07.01.2015 Views

100% DESIGN LONDON - DalCasa

100% DESIGN LONDON - DalCasa

100% DESIGN LONDON - DalCasa

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

“Fortuny” funkcionira kao rotirajuća podna lampa<br />

s mehanizmom za prilagođavanje visine / “Fortuny”<br />

functions as a rotating floor lamp with a mechanism<br />

that adjusts the height<br />

Rođendanski model lampe<br />

“Century” / “Birthday” model of<br />

the lamp named “Century”<br />

has affected many contemporary designers, such as the<br />

Japanese creator Issey Miyake.<br />

Experimenting with Light<br />

At the turn of the century, besides painting and working<br />

with textile, Fortuny experimented by using the then-invented<br />

electric light in scene design. During that same<br />

year of 1907, the “Fortuny” lamp was designed after a<br />

stage light in the theatre that enabled the lighting on the<br />

stage to be changed effortlessly, ranging from the daylight<br />

of the clear sky to eclipse and dusk. Lamp “Fortuny”<br />

functions on a similar principle and clearly demonstrates<br />

the designer’s philosophy that “objects do not become<br />

visible due to the amount of light, but rather due to its<br />

quality”. This elegant lamp subtly defuses the light that<br />

overflows like an opal through silken curtains that are<br />

spread over its gentle construction. The silk was manually<br />

coloured on the original lamp, and it contained golden<br />

motifs inspired by Oriental art, while glass beads and silken<br />

leashes were added at the end.<br />

Floor lamp “Fortuny” is again being manufactured since<br />

1985, and it is produced by Italian company “Pallucco”.<br />

Due to the 100th anniversary of this exceptional designer<br />

piece, the lamp was modified in order to put extra-emphasis<br />

on its pure and simple lines. The white colour, which<br />

discretely points out its elegant construction, and silver<br />

rays in a futuristic rhythmical sequence make it fresh and<br />

extremely attractive, adjusting it to the dynamic present<br />

period. “Fortuny” functions as a rotating floor lamp with a<br />

mechanism that adjusts the height, and it’s available in<br />

white, beige or black, as well as in an ornamental version<br />

of the background, featuring a white print on a beige<br />

or black surface. The newest “birthday” model of this<br />

lamp named “Century” also has silver prints on the background’s<br />

inside.<br />

The “Fortuny” lamp is an example of early modernist preoccupation<br />

with industrial materials, functionalism and<br />

position of the object in a room. Distinct like a modernist<br />

sculpture, the lamp dominates the room in a certain way,<br />

but in no moment does the decorative side dominate the<br />

functional side. However, if you put the “Fortuny” lamp in<br />

a spacious interior, it will hardly stay unnoticed.<br />

Mariano Fortuny Y Madrazo has spent most of his creative<br />

and overall life in Venice. That’s where he bought<br />

the impressive palace Pesaro Orfei, which he turned into<br />

a huge atelier/laboratory named Palazzo Fortuny, and<br />

today that is the home of museum “Fortuny”, where you<br />

can find numerous products of his work. Celebrated as<br />

the “Venetian Magician” in his time by his contemporaries,<br />

Mariano Fortuny will remain remembered in the<br />

history of art and design as one of the last “renaissance<br />

people” in the true sense of that term. Constant curiosity<br />

pushed him into brand new quests, whether it meant<br />

travelling the broad European or Oriental spaces, or<br />

reaching down deep into the history of ancient Greece<br />

and Egypt. Inspired by the work and figure of German<br />

compositor, but also philosopher, Richard Wagner, Fortuny<br />

defined his own aesthetical ideals. He claimed that<br />

an artist should control every stage of his artistic process,<br />

down to the slightest of details, and that no artistic discipline<br />

outweighs the other one because they are all just<br />

as important. An artist who invented the boat propeller,<br />

inventor who designed Isadora Duncan’s most beautiful<br />

dresses, an aesthete who made his own furniture and<br />

painting equipment, set pages on his own books, and<br />

also a theoretician of light who implemented his own theories<br />

in practice while achieving amazing results, Mariano<br />

Fortuny has left an undeniable influence on modern life.<br />

Fortuny’s fabrics are still manufactured, and they have<br />

just as much quality, are incredibly durable and covered<br />

in a dose of mystique because Fortuny’s methods were<br />

never completely revealed to the public, according to<br />

the legend. Still, some of his designer pieces, such as the<br />

“Fortuny” lamp, are still manufactured and further perfected,<br />

and are available to buyers of refined taste and<br />

a deeper pocket.<br />

Pallucco’s “Fortuny” lamp is also available in our area<br />

and can be purchased through the “Lumenart” company<br />

from Pula, which deals with designing architectural<br />

lighting.<br />

103

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!