12.07.2015 Views

The Winton M. Blount Postal History Symposia - Smithsonian ...

The Winton M. Blount Postal History Symposia - Smithsonian ...

The Winton M. Blount Postal History Symposia - Smithsonian ...

SHOW MORE
SHOW LESS
  • No tags were found...

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

1 3 0 • s m i t h s o n i a n c o n t r i b u t i o n s t o h i s t o ry a n d t e c h n o l o g y22. Evans in <strong>The</strong> Mulready Envelope (217–221) is thoroughin his discussion of temperance envelope designs but does notprovide dates for them23. An illustration of this pictorial envelope and furthercommentary about it appears both in Evans, <strong>The</strong> Mulready Envelope,190, and Lowe, <strong>The</strong> British Postage Stamp, 94.24. Debra N. Mancoff, Love’s Messenger: Tokens of Affectionin the Victorian Age (Chicago: Art Institute of Chicago,1997), 46.25. Evans provides commentary about and reproduces twoexamples from the series of “Ackermann’s Comic Envelopes” in<strong>The</strong> Mulready Envelope, 176–181.26. Valentine Cards collection, #268, Bath Central Library,Bath, UK.27. <strong>The</strong> two collections I examined are the Valentine Cardscollection, Special Collections, at the Bath Central Library andthe Frank Staff Collection of the Bath <strong>Postal</strong> Museum, Bath, UK.28. Item #253, Valentine Cards collection, Special Collections,Bath Central Library, Bath, UK.29. Kate Greenaway, Language of the Flowers (New York:Avenel Books, n.d.), 36–37.30. Greenaway, pp. 11, 36, 42.31. Greenaway, pp. 10, 18, 15, 27.32. Carroll, <strong>The</strong> Annotated Alice, 72.33. Valentine 1993- 08- 29 forms part of the Frank Staff Collection,Bath <strong>Postal</strong> Museum, Bath, UK.34. This quote comes from “Why is a raven like a writingdesk?” accessed December 11, 2009. http://www.straightdope.com/columns/read/1173/why- is- a- raven- like- a- writing- desk.35. <strong>The</strong> following website offers the Poe response and answersfrom famous people, such as Aldous Huxley: http://www.straightdope.com/columns/read/1173/why- is- a- raven- like- a- writing- desk.<strong>The</strong> website corrects the spelling of “nevar” to “never,” followingthe lead of an editor who thought he caught a typo in Carroll’swriting after the first printing; I have written the term as “nevar”here as Martin Gardner does in <strong>The</strong> Annotated Alice, 72. Clearly,Carroll wanted to spell the word “raven” backwards, and this“correction,” as Gardner notes, “destroyed the ingenuity of hisanswer.” Martin Gardner lists the answer about inky quills in hisannotations to <strong>The</strong> Annotated Alice, 72. At the Fourth Annual<strong>Postal</strong> <strong>History</strong> Symposium in Bellefonte, Pennsylvania, Oct. 30–Nov. 1, 2009, one audience member suggested another possibleanswer: both ravens and desks hide valuable things.BibliographyAdams, Cecil. “Why is a raven like a writing desk?” <strong>The</strong> StraightDope, April 18, 1997. http://www.straightdope.com/columns/read/1173/why- is- a- raven- like- a- writing- desk. Accessed December11, 2009.Briggs, Asa. Victorian Things. 1988. Chicago: University of ChicagoPress, 1989.Carroll, Lewis. <strong>The</strong> Annotated Alice: <strong>The</strong> Definitive Edition. Ed.Martin Gardner. Illus. John Tenniel. New York: W. W. Nortonand Co., 2000.Cohen, Morton N. Lewis Carroll: A Biography. New York: AlfredA. Knopf, 1995.Evans, E. B. <strong>The</strong> Mulready Envelope and its Caricatures. London:Stanley Gibbons, 1891.Frank Staff Collection. Valentines. Bath <strong>Postal</strong> Museum, Bath, UK.Fryer, Gavin, and Clive Akerman, eds. Fwd. Asa Briggs. <strong>The</strong>Reform of the Post Office in the Victorian Era and its Impacton Economic and Social Activity: Documentary <strong>History</strong>1837 to 1864 Based on Sir Rowland Hill’s Journal andAncillary Papers. 2 vols. London: Royal Philatelic Society,2000.Golden, Catherine J. Posting It: <strong>The</strong> Victorian Revolution inLetter Writing. Gainesville, Fla.: University Press of Florida,2009.Greenaway, Kate. Language of the Flowers. New York: AvenelBooks, n.d.Hardy, Thomas. Far From the Madding Crowd. 1874. NewYork: Bantam, 1974.Harris, David. Victorian Writing Desks. Buckinghamshire, UK:Shire, 2001.Henkin, David. <strong>The</strong> <strong>Postal</strong> Age: <strong>The</strong> Emergence of ModernCommunications in Nineteenth- Century America. Chicago:University of Chicago Press, 2006.Lewins, William. Her Majesty’s Mails: A <strong>History</strong> of the PostOffice and an Industrial Account of Its Present Condition.1864. 2nd ed. London: Sampson Low, Son, and Marston,1865.Lowe, Robson. <strong>The</strong> British Postage Stamp of the NineteenthCentury. London: National <strong>Postal</strong> Museum, 1968.Mancoff, Debra N. Love’s Messenger: Tokens of Affection inthe Victorian Age. Chicago: Art Institute of Chicago, 1997.Muir, Douglas. <strong>Postal</strong> Reform and the Penny Black: A New Appreciation.London: National <strong>Postal</strong> Museum, 1990.Post Circular. Or Weekly Advocate for a Cheap, Swift, and SurePostage. Ed. Henry Cole. Nos. 1–16. Wednesday, March,14, 1838–Wednesday, November 20, 1839.Shields, Carol. Jane Austen. New York: Penguin, 2001.Thackeray, William Makepeace. Vanity Fair: A Novel Without aHero. Ed. John Sutherland. Illus. W. M. Thackeray. Oxford:Oxford University Press, 1983.Valentine Cards. Special Collections. Bath Central Library, Bath,England.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!