APPENDIX 2Hansen, Mogens (1995). Symboldannelsens tid [The era of the form<strong>at</strong>ion of symbols]. BilledpædagogiskTidsskrift, (1), pp. 16-18.Hansen, Mogens (1997). Moderniser<strong>in</strong>g – om brugen af Kuhn på kunst og mens vi venter påden næste normalperiode [Moderniz<strong>at</strong>ion – on the use of Kuhn on art and while we arewait<strong>in</strong>g for the next period of normality]. Billedpædagogisk Tidsskrift, (3), pp. 20-23.Hansen, Mogens (1998). Krop, rytme, billeder – om begribelser [Body, rhythm, pictures – onunderstand<strong>in</strong>g]. Billedpædagogisk Tidsskrift, (3), pp. 12-16.Hansen, Mogens (2000). Billedudtryk – om udvikl<strong>in</strong>g og handicap [Pictorial expressions. Ondevelopment and disabilities]. Billedpædagogisk Tidsskrift, (3), pp. 16-20.Hansen, Mogens (2002). At blive set, <strong>at</strong> blive synlig [To be seen, to be visible]. BilledpædagogiskTidsskrift, (1), pp. 24-28.Hansen, Mogens (2005). Uden for alle rammer [Outside every frame]. Billedpædagogisk Tidsskrift,(1), pp. 6-8.Henn<strong>in</strong>gsen, Lars (2001). Livlige fortæll<strong>in</strong>ger i børns legekultur [Lively stories <strong>in</strong> children’s playculture]. Billedpædagogisk Tidsskrift, (1), pp. 2-5.Henn<strong>in</strong>gsen, Lars (2003). Video i Versailles – om “visuelle begivenheder” før, under og eftervideooptagelser [Video <strong>in</strong> Versailles – visual events before, dur<strong>in</strong>g and after videorecord<strong>in</strong>gs].Unge Pædagoger, (7-8), pp. 41-49.Henriksen, Kis (2000). Kunsten <strong>at</strong> forme et sprog – om lær<strong>in</strong>g, udvikl<strong>in</strong>g og sprogliggørelsegennem formsproglige processer [The art of cre<strong>at</strong><strong>in</strong>g language – on learn<strong>in</strong>g, developmentand articul<strong>at</strong>ion through idiom<strong>at</strong>ic processes]. Billedpædagogisk Tidsskrift, (3), pp. 10-15.Illeris, Helene (1997). Art is art – everyth<strong>in</strong>g else is everyth<strong>in</strong>g else. Billedpædagogisk Tidsskrift,(2).Illeris, Helene (1999). At opleve et kunstværk – kan det læres? Didaktiske overvejelser medudgangspunkt i “kunstpædagogikkens dilemma” [How to Experience a Work of Art – can itbe learned? <strong>Educ<strong>at</strong>ion</strong>al Consider<strong>at</strong>ions <strong>in</strong> rel<strong>at</strong>ion to “the Dilemma of Gallery <strong>Educ<strong>at</strong>ion</strong>”].Forskn<strong>in</strong>gstidsskrift fra Danmarks Lærerhøjskole (4), pp. 11-38.Illeris, Helene (1999). Cyclops cameo, exemplary st<strong>at</strong>ements of four 14–15-year-old students ontheir encounter with a contemporary work of art. Nordisk Museologi, (1), pp. 173-181.Illeris, Helene (1999). Germ<strong>in</strong><strong>at</strong>ions X. På ungdomsudstill<strong>in</strong>g med Charles Baudelaire, JürgenHabermas og Richard Rorty [Gener<strong>at</strong>ion X. Visit<strong>in</strong>g an exhibition of young artist’s workwith Charles Baudelaire, Jürgen Habermas and Richard Rorty]. Øjeblikket. Tidsskrift forvisuelle kulturer, 8 (39), pp. 48-52.Illeris, Helene (1999). I begyndelsen var ...romantikken! [In the beg<strong>in</strong>n<strong>in</strong>g was..... Romanticism!].Billedpædagogisk Tidsskrift, (3), pp. 19-21.Illeris, Helene (2000). Det rel<strong>at</strong>ionelle møde med kunsten – overvejelser om børns møde medkunstværker i en undervisn<strong>in</strong>gssammenhæng [The rel<strong>at</strong>ional encounter with art – reflectionson educ<strong>at</strong>ional encounters between children and works of art]. Undervisn<strong>in</strong>gsm<strong>in</strong>isterietstidsskrift Uddannelse (3), pp. 40-49.Illeris, Helene (2000). Møde med et samtidskunstværk [The encounter with a contemporary artwork]. Billedpædagogisk Tidsskrift, (1), pp. 12-19.NORDIC VISUAL ARTS EDUCATION IN TRANSITION 169
APPENDIX 2Illeris, Helene (2002). Vad kan man lära av samtidskonsten? Om konstpedagogik och bildn<strong>in</strong>gssyn[Wh<strong>at</strong> can you learn from contemporary art? Art educ<strong>at</strong>ion and Bildung]. Konstperspektiv(3), pp. 32-36.Illeris, Helene (2003). American Pictures – Visuel kultur og postmoderne billedpædagogik[American Pictures: <strong>Visual</strong> culture and postmodern art educ<strong>at</strong>ion]. Unge Pædagoger, (7-8),pp. 50-58.Illeris, Helene (2003). Dansk billedpædagogisk forskn<strong>in</strong>g – et tilbageblik [Danish research <strong>in</strong>visual arts educ<strong>at</strong>ion – a view of the past]. Billedpædagogisk Tidsskrift, (3), pp. 27-28.Illeris, Helene (2003). Det gode barn og det gode billede. Om dannelse og magt i det billedpædagogiskefelt [The good child and the good picture: Bildung and power <strong>in</strong> the field of arteduc<strong>at</strong>ion]. Unge Pædagoger, (5), pp. 23-32.Illeris, Helene (2003). Perform<strong>at</strong>ive positioner i kunstpædagogik [Art educ<strong>at</strong>ion <strong>in</strong> museumsand galleries: Perform<strong>at</strong>ive positions]. Valör (4), pp. 15-28.Illeris, Helene (2004). <strong>Educ<strong>at</strong>ion</strong>s of vision. rel<strong>at</strong>ional str<strong>at</strong>egies <strong>in</strong> visual culture. Nordisk Pedagogik,(4), pp. 250-267.Illeris, Helene (2004). Från “klassisk bildn<strong>in</strong>g” til “visuell kultur” – historiska och aktuellaströmn<strong>in</strong>gar i skand<strong>in</strong>avisk bildpedagogik [From “classical form<strong>at</strong>ion” to “visual culture” –historical and contemporary currents <strong>in</strong> Scand<strong>in</strong>avian art educ<strong>at</strong>ion]. Bild i Skolan (09), pp. 9-11.Illeris, Helene (2004). Med fasc<strong>in</strong><strong>at</strong>ion som drivkraft – rel<strong>at</strong>ionelle møder mellem børn ogkunstværker [Fasc<strong>in</strong><strong>at</strong>ion is the drive – rel<strong>at</strong>ional encounters between children and worksof art]. BIN Nordens tidsskrift, pp. 89-96.Illeris, Helene (2005). Young people and contemporary art. The Intern<strong>at</strong>ional Journal of Art andDesign <strong>Educ<strong>at</strong>ion</strong>, 24(3), pp. 231-242.Illeris, Helene (2006). Kunstkammeret som dannelsesritual [<strong>Educ<strong>at</strong>ion</strong>al Rituals <strong>at</strong> The RoyalDanish Kunstkammer]. Nordisk Museologi, (1), pp. 59-73.Illeris, Helene (2006). Museums and galleries as perform<strong>at</strong>ive sites for lifelong learn<strong>in</strong>g.Museum and Society, 4(1), pp. 15-26.Illeris, Helene, Buhl, Mie & Flensborg, Ingelise (2003). The Danish <strong>Research</strong> Unit: <strong>Visual</strong>Culture <strong>in</strong> <strong>Educ<strong>at</strong>ion</strong>. Insea News, 9 (3), pp. 10-11.Ingemann, Bruno (2000). Billedbrug i tiden – om de nødvendige kompetencer [Contemporaryuse of pictures – about the necessary competences]. Billedpædagogisk Tidsskrift, (1), pp. 20-25.Ingemann, Bruno (2003). Det nye billedbegreb: Nye billeder eller nye blikke? [The new pictureconcept: New pictures or new eyes?]. Billedpædagogisk Tidsskrift, (3), pp. 15-23.Jacobsen, Signe (1995). Voksenkunst og børn på Vejle Kunstmuseum [Encounters between childrenand art for adults <strong>at</strong> the Vejle Art Gallery]. Billedpædagogisk Tidsskrift, (4), pp. 16-17.Jensen, Bodil Havskov (1995). G.H.Luquet – gammel, men aktuel [G.H.Luquet – old, but stillimportant]. Billedpædagogisk Tidsskrift, (1), pp. 10-13.Jensen, Bodil Havskov (2003). Den forfejlede pædagogik [The mistaken educ<strong>at</strong>ion]. BilledpædagogiskTidsskrift, (4), pp. 22-23.Jensen, Per Kjærsgaard (2000). Udvikl<strong>in</strong>gshæmmede og æstetisk billedproduktion [Mentallychallenged people and aesthetical picture mak<strong>in</strong>g]. Billedpædagogisk Tidsskrift, (3), pp. 6-9.170 NORDIC VISUAL ARTS EDUCATION IN TRANSITION
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- Page 150 and 151: APPENDIX 1Elsner, Catharina (1999).
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- Page 156 and 157: APPENDIX 1Saar, Tomas (2003). Skola
- Page 158 and 159: APPENDIX 1ReportsAgélii, Karin (19
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