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100% DESIGN LONDON - DalCasa

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Sjedalica za konverzaciju dizajnerice<br />

Ane Linares predstavljena<br />

na <strong>100%</strong> Futures / Designer Ana<br />

Linares’s conversation chair was<br />

presented at <strong>100%</strong> Futures<br />

Interakcija produkt dizajna i mode - britanske “viseće košare” za cvijeće nastale<br />

u suradnji Jam-a i modnog dizajnera Ted Bakera / Interaction of product<br />

design and fashion - British “hanging baskets” for flowers that were<br />

created by Jam and fashion designer Ted Baker<br />

don, the central part of “<strong>100%</strong> Design” also had to provide<br />

some answers for that subject. Therefore, the visitors<br />

were introduced to many interesting ideas by young<br />

designers under the name of “Redesign”: a chair/sculpture<br />

(RD4 chair) made from recycled plastic with a URE<br />

process that preserves energy; also a chair made from<br />

firmly rolled and attached newspapers (it’s possible to<br />

personalize it according to one’s favourite thing to read),<br />

as well as a chair made from a rejected bathtub… Everyone<br />

shared the same goal: to use rejected and recycled<br />

materials and to prove that it is also possible to create<br />

an admirable object by reducing the consumption<br />

of energy and materials, while also denying the deeply<br />

rooted prejudices about the smaller aesthetical value of<br />

recycled products.<br />

However, recycling is just a small part of 450 different ideas<br />

and concepts that were presented by the exhibitors:<br />

furniture, lighting, coverings for walls and floors, kitchens,<br />

bathrooms, accessories… A large chunk of the space<br />

was taken up by exhibitors who produce wall coverings,<br />

and they had many interesting materials and various<br />

samples. The usage methods were very creative: the<br />

“Pepper-mint” company presented the wallpapers that<br />

are used by the magnet principle. A thin layer of a magnet<br />

at the back of the wallpaper allows the sample on<br />

the wall to be constantly changed, which eliminates the<br />

biggest problem when it comes to wallpapers – fear of<br />

boredom. British company “Graham&Brown” has proved<br />

that it’s the best manufacturer of wallpapers by presenting<br />

excellent collections that were created while working<br />

with the most famous designers in the world, such as<br />

Basso&Brooke, Umbra from Canada, Andy Magee, as<br />

well as the prestigious designer college Central St. Martins.<br />

In addition to the new collections by the biggest British<br />

names, such as David Chipperfield, Simon Pengelly,<br />

Pottinger&Cole, Susan Bradley… “<strong>100%</strong> Design” has added<br />

an international dimension by presenting the most<br />

interesting accomplishments from Japanese design; the<br />

Danes have, within the “<strong>100%</strong> Futures” exhibit, presented<br />

themselves with the joint project Made in Denmark; we<br />

witnessed attractive solutions from Norway, Italy, Turkey,<br />

Germany and Sweden, and the increasingly vivacious<br />

Spanish scene has again brought novelties from their established<br />

and not-so-established designers. One of the<br />

most popular exhibitors had to be Jaime Hayon. He was<br />

awarded with the role of teacher at one of the numerous<br />

seminars, but he was also one of the three people<br />

nominated for the Wallpaper Award “<strong>100%</strong> Design London”<br />

(the other two were Matthew Hilton and BarberOsgerby).<br />

It should be pointed out that Wallpaper is just one<br />

of several designer institutions or mediums that have their<br />

awards present at “<strong>100%</strong> Design”. And that speaks plenty<br />

enough about the grandeur and the importance of the<br />

fair in London. Unlike the overrated and sumptuous Fiera<br />

in Milan, this might just be the place for important changes<br />

w h e n<br />

t h a t<br />

it comes to understanding design. It appears<br />

the experts are already prepared to acknowledge<br />

them.<br />

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