An Overview of Written Sourcesin Ottoman EthnographyAs is known, with Topkapi Palace Museum RecordNo. D. 97067/5804, dated 1525, notebook 3, documentingmasters organized in palace and their products,reached from Ottoman Empire period today.Such that notebook, Ehl-i Hiref notebooks 4 ,havinginformation about palace records, works of artificersand masters, dated 1640 Narh Notebook 5,including quality and quantity and prices of itemsproduced for people outside the palace, official documentsprotected by some establishments are creatingvaluable written sources. Among them, documentsin Republic of Turkey Prime Ministry GeneralDirectorate of State Archives, General Directorate ofOttoman Archive, such as Firmans 6, Irade, charter,muhime notebooks, establishment of Evkaf-i Humayunin 1255 (1839 Chr.), after this date Meclis-i Vasla,Bab-i Ali Document room Sadaret Papers and EvkafIrade 7 taking place of Hatt-i Humayun draw attention.Except from this archive, there is information indocuments in Topkapi Palace Archive, in DirectorateGeneral of Foundations Archive, Istanbul Office ofMufti Ser’iyye (Qadi) Registers Archive. Samples canbe given to publications made in accordance with thesearch of this papers.8 The Seyahatname of EvliyaCelebi can be belonged to 17th Century.Ser’iyye Registers (Qadi Registers)Importance of Tereke UnitsIn this sense Qadi Registers in Istanbul Office of MuftiSer’iyye Registers Archive which belong to courtssuch as Uskudar, Istanbul, Bab, Galata, Eyup, Balat,Haskoy, Rumeli Sadaret, create important writtensources. The same situation is matter of notebooksprotected in places such as Prime Ministry OttomanArchive. This is handling the same time period andthe dates after them, Istanbul and outside Istanbul9. It is about different time periods cities such as Bolu10, Antalya 11, together with Qadi Registers (Ser’iyyeRegisters), some of them were published, regardingCommunity of Ehl-i Hiref of 18th Century. Moresamples can be given.Material cultural products, in units of Qadi Registerssuch as tereke, muhallefat, hibe etc., are completinginformation derived from extant objective samples.They enlighten Ottoman Ethnography from the beginningof 16th Century. These include valuable informationabout especially extant objective samplesfrom outside the palace, quality and quantity ofportable material cultural items belongs to 16th and17th century and terminology.114The cupboards in the archives of the registers that belong to the Mufti Office of Istanbulare valuable also because they were made in the hands of Sultan Abdulhamid the 2nd.
What we aimed in this article is that: Specifyingof material cultural items used by people fromoutside the palace in 16th and 17th centuries, inQadi Registers, Uskudar Law Court with number1,2,5,9,14,17,26,51,56,84 and Istanbul Law Court withnumber 3,12,18 and Eyup Law Court with number 74.They have been prepared by Turkish Religious FoundationCentre for Islamic Studies, published in cooperationwith Istanbul 2010 Europe Capital of CultureAgency. Another aim is to make literary review of agroup of noun phrase, and terminology under titlessuch as tereke, muhallefat, hibe etc. and to take theinitiative to prepare a database for written source supportingobjective sources in Ottoman Ethnographystudies. Article is restricted 15 by Uskudar Law Courtwith number 1,2,5,9,14,17,26,51,56,84, dated 16thCentury, with number 3,12,18 and Eyup Law Courtwith number 74, dated 17th Century Qadi Registers,prepared by Turkish Religious Foundation Centre forIslamic Studies, Istanbul Law Court, published in cooperationwith Istanbul 2010 Europe Capital of CultureAgency. It includes some terminology and nounphrases about material cultural items.16th CenturyWoodwork: wooden dish, round wooden brass,wooden plate, board saw, barrel, ironmongery basket,stool, coffer, basket, kneading troughGlazingwork: Glass, bottleLeatherwork: Bergama baboosh, a pair of modelbaboosh, boot, Gekvize baboosh ma'a edik, ic eduk,mesh, buff, baboosh, baboosh eduk, sandik-i baboosh,yellow baboosh, three little modelsWeavingwork:Coloured weavingworks: Basma package, basmacushion , basma pillow, basma blanket, colouredkepenek, red basma, yemeni blanketHome textile products: package, bed lining, dosek,dosek with two sides , pillow with two sides, sekerparecushion , pillow, blanket , pillow for face.Clothes: Agriz kaftan, ak cember,ak kaftan, ak saya,alaca destimal, alaca pestamal, aseli, asumani kapama,avare, cuha kaftan, basma cember, bas bezi, beldolamasi, bez kaftan, boyali bez, bork, burgu, buruncekcember, big makreme, cubbe, caksir, cekmecaksir, cember, cuha kaftan, destimal, dolama kaftan,don, gloves, futa, gok kaftan, gok bez kaftan, shirt,shirt for hamam, hamayil, ibrisim kusak, kaban, kaftan
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Art Leads Oneto Eternity!
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In ThisEdition1506The StringentMast
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Dear Istanbulians,After the industr
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One Marbler Has Carried This Colorf
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this art”. Being single those day
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in flower marbling.” He says, and
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Cicek Derman: The DoyenneFlower of
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and does not want her to either stu
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der the very inside of you.” She
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ate” at all. The creator is one,
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Kundekâri:The Time Defying Heritag
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Cracks and incisions which could oc
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land to understand weather he can p
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When Deep WavesWash Ashore!by A. Ul
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'Bismillah' by Omer Faruk Deretaste
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'The Asr Surah' by Mustafa Cemil Ef
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Van Gogh,The Genious Painter of Yel
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and anxieties that surrounded him s
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The most prominent features which w
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Starry Night Over the Rhonehe opted
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the left side of his face is a colo
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The Threaded Version of Silver isRe
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out from a narrower hole. Theseoper
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Sumi-e: The Elegance which Comesint
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traditions, perform this art seated
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sumed in half an hour after it is p
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er in ISMEK, after her illumination
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59Illustration: Hatice Ozturk
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there was a captures chamberlain. 5
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