BOOKS IN REVIEWen troisième ou quatrième année, parexemple.IMPERFECTCONQUESTSNEIL В. BISHOPj. L. LEPROHON, The Manor House <strong>of</strong> DeVilleray, ed. Robert Sorfleet. Journal <strong>of</strong> CanadianFiction, no. 34, $6.00.MME Ε. BERTH., Le Tour du Québec par deuxenfants. Liberté 163 (February 1986),$8.00.FROM SEVERAL POINTS <strong>of</strong> view, these twobooks have much <strong>in</strong> common. Both areshort novels; each takes up the wholenumber <strong>of</strong> a periodical which otherwisenormally publishes shorter pieces <strong>of</strong> criticismand creative writ<strong>in</strong>g; both are supposedlywritten by women ; and both dealwith national issues perta<strong>in</strong><strong>in</strong>g to Quebec.The two novels also deal with thepressure <strong>of</strong> historical realities on theeveryday lives <strong>of</strong> relatively uncomplicatedpeople. Leprohon writes aboutthese realities <strong>in</strong> English <strong>in</strong> a romance set<strong>in</strong> the later eighteenth century, and Bertildoes so <strong>in</strong> French <strong>in</strong> a satire on contemporaryl<strong>in</strong>guistic issues <strong>in</strong> Québec.Elsewhere, the differences between thetwo books are strik<strong>in</strong>g. If anyth<strong>in</strong>g, it isnot the century between their compositionsthat sets the books apart, but theirrespective tones. Leprohon's book is one<strong>of</strong> the earliest Canadian novels <strong>in</strong> English.It appeared serialized <strong>in</strong> the MontrealFamily Herald <strong>in</strong> 1859 and i860,and its pages are replete with the quietromanticism and the gilt-edged feel<strong>in</strong>gs<strong>of</strong> affection and loyalty that coloured thefrontier ra<strong>in</strong>bow dreams <strong>of</strong> colonial Canada.Bertil's book (if, <strong>in</strong> fact, Bertil exists)is a late twentieth century allegoricalsatire about language, class, socialprétentions and the vanity <strong>of</strong> nationaldreams. The contrast <strong>in</strong> genre betweenthe two books is therefore almost absolute.But despite the contrast, the two booksshare one powerful idea. They both dealstrongly with the desire for cultural survival<strong>of</strong> a vanquished race aga<strong>in</strong>st whicha conquest was never anyth<strong>in</strong>g more thanmilitary. In the background is the commonhistorical theme that the conquestwreaked by one culturally and politicallysophisticated race on another leaves allbut its immediate military problems unresolved.The theme <strong>of</strong> the imperfect conquestis dom<strong>in</strong>ant <strong>in</strong> both books. In TheManor House <strong>of</strong> De Villeray, the themeis responsible for many <strong>of</strong> the types <strong>of</strong>characters and many <strong>of</strong> the circumstancesbeh<strong>in</strong>d the novel's plot. In LeTour du Québec par deux enfants, thetheme is the source itself <strong>of</strong> the dream<strong>of</strong> the Québécoise grandmother (exiled <strong>in</strong>Manitoba <strong>in</strong> childhood) <strong>of</strong> someday f<strong>in</strong>d<strong>in</strong>gaga<strong>in</strong> "le coeur vibrant du Québec."This search for the vibrant heart <strong>of</strong> theprov<strong>in</strong>ce is the central and unify<strong>in</strong>g idea<strong>of</strong> Bertil's book. The perfection <strong>of</strong> thehopes, dreams, and desires <strong>of</strong> the characters<strong>of</strong> both books throws <strong>in</strong>to reliefthe utter imperfection <strong>of</strong> the eighteenthandn<strong>in</strong>eteenth-century conquests <strong>of</strong> Europeanwars which provoked them. Inthe name <strong>of</strong> their respective glories, theimperial powers tried to subjugate oneanother's settlers <strong>in</strong> the various NewWorlds scattered about the globe, and abattlefield won was so <strong>of</strong>ten a culturalwar born.And yet the stories <strong>of</strong> these two novelshave little <strong>in</strong> common. The ManorHouse <strong>of</strong> De Villeray, written by aMontreal-born woman <strong>of</strong> Irish-Catholicdescent, and published a century and aquarter ago, is a sad love story <strong>of</strong> yet acentury earlier. The fall <strong>of</strong> Quebec tothe English is its background. Its <strong>in</strong>trigueis the parentally arranged engagement<strong>of</strong> a beautiful young aristocrat, the172
BOOKS IN REVIEWnewly orphaned seigneuresse Blanche <strong>of</strong>the fief <strong>of</strong> De Villeray, to a s<strong>in</strong>cere youngFrench <strong>of</strong>ficer, Gustave De Montarville.The problem <strong>of</strong> the lovers is that Blanchefeels that she does not yet know how tolove De Montarville, and she wants tolearn how before she marries him; andhe, <strong>in</strong> the meantime, falls desperately <strong>in</strong>love with the paysanne Rose Lauzon,whom Blanche has brought up as hersister and social equal. Rose reciprocatesDe Montarville's feel<strong>in</strong>gs, cruelly torn bydivided loyalties to mistress and lover. Inthe ensu<strong>in</strong>g struggle, true love w<strong>in</strong>s out.Injured <strong>in</strong> a useless duel over Rose's honourat the moment that the battle <strong>of</strong> thePla<strong>in</strong>s <strong>of</strong> Abraham is fought, De Montarvillerecuperates and marries her. Heand Rose board a French vessel carry<strong>in</strong>gaway the depart<strong>in</strong>g conquered local adm<strong>in</strong>istrators<strong>of</strong> New France to permanentexile <strong>in</strong> France. Blanche, her beauty nowdisfigured by an attack <strong>of</strong> smallpox, rema<strong>in</strong>salone <strong>in</strong> the conquered colony, andv/ill later leave most <strong>of</strong> her manorial possessionsto the children <strong>of</strong> De Montarvilleand Rose. In the context <strong>of</strong> thebackground colonial war, though permeatedby the gilt-edged emotions <strong>of</strong> theromance, Blanche's stock n<strong>in</strong>eteenthcenturycharacter does achieve epic proportion,however little. The personal humancondition is symptomatic <strong>of</strong> a muchlarger universal quest. Blanche turnsLeprohon's novel <strong>in</strong>to someth<strong>in</strong>g farmore significant than historical romanceitself. The dream <strong>of</strong> a nation dies as itscourage is born, and Blanche's charactermanages to put the message across.By contrast, Le Tour du Québec parDeux Enfants is a satiric spo<strong>of</strong>, and isbit<strong>in</strong>g <strong>in</strong> spite <strong>of</strong> its broad comedy. Thenovel has supposedly just been written byMme Ε. Bertil and published as a separatenumber <strong>of</strong> the periodical Liberté<strong>in</strong> the face <strong>of</strong> a most urgent need toeducate school-aged Québécois children<strong>in</strong> patriotism. The young Québécois havesuposedly lost their patriotism under conditionsthat the mock preface does notclearly expla<strong>in</strong>, but that the satire <strong>of</strong> thefollow<strong>in</strong>g ma<strong>in</strong> part <strong>of</strong> the work identifiesas the post-<strong>in</strong>dependence referendumtorpor that has settled on theprov<strong>in</strong>ce.The name E. Bertil is a configuration<strong>of</strong> the letters <strong>of</strong> the title <strong>of</strong> the periodical,and the one lonely entry for the surname<strong>in</strong> the Montreal telephone books does notanswer to the existence <strong>of</strong> an author. Thestory <strong>of</strong> the novel by this probably anonymousauthor is that <strong>of</strong> a St-Boniface boyJulien, aged twelve, and his sixteen-yearoldsister Sophie who are first orphaned<strong>of</strong> their parents and later also <strong>of</strong> theirgrandmother who harbours them. On herdeathbed, the grandmother who wasborn <strong>in</strong> Quebec expresses her dy<strong>in</strong>g wishto the children that they should not weartheir lives away <strong>in</strong> futility try<strong>in</strong>g to befrancophones <strong>in</strong> Manitoba. She urgesthem to go East on her small legacy <strong>in</strong>order to f<strong>in</strong>d "the vibrant heart <strong>of</strong> Quebec. . ." where they can be their nationalselves <strong>in</strong> peace. The last wish is also theold lady's last spoken phrase. The children'sfather was killed <strong>in</strong> their yetyounger days because he couldn't understandan anglophone foreman's warn<strong>in</strong>gshout to avoid a mov<strong>in</strong>g steamshovel,and the two children set out for Québecto avenge the dest<strong>in</strong>y <strong>of</strong> their father's<strong>in</strong>comprehension.The journey that leads Julien andSophie from St. Boniface to W<strong>in</strong>nipegand Ottawa by Via Rail, and then fromOttawa to Trois-Rivières, the Saguenay-Lac-St-Jean, the Gaspé Pen<strong>in</strong>sula, QuébecCity, and then f<strong>in</strong>ally Montreal <strong>in</strong> avariety <strong>of</strong> hitchhiked and other benevolentvehicles, is peppered with viciouslysatiric encounters. All the English-Canadianand Québécois national types come<strong>in</strong> for a beat<strong>in</strong>g.The monsters up to the Ontario borderare practically all Anglo-Saxons. First173
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