The Gulpayegan Masjid Kufi writing line with Madallion.Alephh, the first letter of the arabic Alphhabet, is oneof the basic symbols used in Islamic arts and symbolizesAllah. Each letter has its own character in the visualforms of the art of Calligraphy which directly reflectsthe spiritual facts to the minds of the believers,and each letter symbolizes a certain divine descriptionwith its visual form. The reason for this is the fact thatthe letters of the divine alphabet inquate to the divinecharacteristics of Allah. 3The letter Aleph symbolizes the divine majesty, andthe transcendental principle which is the source ofeverything. This is the reason why it is the first letterof Allah, the glorious creator which bears the meaningsof the reality, and the metaphysical teaching. 4Architectural works of art are the most important elementsof the Islamic culture. Not only the structure,but also the interior decoration of these buildings havealways been important. On the other hand, the arrangementand decoration of manuscripts enable the creationof numerous amounts of important works.Motifs on the architectural works of art created byIslamic artists also have important meanings thatsymbolize the divine origin. The basic expression ofthe decorative scriptures on most of the architecturalworks focus on the word Allah. This can be a standaloneword, a sentence, a verse, or any other divinetext. The motifs used can both have various shapessuch as pentagons, hexagons or octagons, and variousmeanings of their own. The meaning of this is thefact that the Islamic artist can express the Islamic thoughtvery successfully, interpreting this thought withboth the architecture, and the decoration of the work.While a beam of light in a candle symbolizes the creator,it also reveals the appearance of God which surpassesa simple shape. Round shapes, wheels of fortuneand rose motives all express the metaphysical beingof Allah. 5A view from the main Harrekan dome.We see rich expressions in carpet weaving as well. Generally,the altar nich seen in architecture is depictedin carpet sajjadas. Little columns that carry the altar124
The detailed drawing of the line by I.Ozkececi.arch, epigraph holders and other various elements areall transferred to carpets with little abstractions. In steadof solid shapes and figures, Islamic artists have preferredto use abstract and symbolic figures. The realisticsymbols and depictions we se on carpets from timeto time, though, are the symbols of some certain religiousnotions and rules as well. The depiction of candlethat we see on sajjadas, for instance, symbolizes thedivine light while ewer symbolizes the cleanliness ofthe body, and the life tree symbolizes the eternal life.Many other motifs have Islamic interpretations as well,such as the bunch of flowers that extend from the topof the altar nitch symbolizing the vinyards in the heaven,and the altar nich symbolizing the door to theheaven. 6Although its 2D characteristic, certain general symbolshave been used while decorating the divine scriptureswhich symbolize the struggle to reach eternity andperfection as well. The square and rectangular shapeswhich are used fairly frequently in illumination, for instance,symbolize the earth, while semicircles and trianglessymbolize the heavens. The continuous repetitionof the same motives, on the other hand, symbolizesthe rythim within the universe. These are all relatedto the glory and beauty doctrine of Islam. Whilegold mainly symbolizes the Sun, yellow, the color ofthe light, has been used as the symbol of knowledgeand wisdom. The Quran repeatedly mentions light aswell. The word “Sems” we recall as a motif is derivedfrom the word that means “the Sun” in Arabic. 74. On the Analyses of Some Works of Art4.I. The Hargird Nizamiye MadrassahBuilt by Nizamulmulk in 1068, the Hargird NizamiyeMadrassah, one of the oldest madrassahs in theworld, is located near a village of Iran called Hargird.It is probably one of the oldest types of 4 iwan madrassahsthat originate from Horasan. Only few thingshave survived up to the present day from the ruins ofthe madrassah. Among these ruins is a part of the southerniwan. Some walls, an arch and an altar fromthe southern iwan is also among these ruins. Somebrick walls, belts of Kûfî scriptures have also amongthe ruins that have survived up to our day. Writingsand designs have been inscribed on brick with stuccoand tarakota material. 8Each section of these Kûfî writings which containsvery interesting decorative depictions has been a wonderof design in and of itself. We can say that in thetext which contains the same thickness of each letter,the letters such as ayn, fe, meem and wav form asingle circle. We also see that the letters such as noon,te and zel first accompany this circular movement, andare then ended with s like curves.It is also obvious that the spaces that the letters havenot filled on the line have been filled with Anatolianmotifs in the shape of a symmetrical medallion. AlsoXI.century a Quran page written with the Mesrik Kufi calligraphy style.125
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Art Leads Oneto Eternity!
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In ThisEdition1506The StringentMast
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Dear Istanbulians,After the industr
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One Marbler Has Carried This Colorf
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this art”. Being single those day
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in flower marbling.” He says, and
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Cicek Derman: The DoyenneFlower of
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and does not want her to either stu
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der the very inside of you.” She
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ate” at all. The creator is one,
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Kundekâri:The Time Defying Heritag
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Cracks and incisions which could oc
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land to understand weather he can p
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When Deep WavesWash Ashore!by A. Ul
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'Bismillah' by Omer Faruk Deretaste
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'The Asr Surah' by Mustafa Cemil Ef
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Van Gogh,The Genious Painter of Yel
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and anxieties that surrounded him s
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The most prominent features which w
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Starry Night Over the Rhonehe opted
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the left side of his face is a colo
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The Threaded Version of Silver isRe
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out from a narrower hole. Theseoper
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Sumi-e: The Elegance which Comesint
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traditions, perform this art seated
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sumed in half an hour after it is p
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er in ISMEK, after her illumination
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59Illustration: Hatice Ozturk
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there was a captures chamberlain. 5
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lack sides. As far as I can see del
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One of the founders of the civilisa
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The miniature by Ochiai Yoshiiku da
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Miniatures are in the Irony of West
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pictions of various countries, coul
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