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services, communication, environments<br />
which have ma<strong>in</strong>stream and/or niche<br />
market potential<br />
> showed <strong>in</strong>sight <strong>in</strong>to the needs and aspirations<br />
of excluded groups of people<br />
> demonstrated a creative approach<br />
> communicated key ideas and messages.<br />
The judg<strong>in</strong>g panel<br />
> David Alcock, Scope<br />
> Jim Dawton, Pearson Matthews<br />
> Professor Roger Coleman, <strong>Helen</strong> <strong>Hamlyn</strong><br />
Research <strong>Centre</strong><br />
> Tim Fendley, AIG<br />
> Hannah Paterson, DBA<br />
> Lynda Relph Knight, Design Week<br />
> Mike Woods, Tanger<strong>in</strong>e<br />
The projects<br />
On behalf of the judges, Sean Lewis,<br />
Director of the Design Bus<strong>in</strong>ess Association,<br />
congratulated the teams for the sheer<br />
diversity of the projects, the high standard of<br />
their presentations and the amount of time<br />
and consideration that had gone <strong>in</strong>to them.<br />
“It was especially pleas<strong>in</strong>g,” he said, “to see<br />
communication projects shortlisted, as it is<br />
an area not always associated with <strong>in</strong>clusive<br />
design. The bar is be<strong>in</strong>g raised further each<br />
Judges<br />
David Alcock<br />
Scope<br />
Prof Roger Coleman<br />
<strong>Royal</strong> College of Art<br />
Jim Dawton<br />
Pearson Matthews