APPENDIX 5Ruud-Johansen, Petter (2006). Kampen om kunsten begynner allerede i grunnskolen [Theb<strong>at</strong>tle of art starts <strong>in</strong> primary school]. Form, 40(2), 12-13.Samuelsen, Arne Marius (1996). Kunstformidl<strong>in</strong>g via vanlige læremidler [Dissem<strong>in</strong><strong>at</strong>ion of artthrough common teach<strong>in</strong>g m<strong>at</strong>erials]. Schola, 4(2), 56-59.Samuelsen, Arne Marius (2002). Er kunsten vanskelig: eller gjør vi den vanskelig? [Are artscomplic<strong>at</strong>ed: or do we complic<strong>at</strong>e it]. Arabesk, 42-46.Sandberg, Lise (2006). Nytt fag for en ny tid [A new subject for new times]. Form, 40(4), 11-12.Sandberg, Ole Rømer (1995). Arkitektur og omgivelser: Nytt <strong>in</strong>nhold i kjent pedagogisk form[Architecture and environment: New content <strong>in</strong> a well-known educ<strong>at</strong>ional form]. Form,29(6-7).Sande, Odd (1995). Form<strong>in</strong>g på veg ut? [Form<strong>in</strong>g on its way out?]. Form, 29(3), 28-29.Sandstad, Greta Fornes (2004). Allmenne fag skjerpes – yrkesfag svekkes. St.meld. 30 [Intensific<strong>at</strong>ionof general studies – voc<strong>at</strong>ional courses deterior<strong>at</strong>e. Report 30 to the NorwegianParliament]. Form, 38(3), 8-10.Storaas, Frøydis (1997). Har barneteikn<strong>in</strong>ga eit rom? [Do childrens draw<strong>in</strong>gs have sp<strong>at</strong>ial represent<strong>at</strong>ion].Form, 31(1), 26-27.Sundvor, Ingvar & Melbye, Ella (1995). Behold fagbetegnelsen form<strong>in</strong>g! [Ma<strong>in</strong>ta<strong>in</strong> the termform<strong>in</strong>g!]. Form, 29(1), 10-13.Trageton, Arne (1995). Skulptur- og bruksform<strong>in</strong>g i den nye fireårige småskulen [Sculpture andart and crafts <strong>in</strong> the new system of primary school]. Form, 29(5/6), 26-28.Trageton, Arne (1995). Verkstadpedagogikk – det skapande utgangspunkt for tverrfaglegundervisn<strong>in</strong>g i den nye 4-årige småskulen [Studio educ<strong>at</strong>ion – the cre<strong>at</strong>ive po<strong>in</strong>t of departurefor multidiscipl<strong>in</strong>ary teach<strong>in</strong>g <strong>in</strong> the new system of primary school]. Form, 29(1), 24-27.Ulvestad, Hilde Aga (2001). Estetisk dannelse gjennom skapende visuelt arbeid [Aestheticeduc<strong>at</strong>ion through cre<strong>at</strong>ive visual activity]. Norsk pedagogisk tidsskrift, 85(6), 551-562.Underthun, Kari (2003). Rom for Kunst og håndverk på nybygde skoler [Room for Art andcrafts <strong>in</strong> new schools]. Form, 37(3), 18-21.Underthun, Kari & Tronshart, Bjørg (2006). Skolebygn<strong>in</strong>ger i Bergen – skolebyggets estetikk ogfunksjon. Rom for kunst og håndverk [Schools <strong>in</strong> Bergen – the aesthetics and functions ofschool build<strong>in</strong>gs. Room for Art and crafts]. Form, 40(2), 24-25.Vasset, Thorste<strong>in</strong> (1995). Fra form<strong>in</strong>g til kunst og håndverk [From form<strong>in</strong>g to art and crafts].Form, 29(4), 14-17.Vestøl, Tone (1996). Ikke enten, eller – men både, og! [Not either, or – but this and th<strong>at</strong>!]. Form,30(1), 3.Ytterstad, Bente (2000). 1001 h<strong>at</strong>t: form/norm/form/norm/form/norm/re/form [1001 h<strong>at</strong>: form/norm/form/norm/ form/norm/re/form]. Form, 34(3), 18-21.Øfsti, Robert (1998). Æ er stor æ – æ har slutta å tegn no [I’m grown – I’ve quit draw<strong>in</strong>g]. Form,32(4), 22-25.NORDIC VISUAL ARTS EDUCATION IN TRANSITION 213
APPENDIX 5Aakre, Bjørn & Kjosavik, Ste<strong>in</strong>ar (2001). Evaluer<strong>in</strong>g av L97, Kunst og håndverk [Evalu<strong>at</strong>ion ofthe 97 curruculum, Art and crafts]. Form, 35(5), 20-23.Aakre, Bjørn Magne (2001). Kunst og håndverk, et skolefag for fremtiden? [Art and crafts, aschool subject for the future?]. Form, 35(5), 20-23.Aakre, Bjørn Magne (2004). Kunst og håndverk i et didaktisk perspektiv [Art and crafts <strong>in</strong> aneduc<strong>at</strong>ional perspective]. Form, 38(1), 12-14.Aasgaard, Krist<strong>in</strong> (2005). Art and design educ<strong>at</strong>ion – history, theory and criticism. Form, 39(4), 3-4.ReportsAdam, Milena (2003). Langsomt ble kunsten vår egen? En evaluer<strong>in</strong>g av et samarbeidsprosjektmellom Norsk Form, Utsmykn<strong>in</strong>gsfondet for offentlige bygg og Norsk Kulturråd om utsmykk<strong>in</strong>g ogutform<strong>in</strong>g av skoleanlegg [Slowly the arts became our own? An evalu<strong>at</strong>ion of a collabor<strong>at</strong>ionbetween Norsk Form, The N<strong>at</strong>ional Found<strong>at</strong>ion for Art <strong>in</strong> Public Build<strong>in</strong>gs and <strong>Arts</strong> CouncilNorway on decor<strong>at</strong>ion and design of school build<strong>in</strong>gs and environment]. Oslo: NorskKulturråd.Aslaksen, Ellen K., Borgen, Jorunn Spord & Kjørholt, Anne Tr<strong>in</strong>e (2003). Den kulturelle skolesekken:forskn<strong>in</strong>g, utvikl<strong>in</strong>g og evaluer<strong>in</strong>g [The Cultural Rucksack: research, development andevalu<strong>at</strong>ion]. Oslo: Norsk <strong>in</strong>stitutt for studier av forskn<strong>in</strong>g og utdann<strong>in</strong>g.Aure, Venke & Boyesen, Marit (1995). Pilotgallerier for barn og unge: evaluer<strong>in</strong>g etter ett års drift[Pilot galleries for children and youth: an evalu<strong>at</strong>ion of the first year]. Stavanger: Rogaland<strong>Research</strong>.Borgen, Jorunn Spord (2003). Kommunikasjonen er kunsten: evaluer<strong>in</strong>g av prosjektet Klangfugl –kunst for de m<strong>in</strong>ste [The communic<strong>at</strong>ion is the art: an evalu<strong>at</strong>ion of the project Glitterbird– art for the youngest]. Oslo: Norsk kulturråd.Borgen, Jorunn Spord (2005). Kunstaktiv ungdom på <strong>in</strong>ternett: evaluer<strong>in</strong>g av nettstedet www.Trafo.no [Youth and art activity on the Internet: an evalu<strong>at</strong>ion of the web site www.Trafo.no]. Oslo:NIFU STEP.Borgen, Jorunn Spord & Brandt, Synnøve (2006). Ekstraord<strong>in</strong>ært eller selvfølgelig? – Evaluer<strong>in</strong>gav Den kulturelle skolesekken i grunnskolen [Extraord<strong>in</strong>ary or obvious? – An evalu<strong>at</strong>ion of Thecultural rucksack <strong>in</strong> compulsory school]. Oslo: NIFU STEP.Borgen, Jorunn Spord & Klæbo, Kirsten (2002). EMILE. Observ<strong>at</strong>ion and analysis of the uses of<strong>in</strong>form<strong>at</strong>ion and communic<strong>at</strong>ion technology <strong>in</strong> European primary and secondary schools – An<strong>in</strong>tercultural approach. Paris: Observ<strong>at</strong>oires Des Technologies pour L’<strong>Educ<strong>at</strong>ion</strong> en Europe.Br<strong>in</strong>gager, Frithjof & Lidén, Hilde (1997). Barndom i tid, rom og bilder: rapport fra et dokumentasjonsprosjekt[Childhood <strong>in</strong> time, space and pictures: report from a document<strong>at</strong>ion project].Trondheim: Norsk senter for barneforskn<strong>in</strong>g.Carlsen, Kari & Streitlien, Åse (1995). Elev- og lærerperspektiv på form<strong>in</strong>gsfaget: result<strong>at</strong>er fra enspørreundersøkelse [Pupils and teachers perspective on art and crafts: results of a survey].Notodden: Telemarksforsk<strong>in</strong>g.214 NORDIC VISUAL ARTS EDUCATION IN TRANSITION
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FROM PSYCHOLOGY TO SEMIOTICS1989, C
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APPENDIX 1Jonsson, Carin (2006). L
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APPENDIX 1Elsner, Catharina (1999).
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APPENDIX 1Marner, Anders, Örtegren
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APPENDIX 1Hasselberg, Kersti (1999)
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APPENDIX 1Saar, Tomas (2003). Skola
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APPENDIX 1ReportsAgélii, Karin (19
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APPENDIX 1Persson, Magnus & Thaveni
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APPENDIX 2BooksArvedsen, Karsten &
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