1 2 8 • s m i t h s o n i a n c o n t r i b u t i o n s t o h i s t o ry a n d t e c h n o l o g yIn dress show more sense,You queer Valentine. 26<strong>The</strong> picture accompanying this verse shows a dandysporting a red cravat, yellow gloves, a yellow checkedvest, a black felt jacket and pants, stylish black leatherboots, and an exceedingly tall top hat. <strong>The</strong> dandy puffson a cigar, carries a walking stick, swells his chest, andwears an expression of self- satisfaction that augments his“dandified” air.My survey of over two hundred period valentines intwo major collections in Bath, UK 27 reveals that romanticvalentines teach us about Victorian aesthetics and thenew moral attitude of love that burgeoned in the 1830s,accompanying the coronation of Victoria and markingan end to the rakish ways of Victoria’s “wicked” uncles,George IV and William IV. From romantic valentines,we discern stories of ardent passion, shy or secret love,warm affection, imagined happiness, and feared rejection.Flowers, churches, angels, birds and nests, cupids, flamingtorches, bows, butterflies, hearts and darts, arrows,musical instruments, and wedding rings are all commonVictorian icons of romantic love. Romantic valentines featureclichéd messages, such as “Constant and True,” “Befor ever mine,” “Thine forever,” and “Ever Affectionate,”aligning romantic love with constancy and lasting affectionas well as monogamy.<strong>The</strong> two most ever- present icons on romantic valentinesare flowers and churches or church spires. 28 <strong>The</strong> Victorianswere well- versed in what they called the “languageof flowers,” the sentiments and values that different typesof flowers represent. Today, we still associate roses withlove, but we might not link a foxglove with insincerityor realize that the color of a flower, such as a rose, couldchange its meaning. To the Victorians, a red rose meant“passionate love,” but a yellow rose signified “jealousy.” 29Placing specific flowers on a romantic missive offered away to express love without words. Thomas Hardy inFar from the Madding Crowd (1874), for example, includesthree flowers on the larky valentine that BathshebaEverdene wantonly posts to Farmer Boldwood—red rose,blue violet, and carnation—which mean, respectively,“love,” “faithfulness,” and “Alas! for my poor heart” (fora red carnation). 30 No wonder Boldwood is entranced,even though Bathsheba intends the valentine as a practicaljoke. Other flowers that commonly appear on periodvalentines include lilies of the valley for “return of happiness,”bluebells meaning “constancy,” forget- me- nots for“true love,” daisies meaning “innocence,” and white liliesfor “purity and sweetness.” 31 (Figure 6)Figure. 6. “Love & Duty.” Undated Victorian valentine fromthe Frank Staff Collection. Reproduced by kind permission of Bath<strong>Postal</strong> Museum, UK.<strong>The</strong> church and its steeple signified fidelity in love andhonorable intentions as well as marriage plans. This wasan age when engagements often lasted for years. A couplecould not marry until a man was financially secure, so afiancé, by sending a card with a church spire, could assurehis betrothed of his unfailing love. For those not yetengaged, the church icon offered a way for a suitor toinform his sweetheart of his honorable intentions. Popularnautical- themed valentines, which pair fidelity in lovewith duty, tell us that the Victorian soldier or sailor, occupiedin Empire building, promised to remain faithfulto his true love as he dutifully served his country. In onesuch undated period valentine called “Love and Duty,” 32the heart on the side of the valentine is presumably thesoldier’s heart, and the church spire (in the background)stands as an assurance that marriage will reward a virtuousheart.
n u m b e r 5 5 • 1 2 9A Final Note: Why is a RavenLike a Writing Desk?<strong>The</strong>se three popular postal products—writing desks,pictorial envelopes, and valentines—provide a windowon the habits of Victorian consumers post- 1840. Real andfictional Victorian letter writers used writing desks forcorrespondence and safekeeping as well as to store pictorialenvelopes, valentines, and other writing materials,including quill pens—conceivably even those made froma raven’s feathers. To return to Carroll’s riddle: “Whyis a raven like a writing- desk?” When Alice demands toknow the answer, the Mad Hatter tells Alice, “‘I haven’tthe slightest idea.’” 33 In a preface to an 1896 edition ofAlice in Wonderland, Carroll—who was hounded for theanswer to his riddle for over thirty years—declares:Enquiries have been so often addressed to me,as to whether any answer to the Hatter’s Riddlecan be imagined, that I may as well put on recordhere what seems to me to be a fairly appropriateanswer, viz: “Because it can produce a few notes,tho they are very flat; and it is nevar put with thewrong end in front!” This, however, is merely anafterthought; the Riddle, as originally invented,had no answer at all. 34Carroll could “nevar” resist a play on words, much asCarroll enthusiasts are “nevar” satisfied with Carroll’sanswers. Fans have come up with other clever responses,including: “Edgar Allan Poe wrote on both,” and “Bothhave quills dipped in ink.” 35 How “curious” that Carroll’sriddle has outlasted the Victorian writing desk.Notes1. Carroll kept an accurate register of all the letters he wroteand received throughout his lifetime.2. Lewis Carroll, <strong>The</strong> Annotated Alice: Alice’s Adventures inWonderland & Through the Looking Glass (New York: Norton,2000).3. <strong>The</strong> first “private” version printed by William Clowesand Sons came out in January 1837. A second edition for thegeneral public published by Charles Knight appeared on February22, 1837; two more editions followed, one later in 1837and a fourth in 1838. Hill, who analyzed the costly, unwieldyBritish postal system from the vantage point of an enlightenedoutsider, went on to become Secretary to the Postmaster Generalof the Post Office in 1846, and, by 1854, Secretary of thePost Office.4. <strong>The</strong> Post Circular had a run of 16 issues (March 14,1838, until November 20, 1839).5. This appears in an article in <strong>The</strong> Post Circular 11(Wednesday, April 17, 1839), 54.6. Douglas Muir, <strong>Postal</strong> Reform and the Penny Black: ANew Appreciation (London: National <strong>Postal</strong> Museum, 1990),176.7. Printers of caricature envelopes include J. W. Southgate,Ackermann & Co., and Messrs. Fores of Picadilly. For a full discussionof the reception of the Mulready envelope, I recommendmy book Posting it: <strong>The</strong> Victorian Revolution in Letter Writing,particularly two sections in the second chapter, “A Tale ofRidicule” and “Mulready Caricatures: A National Lampoon,”95–101.8. Asa Briggs, Victorian Things (Chicago: University of ChicagoPress, 1989), 331.9. Zurich issued the 6 Rappen and 4 Rappen on March 1,1843; Geneva released the Double Geneva on October 1, 1843.<strong>The</strong> Canton of Basel issued the Basel Dove on July 1, 1845. Brazilproduced the Bull’s Eye stamp on August 1, 1843, and onJuly 1, 1847, the United States issued five- and ten- cent stampsfeaturing, respectively, Benjamin Franklin on a red- brown stampand George Washington on a black stamp.10. “Sir Rowland Le Grand” is a John Tenniel cartoon appearingin Punch on the occasion of Hill’s retirement as Secretaryof the Post Office in 1864.11. In a November 20, 2009, correspondence with CorinneHarrison, print cataloguer at the National Portrait Gallery, Ilearned that the Hill portrait (NPG 838) remains in storage; theportrait and the gallery’s holding of photographs and prints ofHill can be viewed privately by appointment.12. For more on this subject, I recommend the concludingchapter of my book entitled Posting It: <strong>The</strong> Victorian Revolutionin Letter Writing (University Press of Florida, 2009).13. Briggs, p. 11.14. Briggs, p. 12.15. Morton N. Cohen, Lewis Carroll: A Biography (NewYork: Alfred A. Knopf, 1995), 493.16. Lewis Carroll, Eight or Nine Wise Words About Letter-Writing (Oxford: Emberlin, 1890), pp. 2–3, 16–17, and 37.17. References to writing desks appear in Shakespeare’s AComedy of Errors in order to safeguard a purse of ducats. SeeHarris, Portable Writing Desks, pp. 10–11 for a complete history.Some Victorians like Carroll hyphenate the word “writing- desk.”18. <strong>The</strong> top of the box serves as a writing slope if the box ishinged at the top, but the open lid acts as the writing surface ifthe box is hinged at the bottom.19. For descriptions and pictures of a range of Victorian writingdesks, see Harris, Portable Writing Desks, especially 22–23.20. I include this reference to Jane Austen even though sheprecedes the Victorian age because her work made great contributionsto it. See Carol Shields, Jane Austen (New York: Penguin,2001), 45.21. Briggs, p. 343.