land to understand weather he can plant the crops. Ifwe don’t understand the characteristics of a tree bytouching it, we shouldn’t call ourselves masters.”Certainly, it was not easy for him to reach this maturity.He needed intimacy with wood for long years.He tells that he gained this talent of understandingthe moist in the tree by touching it in his 20s. He alsotells that different trees may be used for the differentparts of a single door, especially on the central part,for the sake of aesthetics, or different roundwoods ofa tree were used on the same part due to their differentshades.The Secret of Kundekâri to Defy the YearsWe know that Works of art produced with kundekâriresist against, actually defy, long long yearss, and weask the secret of this fact to the master of this art nowthat we have had the opportunity to interview with him.Although the work of art produced with kundekâri isvarnished after it is done, the greatest secret of why itresists against years is the fact that it is a tongued work.Mr. Tufekci tells the advantages of the tongued workas follows: “When it is tongued, the wooden work ofart lasts much longer. Water is the greatest enemy ofwood. Rain, for instance, shouldn’t stay on the wood,and should run down. If the water leaks into the worksomehow, it will decay the work from within. I mean,it requires serious maths. One should calculate boththe gap to leave for expansion, and make sure that nowater leaks in. You even have to calculate how muchload will mount on a boat. You have to figure out, forinstance, how long a door will last with the hinges youuse, and how much load each hinge and conduit willshare. If you make a single conduit carry all the load,the door will nnot be functional. A good master has tocalculate all these details.”Long ago, linseed oil used to be applied on the outersurface of the kundekâri. Now, however, Mr. Tufekcisays that they import a special and organic kind of oilfrom abroad, which is more costly. It is 225 lira per KG,and only an area of 25 square meters can be undercoatedwith it, but once the kundekâri has been fullyundercoatedd with that oil, it becomes totally waterproofeven if youu dip it into the water to wash it.hands should be as sensitive as a good thermometeror a hygrometer with the following sentences: “Howwould we find a hygrometer 20 years ago to measurethe moist in the tree? We would understandhow much moist was in a tree, for how long it canwait, and how we can work with it, only by touchingthe tree. Long ago, the farmer would sit on theWe learn another characteristic of the Kundekâridoors Mr. Tufekci produces. Once both the centerand the frame of the door has been completed, a gapopens up on the top of the door. An aluminum ora brass pipe is placed in this gap, and the pedigreeof the door is put inside it. It is written in detail onthis pedigree how the door was made, how it canbe disassembled and reassembled just in case if thedoor somehow needs restoration about 500 or 1000years later. Mr. Tufekci also informs us about a very28
important fact: “the inner and outer part of the centerof the door needs to be replaced once in abouta hundred years. This can be possible since we makethe center and the frame separately. Anyone whowants to do this can look at the pedigree. Also, thedoor comes with a spare lock. It is thus possible tofind the same lock when we need to change it even100 years later.”Raises 4th Generation Masters of KundekâriWe had already mentioned that the star or polygonshaped pieces which are carved in the male and femaleway are attached to one another without glue ornails in kundekâri. Based on this information, we askMr. Tufekci how many pieces a door can have. Mr.Tufekci informs us that a door contains at least 220pieces. Stating that this number can be 300, or even500, Mr. Tufekci reminds that the pulpit he made forthe Theology Mosque in Rize contains 7000 pieces.We also ask him how long it takes to finish a doorwith so many pieces. “In about 2 months, if 2 peopleare working on it.” He says. By the way, we shouldmention that Mr. Tufekci runs his workshop with his2 sons. Actually, one of the sons is a captain, andthe other one Works in the automotive business. Yetthey have not gone against family traditions, bothchoosing the art of the father and the grandfather.Beginning to teach this art to the youth about 5years ago, Mr. Tufekci now transfers all his knowledgeto his sons: “The youth is not patient to learn.They have already left the courses. So, what I do isteach the art to my sons.”In other words, Mr. Tufekci (55) entrusted this artwith his sons so they can keep it alive during the nextgenerations. Wanting to introduce this art to largermasses, Mr. Tufekci sent many petitions to the Ministryof Culture and Tourism for a kundekâri class tobe launched in universities, but he has received nopositive responses so far. Stating that there is moreinterest in Kundekâri abroad, Mr. Tufekci tells thathe took 11 kundekâri doors to a wood expo in Germanyin 1996, and 9 of them were sold on the veryfirst day of the expo. He also made a kundekâri doorfor the Sultan Suleyman Mosque in London. Thedoor has his signiture. Also, Mr. Tufekci and his sonsare making another door for a new mosque that isbeing built in Bursa.Although he says that his art attracts more interestabroad, certainly most of his Works are still inTurkey. Except for the pulpit of the Rize TheologyMosque, the door of the Cyprus Embasy, the doorsof the Maltepe Merkez Mosque, the doors of theEsenyurt and Yavuz Selim Mosques, and the interiorand exterior environments of many other mosquescarry this art to future generations via Mr. Tufekci.He and his sons are also in charge of the maintenanceof each work they produce. Stating that theyfollow up on the work during the first 5 years, Mr.Tufekci says that the maintenance they carry out forthe first 2 years is free of charge.Towards the end of our interview, we express ourwillingness to see the workshop where they producesuch beautiful Works of art. As we are walkingdown the Street, we gladly smell the friendly andwarm smell of wood. We can not help but think thatit should be this warm smell which encouraged Mr.Tufekci to leave his desk at school and sit before theworkbench at a very early age. The father and 2 sonssit again at the work bench to do the last retouches ofa kundekâri door. We thus thank them for the pleasantinterview, and leave the workshop with the reliefthat our traditional art will be kept alive in safe hands.29
- Page 1: Art Leads Oneto Eternity!
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- Page 6: Dear Istanbulians,After the industr
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When applied on wood, Edirnekâri c
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What is very distinct regardingthe
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The ceiling decorations, corner cab
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There is an epigram for the Artof C
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If the paper had spoken and told wh
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nailing, gluing or compressing of t
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gold. The notebooks with gold leave
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laminary and get the required thick
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Both the insufficience of green fie
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15 years ago, Mr. Yesilce allocated
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On the Zoomorphic1Originsof the Rum
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Shape-6Shape-13another finding foun
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The Harem in the Topkapi Palace,The
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very much like the school of boys i
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The Blue Doors of TunisiaThe Articl
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Tunisia is the pearl of the Mediter
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Ottoman CultureProducts from Qadi R
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An Overview of Written Sourcesin Ot
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Signature of Abdulhamit II on the c
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Pieces of Wastepapers TurnInto Jewe
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in a short time, we ask him to make
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Symbols of theLife of Thoughtby Pro
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The Gulpayegan Masjid Kufi writing
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which show some of the monumental w
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An appearance from the interior of
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The Kufic script at the top is prep
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in yerinize grafologla konusuverir.
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considered as a hard science rather
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Zeynep Bornovali states that differ
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The Dance of the Needle with Cerami
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was not the case, however, for the
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an area determined on the material
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Dilek Hanif: A Fashion DesignerWho
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others prefer to have a single and
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Princess Nazli:The Patron of Arts a
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which was also known as “Villa He
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A Bouquet From the Hidden Paradiseb
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Canfeza (Heart touching) A fully st
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“Someone whom I hadn’t met befo
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The Storm of ISMEK Blowingin the In
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Menaf Nam's work which was awarded