Symbols of theLife of Thoughtby Prof. Dr. Ilhan OZKECECI*Just as it is necessary to learn about the Ottoman Empire to better understand today, it is as necessary to learnabout the Anatolian Seljukis, and beyond that, about the Great Seljukis to better understand the Ottoman Empire.We were inspired by beams of light that penetrated into our pen from the various sources of an advanture whichreaches from Turkstan to Anatolia, and the ever shining brightness of our invaluable art works, hoping thesevalues which directed many aspects of life in the past to enlighten our day as well.1. On the Turkish ArtAs soon as Turks took their place in the circle of Islam, theyestablished many states, big or small, in territories beginningfrom the boarders of China to the center of Europeand Africa, and from the Atlantic Ocean to the Indian Ocean,achieving great sovereignty and power within the Islamicworld since the establishment of the Great Seljuki Empiretill the recent century. With their experiences and culturewhich dates back to the Preislamic periods, the Karakhans,Ghaznavids, Seljukis Timurians and the AkkoyunluTurks combined especially the advanced artistic skills ofthe Uigurs with the Islamic perspective of arts, thus creatingworks of art that are superior both in technical, andin aesthetical terms, which has made the Turkish art admireableand prestigious among all the arts worldwide. So,though it has been influenced greatly by Islam, we can saythat the Turkish art has also influenced the Islamic civilisationin fields such as education, institutionalisation, politicaland military establishments, architectural structures, decorativearts and painting, developing its abilities within thiscivilisation, and becoming an important ring of this chain.We wanted to attract the attention in this article, to theimportant elements of the works of art within our culturalhistory. Towards this end, we were inspired by beams oflight that penetrated into our pen from the various sourcesof an advanture which reaches from Turkstan to Anatolia,and the ever shining brightness of our invaluable artworks, hoping these values which directed many aspectsof life in the past to enlighten our day as well.Just as it is necessary to learn about the Ottoman civilisationin order to have a better understanding about today,it is as necessary to learn about the Anatolian Seljukis, andthe Great Seljukis in order to have a better understandingabout the Ottoman Civilisation. The Great Seljukis whohad vital contacts with glorious Islamic civilisations such asKarakhans and Ghaznavids which were born in the Turkstanterritories played important roles in the constructionof the civilisation.2. Art and Its ActivitiesCivilisations produce works of art in order to rema-A section from the Kufiscripture belt of the Hargird Nizamiye Madrassah122
A plate that the Kufi belt of writing from the Hargird Nizamiye Madrassah has been rewrittenin permanent, to symbolise their power, and to leavemarks for the future from themselves, from theirculture, and their believes. Also, art and the strengthof artistic production have always played an importantrole in determining the status of the states inthe world. Most of the newly established civilisationshave developed the artistic and scientific acumulationthey took over from the older one withinthe framework of their own characteristics over thetime. Societies who have marked eras in the historyhave gained the status of unforgetability thanks tothe works of art they have created.The views of art and its activities vary according to culturaldifferences and time. Also, art has an unignoreablevalue in terms of expressing the purpose of life,and fulfilling this purpose. Ever since the most ancientperiods in the history, man has always reflectedhis own inner dynamics to the outer world. Systems ofbelief have an important role on this as well. The experiences,the systems of belief, the governance, theeconomy, successes and failures a society experiencesalso cause it to produce works of art along with thescientific advancements it achieves. Towards this end,the role of the arts in the cultural structuring enablesthe society to become original, and to reach universalitywith an aesthetical dimension developed in thisoriginality. The aesthetical dimension determining therelation of the human beings with the nature, the placeand the culture, the changes this relation has undergoneduring the different periods of history, and itsreflections to the present day have always been expressedby artistic designs.Ever since the very first periods, the messages recordedin the holy scriptures of Islam have been perceivedas symbols in the daily life. Thus, messagesin the scriptures have also become abstract motifsor symbolic designs. These symbols that catch oureyes anywhere on a temple, a mosque, a tomb or aminaret have been equipped with all the values ofthe time which have been infiltrated by the tiny holesof the filter called time. Muslim artists reflectedtheir own spiritual world with glittering reflectionswithin the territories ruled by the Islamic civilisations,also by following the signs left by their ancestories.They did not consider a building as a constructiononly. They also gifted to it many beauties and valuablemeanings since they thought that it had a place inthe life of thought as well. Naturally, these meaningscommunicated the messages about being good, beautiful,peaceful and modest while also expressingthe roots of the belief. While political conflicts, fightsand battles kept happening harshly on one hand, theworld of feelings paved the way for new dimensionsas if nothing was happening, enlightening the societywith its spiritual discoveries.3. Art and SymbolsSymbols and diagramic expressions are used to expressthe notions regarding believes and thoughts.They can consist of curved shapes, as well as organic,circular, rectangular, pentagonal, hexagonal, octabonal,or polygons with broken corners. As they canhave symbolic and figurative expressions on a plate,they can also have symbols that symbolise variousnotions. 1 When considered within the context of meanings,Islamic arts especially see the world, eventsand the universe at a point of view that surpassesshapes and figures. The reflections of the metaphysicalworld into the works of art, and the power ofAllah upon this world as the unique creator supportand protect us at all times. A work of art is both thereflection of the artist’s spiritual world into the outerworld, and the reflection of the feelings revealed tothe artist by the glorious creator. Motifs and figuresdesigned by the artist originate from his divine source,in other words, from the notion of heaven. Theartist does not only perceive what his sense organscommunicate to him while creating his works of art.He also expresses the fenomena he discovers with hismind in a way that deserves his divine being. 2 123
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Art Leads Oneto Eternity!
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In ThisEdition1506The StringentMast
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Dear Istanbulians,After the industr
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One Marbler Has Carried This Colorf
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this art”. Being single those day
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in flower marbling.” He says, and
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Cicek Derman: The DoyenneFlower of
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and does not want her to either stu
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der the very inside of you.” She
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ate” at all. The creator is one,
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Kundekâri:The Time Defying Heritag
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Cracks and incisions which could oc
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land to understand weather he can p
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When Deep WavesWash Ashore!by A. Ul
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'Bismillah' by Omer Faruk Deretaste
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'The Asr Surah' by Mustafa Cemil Ef
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Van Gogh,The Genious Painter of Yel
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and anxieties that surrounded him s
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The most prominent features which w
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Starry Night Over the Rhonehe opted
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the left side of his face is a colo
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The Threaded Version of Silver isRe
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out from a narrower hole. Theseoper
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Sumi-e: The Elegance which Comesint
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traditions, perform this art seated
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sumed in half an hour after it is p
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er in ISMEK, after her illumination
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59Illustration: Hatice Ozturk
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there was a captures chamberlain. 5
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lack sides. As far as I can see del
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One of the founders of the civilisa
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The miniature by Ochiai Yoshiiku da
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Miniatures are in the Irony of West
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