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Proceedings Fonetik 2009 - Institutionen för lingvistik

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<strong>Proceedings</strong>, FONETIK <strong>2009</strong>, Dept. of Linguistics, Stockholm UniversityModified re-synthesis of initial voiceless plosives byconcatenation of speech from different speakersSofia StrömbergssonDepartment of Speech, Music and Hearing, School of Computer Science and Communication, KTH,StockholmAbstractThis paper describes a method of resynthesisingutterance-initial voiceless plosives,given an original utterance by onespeaker and a speech database of utterances bymany other speakers. The system removes aninitial voiceless plosive from an utterance andreplaces it with another voiceless plosive selectedfrom the speech database. (For example,if the original utterance was /tat/, the resynthesisedutterance could be /k+at/.) In themethod described, techniques used in generalconcatenative speech synthesis were applied inorder to find those segments in the speech databasethat would yield the smoothest concatenationwith the original segment. Results froma small listening test reveal that the concatenatedsamples are most often correctly identified,but that there is room for improvement onnaturalness. Some routes to improvement aresuggested.IntroductionIn normal as well as deviant phonological developmentin children, there is a close interactionbetween perception and production ofspeech. In order to change a deviant (non-adult)way of pronouncing a sound/syllable/word, thechild must realise that his/her current productionis somehow insufficient (Hewlett, 1992).There is evidence of a correlation between theamount of attention a child (or infant) pays tohis/her own speech production, and the phoneticcomplexity in his/her speech production(Locke & Pearson, 1992). As expressed bythese authors (p. 120): “the hearing of one’sown articulations clearly is important to theformation of a phonetic guidance system”.Children with phonological disorders producesystematically deviant speech, due to animmature or deviant cognitive organisation ofspeech sounds. Examples of such systematicdeviations might be stopping of fricatives, consonantcluster reductions and assimilations.Some of these children might well perceivephonological distinctions that they themselvesdo not produce, while others have problemsboth in perceiving and producing a phonologicaldistinction.Based on the above, it seems reasonable toassume that enhanced feedback of one’s ownspeech might be particularly valuable to a childwith phonological difficulties, in increasinghis/her awareness of his/her own speech production.Hearing a re-synthesised (“corrected”)version of his/her own deviant speech productionmight be a valuable assistance to the childto gain this awareness. In an effort in this direction,Shuster (1998) manipulated (“corrected”)children’s deviant productions of /r/, and thenlet the subjects judge the correctness andspeaker identity of speech samples played tothem (which could be either original/incorrector edited/corrected speech, spoken by themselvesor another speaker). The results fromthis study showed that the children had mostdifficulties judging their own incorrect utterancesaccurately, but also that they had difficultiesrecognizing the speaker as themselves intheir own “corrected” utterances. These resultsshow that exercises of this type might lead toimportant insights to the nature of the phonologicaldifficulties these children have, as wellas providing implications for clinical intervention.Applications of modified re-synthesisApart from the above mentioned study byShuster (1998), where the author used linearpredictive parameter modification/synthesis toedit (or “correct”) deviant productions of /r/, amore common application for modified resynthesisis to create stimuli for perceptual experiments.For example, specific speech soundsin a syllable have been transformed into intermediateand ambiguous forms between twoprototypical phonemes (Protopapas, 1998).These stimuli have then been used in experimentsof categorical perception. Others havemodulated the phonemic nature of specificsegments, while preserving the global intonation,syllabic rhythm and broad phonotactics ofnatural utterances, in order to study what198

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