 7-8. pp809-817 Mirkovi
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BIBLIOGRAPHY SUPPLEMENTARY MATERIAL
Page 387 and 388:
BIBLIOGRAPHY Modernism Bradburv, Ma
Page 389 and 390:
BIBLIOGRAPHY Time in Literature Bak
Page 391 and 392:
BIBLIOGRAPHY Spencer. Sharon. Space
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