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services, communication, environments<br />

which have ma<strong>in</strong>stream and/or niche<br />

market potential<br />

> showed <strong>in</strong>sight <strong>in</strong>to the needs and aspirations<br />

of excluded groups of people<br />

> demonstrated a creative approach<br />

> communicated key ideas and messages.<br />

The judg<strong>in</strong>g panel<br />

> David Alcock, Scope<br />

> Jim Dawton, Pearson Matthews<br />

> Professor Roger Coleman, <strong>Helen</strong> <strong>Hamlyn</strong><br />

Research <strong>Centre</strong><br />

> Tim Fendley, AIG<br />

> Hannah Paterson, DBA<br />

> Lynda Relph Knight, Design Week<br />

> Mike Woods, Tanger<strong>in</strong>e<br />

The projects<br />

On behalf of the judges, Sean Lewis,<br />

Director of the Design Bus<strong>in</strong>ess Association,<br />

congratulated the teams for the sheer<br />

diversity of the projects, the high standard of<br />

their presentations and the amount of time<br />

and consideration that had gone <strong>in</strong>to them.<br />

“It was especially pleas<strong>in</strong>g,” he said, “to see<br />

communication projects shortlisted, as it is<br />

an area not always associated with <strong>in</strong>clusive<br />

design. The bar is be<strong>in</strong>g raised further each<br />

Judges<br />

David Alcock<br />

Scope<br />

Prof Roger Coleman<br />

<strong>Royal</strong> College of Art<br />

Jim Dawton<br />

Pearson Matthews

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