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Technological Infrastructure and Use of ICT in Education in ... - ADEA

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38 Work<strong>in</strong>g Group on Distance <strong>Education</strong> <strong>and</strong> Open Learn<strong>in</strong>g<br />

for support<strong>in</strong>g communication skills <strong>and</strong> for explanation <strong>of</strong> concepts. They<br />

can be used <strong>in</strong> comb<strong>in</strong>ation with other media (such as text, graphics,<br />

or video) to provide multi-sensory <strong>in</strong>put, <strong>and</strong> are important for teach<strong>in</strong>g<br />

appreciation <strong>of</strong> music or identification <strong>of</strong> sounds. Audio can also be used<br />

to create a specific mood or atmosphere. Pronunciation <strong>and</strong> language<br />

skills can be supported. In all these <strong>in</strong>stances, though, audio resources,<br />

especially when transmitted via radio broadcasts, are transitory.<br />

Several underly<strong>in</strong>g assumptions exist about audio resources. One <strong>of</strong><br />

the most important—<strong>and</strong> abused—is that audio resources assume<br />

homogeneity among listeners. On this basis, many develop<strong>in</strong>g countries<br />

have developed audio resources (distributed via radio broadcasts) as<br />

part <strong>of</strong> a strategy to democratize distribution <strong>of</strong> educational materials or<br />

correct a bias towards urban areas <strong>and</strong> middle class schools (Olsson,<br />

1994). This democratization argument is very powerful, but essentially<br />

erroneous. While it may be possible for distribution to be democratized<br />

through broadcast, distribution is a quantitative entity. It does not follow<br />

logically that educational impact, a qualitative <strong>and</strong> far more complex<br />

phenomenon, will necessarily be similarly democratized or distributed.<br />

Audio resources have differ<strong>in</strong>g abilities to support <strong>in</strong>teractive learn<strong>in</strong>g.<br />

Unless <strong>in</strong>teractivity is <strong>in</strong>tentionally part <strong>of</strong> the <strong>in</strong>structional design <strong>of</strong> a<br />

resource, it is not likely to be implicit to it.<br />

Audio resources have real potential to assist children with develop<strong>in</strong>g<br />

communication <strong>and</strong> language skills through practice. There is, however,<br />

some concern about whether or not these resources can do anyth<strong>in</strong>g<br />

more than simulate a conversation between ‘tape teacher’ <strong>and</strong> ‘tape<br />

student’, <strong>and</strong> whether or not synchronous use <strong>of</strong> radio broadcasts<br />

promotes active learn<strong>in</strong>g by the student.<br />

4. Characteristics <strong>of</strong> Different Media<br />

Audio resources have also been used successfully with early childhood<br />

development learners <strong>and</strong> foundation phase students. In some<br />

examples, resources used auditory stimulation to encourage exploration<br />

<strong>and</strong> development <strong>of</strong> other sensory experiences <strong>and</strong> awareness. This<br />

form <strong>of</strong> stimulation can potentially create any environment <strong>in</strong> a listener’s<br />

m<strong>in</strong>d, because it relies on the power <strong>of</strong> imag<strong>in</strong>ation <strong>and</strong> creativity <strong>of</strong><br />

scriptwriters, listeners, <strong>and</strong> caregivers. Like most effective use <strong>of</strong> educational<br />

media, audio is best used <strong>in</strong> comb<strong>in</strong>ation with other media.

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