2 - Lake Washington Institute of Technology
2 - Lake Washington Institute of Technology
2 - Lake Washington Institute of Technology
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ARGT 233 COMMERCIAL CONSTRUCTION<br />
DOCUMENTS<br />
4CR<br />
This course is a continuation <strong>of</strong> ARGT 232 covering commercial architectural<br />
graphics standards, floor plans, sections, elevations, stairs, ro<strong>of</strong>s, and<br />
foundations. Primary focus is on production <strong>of</strong> construction documents.<br />
Various architectural graphics media and s<strong>of</strong>tware applications are utilized.<br />
Prerequisite: ARGT 232.<br />
ARGT 241 ARCHITECTURAL ILLUSTRATION 4CR<br />
This course covers architectural illustration techniques and includes:<br />
orthographic, axonometric and oblique projection; and 2-point perspectives.<br />
Lettering and rendering techniques with emphasis on a variety <strong>of</strong> media and<br />
s<strong>of</strong>tware are covered. Prerequisite: ENGT 131 or ARGT 131.<br />
ARGT 245 ARCHITECTURAL MODEL BUILDING 3CR<br />
This is a basic course in architectural model making. Emphasis is placed on<br />
current model making techniques used by architectural and engineering firms<br />
for marketing their pr<strong>of</strong>essional services and proposals. Prerequisite: ARGT 221.<br />
ARGT 261 ARCHITECTURAL PROBLEMS I 4CR<br />
Students develop and define a project while coordinating with faculty. The<br />
architectural project begins at a conceptual stage and will develop through<br />
the design phase <strong>of</strong> a project. Students work individually or on teams, explore<br />
and document their work through sketches, study models, and design and<br />
present their drawings. Prerequisites: ENGT 132, ARGT 222.<br />
ARGT 262 ARCHITECTURAL PROBLEMS II 4CR<br />
This is a continuation <strong>of</strong> Architectural Problems I. Student will continue<br />
project development while coordinating with faculty. The student’s<br />
architectural project begins at the design phase and will continue through<br />
design development. Students working individually or on teams, explore and<br />
document their project process through sketches, study models, presentation,<br />
and working drawings. Prerequisite: ARGT 222.<br />
ARST 211 INTRODUCTION TO<br />
AUTOMOTIVE RESTORATION<br />
4CR<br />
This course focuses on the procedures, product knowledge, and tool skills to<br />
expose students to the principles <strong>of</strong> automotive restoration and team/project<br />
management skills. Prerequisites: ACRT 226, ACRT 236, ACRT 246, ACRT 256.<br />
Corequisites: ARST 212, ARST 213, ARST 216.<br />
ARST 212 AUTOMOTIVE RESTORATION REPAIRS 4CR<br />
This hands-on course focuses on the procedures, product knowledge and<br />
skills needed to fully repair an older vehicle. Prerequisites: ACRT 226,<br />
ACRT 236, ACRT 246, ACRT 256. Corequisites: ARST 211, ARST 213, ARST 216.<br />
ARST 213 AUTO RESTORATION REFINISHING 4CR<br />
This course focuses on the procedures, product knowledge and tool skills<br />
necessary to refinish an older vehicle. Prerequisites: ACRT 226, ACRT 236,<br />
ACRT 246, ACRT 256. Corequisites: ARST 211, ARST 212, ARST 216.<br />
ARST 216 AUTO RESTORATION ESTIMATING 4CR<br />
This hands-on course focuses on the procedures, product knowledge, and tool<br />
skills necessary to estimate the costs involved in restoring an older vehicle.<br />
Prerequisites: ACRT 226, ACRT 236, ACRT 246, ACRT 256. Corequisites:<br />
ARST 211, ARST 212, ARST 213.<br />
ART 102 BEGINNING TWO-DIMENSIONAL<br />
DESIGN<br />
5CR<br />
This course covers exploration <strong>of</strong> the two-dimensional design process<br />
including problem identification, creative ideation, and design solutions.<br />
Students will engage in critical dialogue exploring the content and context <strong>of</strong><br />
design solutions. The principles and elements <strong>of</strong> 2D design will be examined,<br />
and students will execute designs based on them.<br />
ART 111 BEGINNING PAINTING<br />
FOR NON ART MAJORS<br />
5CR<br />
Introduces students to traditional and contemporary concepts and techniques<br />
in oil/acrylic painting. Students learn to organize form, color, and tone while<br />
practicing various methods <strong>of</strong> application, color mixing, and surface preparation.<br />
Course Descriptions<br />
ART 112 INTERMEDIATE PAINTING<br />
FOR NON ART MAJORS<br />
5CR<br />
Students further the skills taught in ART 111 and investigate painting as a<br />
means for self-expression. Explores advanced compositions and use <strong>of</strong> various<br />
materials. Prerequisite: ART 111.<br />
ART 113 ADVANCED PAINTING<br />
FOR NON ART MAJORS<br />
5CR<br />
Provides advanced instruction in painting using objectives taught in ART<br />
112. Students demonstrate advanced compositional theories and painting<br />
methods. Prerequisite: ART 112.<br />
ART 121 INTRODUCTION TO DRAWING 5CR<br />
In-depth study <strong>of</strong> basic drawing skills, sketching principles, and visual<br />
communication through the drawn object and imagination. Composition,<br />
black and white media, subject matter and drawing genres will be examined<br />
in both representational and non-representational projects and exercises.<br />
ART 124 INTRODUCTION TO PRINTMAKING 5CR<br />
This course explores the fundamentals <strong>of</strong> repeatable print media, including<br />
relief, monotype, monoprint, intaglio (dry and wet techniques) and stencil<br />
printing. Students create repeatable matrix and edition prints.<br />
ART 140 PHOTOGRAPHY APPRECIATION 5CR<br />
This course explores the foundations and practical applications <strong>of</strong> the<br />
photographic medium. Course objectives primarily focus on students’<br />
recognition <strong>of</strong> photography movements, genres and terminology, and<br />
exploration <strong>of</strong> concept and meaning through creation <strong>of</strong> a themed image or<br />
images. Foundations <strong>of</strong> shooting, editing, and evaluating digital photographs<br />
will tie historical and theoretical content to the contemporary photography<br />
process and exercise visual literacy. Required materials include a digital camera<br />
that can be connected to a computer to upload images.<br />
ART 201 SURVEY OF WESTERN ART – ANCIENT 5CR<br />
Major achievements in painting, sculpture, architecture, and the decorative arts in<br />
Europe, the Near East, and North Africa, from prehistoric times to the beginnings<br />
<strong>of</strong> Christianity. This course also <strong>of</strong>fers some preliminary training in visual analysis<br />
and a practical introduction to the critical vocabulary <strong>of</strong> art history.<br />
ART 202 SURVEY OF WESTERN ART –<br />
MEDIEVAL & RENAISSANCE<br />
5CR<br />
This course examines the arts <strong>of</strong> the Byzantine Empire, Islam, and Western<br />
Christendom through 1520 AD. This course traces the artistic creativity <strong>of</strong> the<br />
people who lived during the Early Christian, Medieval and Renaissance periods<br />
<strong>of</strong> history, that is, from about 1 AD to about 1540.<br />
ART 203 INTERMEDIATE DRAWING 5CR<br />
This course builds on existing skills and terminology learned in Intro to<br />
Drawing. Advanced approaches to composition, color media, subject matter<br />
and drawing genres will be examined in both representational and nonrepresentational<br />
projects and exercises. Prerequisite: ART 121.<br />
ART 205 HUMAN LIFE DRAWING 5CR<br />
This advanced drawing class focuses on the human form as a basis for learning<br />
about composition, anatomy (including skeletal and muscular structure), and<br />
movement. Students will exit the class with the ability to draw the human<br />
form accurately in proportions, gesture, balance, structure, foreshortening,<br />
and surface anatomy. Prerequisite: ART 121 or instructor permission. This class<br />
draws from the nude human form.<br />
ART 235 FIGURE DRAWING RESEARCH 5CR<br />
This course is a continuation <strong>of</strong> the advanced drawing course ART 205 Human<br />
Life Drawing. Students will expand their knowledge <strong>of</strong> anatomy and conduct<br />
research outside <strong>of</strong> the studio. Students will exit this class with an ability to<br />
draw the human form accurately and identify major skeletal and muscular<br />
landmarks. Prerequisites: Admission to the BTAD or instructor permission.<br />
7<br />
Course Descriptions<br />
2 0 1 3 - 2 0 1 4 • L A K E W A S H I N G T O N I N S T I T U T E O F T E C H N O L O G Y • C A T A L O G 185