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2 - Lake Washington Institute of Technology

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ARGT 233 COMMERCIAL CONSTRUCTION<br />

DOCUMENTS<br />

4CR<br />

This course is a continuation <strong>of</strong> ARGT 232 covering commercial architectural<br />

graphics standards, floor plans, sections, elevations, stairs, ro<strong>of</strong>s, and<br />

foundations. Primary focus is on production <strong>of</strong> construction documents.<br />

Various architectural graphics media and s<strong>of</strong>tware applications are utilized.<br />

Prerequisite: ARGT 232.<br />

ARGT 241 ARCHITECTURAL ILLUSTRATION 4CR<br />

This course covers architectural illustration techniques and includes:<br />

orthographic, axonometric and oblique projection; and 2-point perspectives.<br />

Lettering and rendering techniques with emphasis on a variety <strong>of</strong> media and<br />

s<strong>of</strong>tware are covered. Prerequisite: ENGT 131 or ARGT 131.<br />

ARGT 245 ARCHITECTURAL MODEL BUILDING 3CR<br />

This is a basic course in architectural model making. Emphasis is placed on<br />

current model making techniques used by architectural and engineering firms<br />

for marketing their pr<strong>of</strong>essional services and proposals. Prerequisite: ARGT 221.<br />

ARGT 261 ARCHITECTURAL PROBLEMS I 4CR<br />

Students develop and define a project while coordinating with faculty. The<br />

architectural project begins at a conceptual stage and will develop through<br />

the design phase <strong>of</strong> a project. Students work individually or on teams, explore<br />

and document their work through sketches, study models, and design and<br />

present their drawings. Prerequisites: ENGT 132, ARGT 222.<br />

ARGT 262 ARCHITECTURAL PROBLEMS II 4CR<br />

This is a continuation <strong>of</strong> Architectural Problems I. Student will continue<br />

project development while coordinating with faculty. The student’s<br />

architectural project begins at the design phase and will continue through<br />

design development. Students working individually or on teams, explore and<br />

document their project process through sketches, study models, presentation,<br />

and working drawings. Prerequisite: ARGT 222.<br />

ARST 211 INTRODUCTION TO<br />

AUTOMOTIVE RESTORATION<br />

4CR<br />

This course focuses on the procedures, product knowledge, and tool skills to<br />

expose students to the principles <strong>of</strong> automotive restoration and team/project<br />

management skills. Prerequisites: ACRT 226, ACRT 236, ACRT 246, ACRT 256.<br />

Corequisites: ARST 212, ARST 213, ARST 216.<br />

ARST 212 AUTOMOTIVE RESTORATION REPAIRS 4CR<br />

This hands-on course focuses on the procedures, product knowledge and<br />

skills needed to fully repair an older vehicle. Prerequisites: ACRT 226,<br />

ACRT 236, ACRT 246, ACRT 256. Corequisites: ARST 211, ARST 213, ARST 216.<br />

ARST 213 AUTO RESTORATION REFINISHING 4CR<br />

This course focuses on the procedures, product knowledge and tool skills<br />

necessary to refinish an older vehicle. Prerequisites: ACRT 226, ACRT 236,<br />

ACRT 246, ACRT 256. Corequisites: ARST 211, ARST 212, ARST 216.<br />

ARST 216 AUTO RESTORATION ESTIMATING 4CR<br />

This hands-on course focuses on the procedures, product knowledge, and tool<br />

skills necessary to estimate the costs involved in restoring an older vehicle.<br />

Prerequisites: ACRT 226, ACRT 236, ACRT 246, ACRT 256. Corequisites:<br />

ARST 211, ARST 212, ARST 213.<br />

ART 102 BEGINNING TWO-DIMENSIONAL<br />

DESIGN<br />

5CR<br />

This course covers exploration <strong>of</strong> the two-dimensional design process<br />

including problem identification, creative ideation, and design solutions.<br />

Students will engage in critical dialogue exploring the content and context <strong>of</strong><br />

design solutions. The principles and elements <strong>of</strong> 2D design will be examined,<br />

and students will execute designs based on them.<br />

ART 111 BEGINNING PAINTING<br />

FOR NON ART MAJORS<br />

5CR<br />

Introduces students to traditional and contemporary concepts and techniques<br />

in oil/acrylic painting. Students learn to organize form, color, and tone while<br />

practicing various methods <strong>of</strong> application, color mixing, and surface preparation.<br />

Course Descriptions<br />

ART 112 INTERMEDIATE PAINTING<br />

FOR NON ART MAJORS<br />

5CR<br />

Students further the skills taught in ART 111 and investigate painting as a<br />

means for self-expression. Explores advanced compositions and use <strong>of</strong> various<br />

materials. Prerequisite: ART 111.<br />

ART 113 ADVANCED PAINTING<br />

FOR NON ART MAJORS<br />

5CR<br />

Provides advanced instruction in painting using objectives taught in ART<br />

112. Students demonstrate advanced compositional theories and painting<br />

methods. Prerequisite: ART 112.<br />

ART 121 INTRODUCTION TO DRAWING 5CR<br />

In-depth study <strong>of</strong> basic drawing skills, sketching principles, and visual<br />

communication through the drawn object and imagination. Composition,<br />

black and white media, subject matter and drawing genres will be examined<br />

in both representational and non-representational projects and exercises.<br />

ART 124 INTRODUCTION TO PRINTMAKING 5CR<br />

This course explores the fundamentals <strong>of</strong> repeatable print media, including<br />

relief, monotype, monoprint, intaglio (dry and wet techniques) and stencil<br />

printing. Students create repeatable matrix and edition prints.<br />

ART 140 PHOTOGRAPHY APPRECIATION 5CR<br />

This course explores the foundations and practical applications <strong>of</strong> the<br />

photographic medium. Course objectives primarily focus on students’<br />

recognition <strong>of</strong> photography movements, genres and terminology, and<br />

exploration <strong>of</strong> concept and meaning through creation <strong>of</strong> a themed image or<br />

images. Foundations <strong>of</strong> shooting, editing, and evaluating digital photographs<br />

will tie historical and theoretical content to the contemporary photography<br />

process and exercise visual literacy. Required materials include a digital camera<br />

that can be connected to a computer to upload images.<br />

ART 201 SURVEY OF WESTERN ART – ANCIENT 5CR<br />

Major achievements in painting, sculpture, architecture, and the decorative arts in<br />

Europe, the Near East, and North Africa, from prehistoric times to the beginnings<br />

<strong>of</strong> Christianity. This course also <strong>of</strong>fers some preliminary training in visual analysis<br />

and a practical introduction to the critical vocabulary <strong>of</strong> art history.<br />

ART 202 SURVEY OF WESTERN ART –<br />

MEDIEVAL & RENAISSANCE<br />

5CR<br />

This course examines the arts <strong>of</strong> the Byzantine Empire, Islam, and Western<br />

Christendom through 1520 AD. This course traces the artistic creativity <strong>of</strong> the<br />

people who lived during the Early Christian, Medieval and Renaissance periods<br />

<strong>of</strong> history, that is, from about 1 AD to about 1540.<br />

ART 203 INTERMEDIATE DRAWING 5CR<br />

This course builds on existing skills and terminology learned in Intro to<br />

Drawing. Advanced approaches to composition, color media, subject matter<br />

and drawing genres will be examined in both representational and nonrepresentational<br />

projects and exercises. Prerequisite: ART 121.<br />

ART 205 HUMAN LIFE DRAWING 5CR<br />

This advanced drawing class focuses on the human form as a basis for learning<br />

about composition, anatomy (including skeletal and muscular structure), and<br />

movement. Students will exit the class with the ability to draw the human<br />

form accurately in proportions, gesture, balance, structure, foreshortening,<br />

and surface anatomy. Prerequisite: ART 121 or instructor permission. This class<br />

draws from the nude human form.<br />

ART 235 FIGURE DRAWING RESEARCH 5CR<br />

This course is a continuation <strong>of</strong> the advanced drawing course ART 205 Human<br />

Life Drawing. Students will expand their knowledge <strong>of</strong> anatomy and conduct<br />

research outside <strong>of</strong> the studio. Students will exit this class with an ability to<br />

draw the human form accurately and identify major skeletal and muscular<br />

landmarks. Prerequisites: Admission to the BTAD or instructor permission.<br />

7<br />

Course Descriptions<br />

2 0 1 3 - 2 0 1 4 • L A K E W A S H I N G T O N I N S T I T U T E O F T E C H N O L O G Y • C A T A L O G 185

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