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The Kufic script at the top is prepared in its specificdesign. The letters are so thick and the gaps amongthem are filled with curly décors like Roum ornamentation.Ma’kili,located in the base decorations, in Mardin Hasankeyf El-Rizk mosqoue minaret.“Ism-i Nebi” composition,XIV.century..signed quite thick were narrow on vertical line. Whilethe first arm of Lam-elifs (one of the Arabic letters) isstraight, the second arm of it gets thinner by curvinglike the new moon. The outer fringe started with Kuficscript is really rich. The thick and thin bricks frominterior to outer hold the main theme tightly. Threearm-themetelescoped by geometric design covers theouter surface.4.VII. Fergana Seyh Fazil MausoleumSeyh Fazil Mausoleum is one of the important worksof the Karakhanid. Built by bricks, 14 meters tallshows something between mausoleum and dome.Cubic on the walls as a tromp zone is octagon and isin the form of flat cone. Though this brick building isso simple, it has an amazing internal decoration. Internalwalls covered by dome bewilder you with itsperfect internal design. Topsides of the walls are filledwith Kufic script. The other Kufic scripts are availableon the tromp zone surrounded by sharp round roofbars. The internal dome is covered by stucco decorations.Seyh Fazil Mausoleum having no historical inscriptionis among the Nasr Bin Ali and Celaleddin HuseyinMausoleums in Ozkent on account of style andpoints 12th century. 12The internal decoration of the Mausoleum1) The decoration of square-shaped main area.The stucco décor of internal side, which started at thebottom, was organized in the shape of clover, but thispart is not seen on the photograph. On this area, thereare three circular compositions are set on squaredzone. There are also different décors on Kufic script.The angles are decorated, too. The script on the boardin the center is probably done later. Kufic script is writtenin diverse characteristics and in wonderful design.2) The roundel in a roof bar is put on the dome taboret.There are hallows that are in semi-circle on theroof bar taboret. There are smaller badges on the cornersof the roof bar. When generally looked at, thedecorations of all circular areas are filled with differenthexagon designs. The inside of Mausoleum builtby bricks consists of very rich decors. The tomb designedlike this shows the harmony, the period, the cultureand the esthetic to the world in an effective way.When we see gorgeous structures like those, we needto ask ourselves: “can we build humanistic, radical andgentle constructions like this which will remind thosebuildings.”4.VIII. Ozkend Celaleddin Huseyin MausoleumThe three of Karakhanid Mausoleums found in Ozkendare placed side by side. The first is Nasr Bin Alie,the second is Celaleddin Huseyin and the third oneis other mausoleum built in 1187. Celaleddin HuseyinMausoleum placed in the middle was built by CelaleddinHuseyin in 1152 according to the script. Turkishname “Alp Kilic Tonga Bilge Turk Togrul Hakan” stateshis Turkishness. His death year is 1156. This Karakhanidmausoleum having put the dome on the fourwalls is one of the most important Turkish architecturein terms of facade. The sharp roof bar niche issurrounded by wide geometric bordures. The naskhscript encircling the roof bar niche is seen in Rum forthe first time.Some detailed decors on the surface vanish. Octagonstars being inside of portal roof bar niche are tiedup each other and the gaps among them were filledwith curly branches, palmette and roums. The richnessin simplicity stands out. When looked at the portalroof bar niche decoration plan, marvelous décorrichness stands out. Excellent roums in the triple roofbar bewilders you with each motif. The roums havingpositive-negative values at the same time pushe theman into a puzzle. The octagon schema put in theside of main roof bar can be evaluated. The graphicharmony of this part is pretty good and symbolizes adeveloped perception. Dovetailed eight-arm-stars area genius. 13The naskh script on the front roof bar is a wonder. Elifand lams (Arabic letters) are supplementary for otherletters’ curves. While Kufic script is surrounding theroof bar like a poem, the roums scattered are the signsfor the development of Turkish Roum Art.130