100% DESIGN LONDON - DalCasa
100% DESIGN LONDON - DalCasa
100% DESIGN LONDON - DalCasa
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Sjedalica za konverzaciju dizajnerice<br />
Ane Linares predstavljena<br />
na <strong>100%</strong> Futures / Designer Ana<br />
Linares’s conversation chair was<br />
presented at <strong>100%</strong> Futures<br />
Interakcija produkt dizajna i mode - britanske “viseće košare” za cvijeće nastale<br />
u suradnji Jam-a i modnog dizajnera Ted Bakera / Interaction of product<br />
design and fashion - British “hanging baskets” for flowers that were<br />
created by Jam and fashion designer Ted Baker<br />
don, the central part of “<strong>100%</strong> Design” also had to provide<br />
some answers for that subject. Therefore, the visitors<br />
were introduced to many interesting ideas by young<br />
designers under the name of “Redesign”: a chair/sculpture<br />
(RD4 chair) made from recycled plastic with a URE<br />
process that preserves energy; also a chair made from<br />
firmly rolled and attached newspapers (it’s possible to<br />
personalize it according to one’s favourite thing to read),<br />
as well as a chair made from a rejected bathtub… Everyone<br />
shared the same goal: to use rejected and recycled<br />
materials and to prove that it is also possible to create<br />
an admirable object by reducing the consumption<br />
of energy and materials, while also denying the deeply<br />
rooted prejudices about the smaller aesthetical value of<br />
recycled products.<br />
However, recycling is just a small part of 450 different ideas<br />
and concepts that were presented by the exhibitors:<br />
furniture, lighting, coverings for walls and floors, kitchens,<br />
bathrooms, accessories… A large chunk of the space<br />
was taken up by exhibitors who produce wall coverings,<br />
and they had many interesting materials and various<br />
samples. The usage methods were very creative: the<br />
“Pepper-mint” company presented the wallpapers that<br />
are used by the magnet principle. A thin layer of a magnet<br />
at the back of the wallpaper allows the sample on<br />
the wall to be constantly changed, which eliminates the<br />
biggest problem when it comes to wallpapers – fear of<br />
boredom. British company “Graham&Brown” has proved<br />
that it’s the best manufacturer of wallpapers by presenting<br />
excellent collections that were created while working<br />
with the most famous designers in the world, such as<br />
Basso&Brooke, Umbra from Canada, Andy Magee, as<br />
well as the prestigious designer college Central St. Martins.<br />
In addition to the new collections by the biggest British<br />
names, such as David Chipperfield, Simon Pengelly,<br />
Pottinger&Cole, Susan Bradley… “<strong>100%</strong> Design” has added<br />
an international dimension by presenting the most<br />
interesting accomplishments from Japanese design; the<br />
Danes have, within the “<strong>100%</strong> Futures” exhibit, presented<br />
themselves with the joint project Made in Denmark; we<br />
witnessed attractive solutions from Norway, Italy, Turkey,<br />
Germany and Sweden, and the increasingly vivacious<br />
Spanish scene has again brought novelties from their established<br />
and not-so-established designers. One of the<br />
most popular exhibitors had to be Jaime Hayon. He was<br />
awarded with the role of teacher at one of the numerous<br />
seminars, but he was also one of the three people<br />
nominated for the Wallpaper Award “<strong>100%</strong> Design London”<br />
(the other two were Matthew Hilton and BarberOsgerby).<br />
It should be pointed out that Wallpaper is just one<br />
of several designer institutions or mediums that have their<br />
awards present at “<strong>100%</strong> Design”. And that speaks plenty<br />
enough about the grandeur and the importance of the<br />
fair in London. Unlike the overrated and sumptuous Fiera<br />
in Milan, this might just be the place for important changes<br />
w h e n<br />
t h a t<br />
it comes to understanding design. It appears<br />
the experts are already prepared to acknowledge<br />
them.<br />
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