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Research in Visual Arts Education - Bilderlernen.at

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APPENDIX 5Norwegian Public<strong>at</strong>ions 1995–2006Ph.D. thesesBorgen, Jorunn Spord (1998). Kunnskapens stabilitet og flyktighet: om forholdet mellom am<strong>at</strong>ører ogprofesjonelle i kunstfeltet [Stability and transitor<strong>in</strong>ess of knowledge: about rel<strong>at</strong>ions betweenam<strong>at</strong>eurs and professionals <strong>in</strong> arts]. Universitetet i Bergen: Det historisk-filosofiske fakultet,Institutt for kulturstudier og kunsthistorie.Gulliksen, Marte (2006). Construct<strong>in</strong>g a formbild – an <strong>in</strong>quiry <strong>in</strong>to the dynamical and hierarchicalaspects of the hermeneutical filters controll<strong>in</strong>g the formbild construction <strong>in</strong> design educ<strong>at</strong>ion situ<strong>at</strong>ions(Vol. 34). Oslo School of Architecture.Halvorsen, Else Marie (1996). Kulturarv og kulturarvoverfør<strong>in</strong>g i grunnskolen med vekt på denestetiske dimensjonen: en begreps- og erfar<strong>in</strong>gsanalyse med et didaktisk perspektiv [Cultural heritageand transference of cultural heritage <strong>in</strong> compulsory school emphasiz<strong>in</strong>g the aestheticdimension: an analysis of terms and experience <strong>in</strong> an educ<strong>at</strong>ional perspective]. Universiteteti Oslo: Det utdann<strong>in</strong>gsvitenskapelige fakultet.Hopperstad, Marit Holm (2002). Når barn skaper men<strong>in</strong>g med tegn<strong>in</strong>g - en studie av seksår<strong>in</strong>gerstegn<strong>in</strong>ger i et semiotisk perspektiv [When children cre<strong>at</strong>e mean<strong>in</strong>g with their draw<strong>in</strong>gs -a study of draw<strong>in</strong>gs made by six-year-olds <strong>in</strong> a semiotic perspective]. Trondheim: Norgesteknisk-n<strong>at</strong>urvitenskapelige universitet, Fakultet for samfunnsvitenskap og teknologiledelse,Pedagogisk <strong>in</strong>stitutt.Kjosavik, Ste<strong>in</strong>ar (1998). Fra ferdighetsfag til form<strong>in</strong>g: utvikl<strong>in</strong>gen fra tegn<strong>in</strong>g, sløyd og håndarbeidtil form<strong>in</strong>g sett i et læreplanhistorisk perspektiv [From skills to form<strong>in</strong>g: development from draw<strong>in</strong>g,sloyd and textile to form<strong>in</strong>g exam<strong>in</strong>ed <strong>in</strong> a historical perspective of the curriculum].Universitetet i Oslo: Det utdann<strong>in</strong>gsvitenskapelige fakultet.Lidén, Hilde (2000). Barn – tid – rom – skiftende posisjoner: kulturelle læreprosesser i et pluralistiskNorge [Children – time – space – chang<strong>in</strong>g positions: cultural learn<strong>in</strong>g processes <strong>in</strong> a pluralisticNorway]. Trondheim: Norges teknisk-n<strong>at</strong>urvitenskapelige universitet.Lønnå, Elisabeth (2002). Helga Eng: psykolog og pedagog i barnets århundre [Helga Eng: psychologistand pedagogue <strong>in</strong> the children’s century]. Bergen: Fagbokforlaget.Nielsen, Liv Merete (2000). Draw<strong>in</strong>g and sp<strong>at</strong>ial represent<strong>at</strong>ions. Reflections on purposes for arteduc<strong>at</strong>ion <strong>in</strong> the compulsory school (Vol. 2). Oslo School of Architecture.Pedersen, Eir<strong>in</strong> Marie Solheim (2004). Om teckn<strong>in</strong>g, tecken, text och teori: aktteckn<strong>in</strong>g i ett kontextuellt,diskursivt och paradigm<strong>at</strong>isk perspektiv [About draw<strong>in</strong>g, signs, text and theory: nudedraw<strong>in</strong>g <strong>in</strong> a contextual, discursive and paradigm<strong>at</strong>ic perspective] (Vol. 16). Oslo School ofArchitecture.198 NORDIC VISUAL ARTS EDUCATION IN TRANSITION

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