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Fatima.Mernessi_The-Forgotten-Queens-of-Islam-EN

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Fifteen <strong>Queens</strong> 103<br />

Even among the musicians who accompanied the troops, those <strong>of</strong><br />

the khatuns played a leading role: 'When the moment <strong>of</strong> departure<br />

comes, the great drum is beaten, followed by the beating in succession<br />

<strong>of</strong> the drums <strong>of</strong> the chief khatun, who is the queen, and <strong>of</strong><br />

the other khatuns, then <strong>of</strong> the vizier, then <strong>of</strong> those <strong>of</strong> the amirs all<br />

at once.' 51<br />

Ibn Battuta, who was very well versed in the shari'a, was also<br />

impressed by the protocol and rituals <strong>of</strong> another court, that <strong>of</strong><br />

Sultan Muhammad Uzbeg Khan, the Mongol sovereign <strong>of</strong> the<br />

Golden Horde (1312-41). In order to give his reader a general<br />

framework, he first describes the greatness <strong>of</strong> this sovereign: This<br />

sultan is mighty in sovereignty, exceedingly powerful, great in dignity,<br />

l<strong>of</strong>ty in station, victor over the enemies <strong>of</strong> God . . .. He is one<br />

<strong>of</strong> the seven kings who are the great and mighty kings <strong>of</strong> the<br />

world'. 52 He continues by describing a ceremonial audience:<br />

He observes in his [public] sittings, his journeys, and his affairs in<br />

general, a marvellous and magnificent ceremonial. It is his custom<br />

to sit every Friday, after the prayers, in a pavilion magnificently<br />

decorated, called the Gold Pavilion. It is constructed <strong>of</strong> wooden rods<br />

covered with plaques <strong>of</strong> gold, and in the centre <strong>of</strong> it is a wooden<br />

couch covered with plaques <strong>of</strong> silver gilt, its legs being <strong>of</strong> pure silver<br />

and their bases encrusted with precious stones. <strong>The</strong> sultan sits on the<br />

throne, having on his right hand the khatun Taitughli and next to<br />

her the khatun Kabak, and on his left the khatun Bayalun and next<br />

to her the khatun Urduja. Below the throne, to his right, stands the<br />

sultan's son Tina Bak, and to his left his second son Jani Bak, and<br />

in front <strong>of</strong> him sits his daughter It Kujujuk. 53<br />

Seating the khatuns in such a prominent position during the Friday<br />

ceremony was in itself astonishing enough to a Sunni, but this king,<br />

one <strong>of</strong> the most powerful in the world, stands up upon the arrival<br />

<strong>of</strong> each one. <strong>The</strong> astounded Ibn Battuta takes careful note <strong>of</strong> all<br />

the details: 'As each <strong>of</strong> the khatuns comes in the sultan rises before<br />

her, and takes her by the hand until she mounts to the couch ....<br />

All this is done in full view <strong>of</strong> those present, without any use <strong>of</strong><br />

veils.' 54 Ibn Battuta was so astonished by the respect and consideration<br />

shown to these women, whom the Mongols exhibited at<br />

their side unveiled during the religious ceremonies, that he devoted<br />

several chapters to them in his books: 'Account <strong>of</strong> the Khatuns and<br />

their Ceremonial'; 'Account <strong>of</strong> the Principal Khatun'; 'Account <strong>of</strong><br />

the Second Khatun who comes after the Queen'; and finally accounts<br />

<strong>of</strong> the third and the fourth khatuns. 55

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