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Research in Visual Arts Education - Bilderlernen.at

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MEDIATED ACTION AND AESTHETIC LEARNINGThemes <strong>in</strong> Swedish studies 1995–2008Lars L<strong>in</strong>dströmIntroductionContemporary educ<strong>at</strong>ion of visual arts teachers <strong>in</strong> Sweden can be characterized<strong>in</strong> terms of two trends: decentralis<strong>at</strong>ion and academis<strong>at</strong>ion. In the 1960s,when the shift from an art-based conception of the subject to visual communic<strong>at</strong>iontook place, all art teachers were tra<strong>in</strong>ed <strong>at</strong> the University Collegeof <strong>Arts</strong>, Crafts and Design <strong>in</strong> Stockholm (Konstfack) (Nordström 1994).In 1976 Umeå University <strong>in</strong> Northern Sweden began to tra<strong>in</strong> art teachers aswell (Eklund, 2002). S<strong>in</strong>ce 1994, however, each <strong>in</strong>stitution of higher educ<strong>at</strong>ioncan decide which courses they want to teach. As a consequence, today<strong>at</strong> least n<strong>in</strong>e universities and university colleges offer curricula designed fortra<strong>in</strong><strong>in</strong>g art teachers . S<strong>in</strong>ce 1988, tra<strong>in</strong><strong>in</strong>g <strong>in</strong> art educ<strong>at</strong>ionhas to be comb<strong>in</strong>ed with prepar<strong>at</strong>ion for teach<strong>in</strong>g another schoolsubject as well. Therefore, a degree of bachelor of educ<strong>at</strong>ion <strong>in</strong> the visualarts (Sw. bildlärarexamen) no longer exists.Only Konstfack <strong>in</strong>cludes work samples as a requirement for be<strong>in</strong>g accepted<strong>in</strong>to the programme. At other schools for educ<strong>at</strong>ion, the artistic tra<strong>in</strong><strong>in</strong>g ofstudents before enter<strong>in</strong>g the programme varies a lot. The decentralis<strong>at</strong>ionof art teacher tra<strong>in</strong><strong>in</strong>g has consequences for the identity form<strong>at</strong>ion of artteachers. As with music teachers (Alexandersson, 2007), teach<strong>in</strong>g art tendedto be a way of life r<strong>at</strong>her than a profession. Art teachers accepted or evenappreci<strong>at</strong>ed be<strong>in</strong>g def<strong>in</strong>ed as “outsiders” <strong>in</strong> the school community. The presentgener<strong>at</strong>ion, tra<strong>in</strong>ed <strong>in</strong> pictorial studies comb<strong>in</strong>ed with another schoolsubject <strong>at</strong> <strong>in</strong>stitutes all over the country, <strong>in</strong>creas<strong>in</strong>gly look upon themselvesas any other c<strong>at</strong>egory of teachers (Marner, 2008).As a result of more than half a century of reforms, teacher educ<strong>at</strong>ionhas step by step been <strong>in</strong>tegr<strong>at</strong>ed <strong>in</strong>to the university. The l<strong>at</strong>est step <strong>in</strong> th<strong>at</strong>direction was taken <strong>in</strong> 2007 when the Stockholm Institute of <strong>Educ<strong>at</strong>ion</strong>,prepar<strong>in</strong>g one fifth of all teachers <strong>in</strong> the country for their profession, wasclosed down as an autonomous authority and absorbed by eight departmentsof educ<strong>at</strong>ional sciences erected <strong>at</strong> Stockholm University. A Department of52 NORDIC VISUAL ARTS EDUCATION IN TRANSITION

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