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шш in review DISCOURSE OF THE OTHER - University of British ...

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BOOKS IN REVIEWen troisième ou quatrième année, parexemple.IMPERFECTCONQUESTSNEIL В. BISHOPj. L. LEPROHON, The Manor House <strong>of</strong> DeVilleray, ed. Robert Sorfleet. Journal <strong>of</strong> CanadianFiction, no. 34, $6.00.MME Ε. BERTH., Le Tour du Québec par deuxenfants. Liberté 163 (February 1986),$8.00.FROM SEVERAL POINTS <strong>of</strong> view, these twobooks have much <strong>in</strong> common. Both areshort novels; each takes up the wholenumber <strong>of</strong> a periodical which otherwisenormally publishes shorter pieces <strong>of</strong> criticismand creative writ<strong>in</strong>g; both are supposedlywritten by women ; and both dealwith national issues perta<strong>in</strong><strong>in</strong>g to Quebec.The two novels also deal with thepressure <strong>of</strong> historical realities on theeveryday lives <strong>of</strong> relatively uncomplicatedpeople. Leprohon writes aboutthese realities <strong>in</strong> English <strong>in</strong> a romance set<strong>in</strong> the later eighteenth century, and Bertildoes so <strong>in</strong> French <strong>in</strong> a satire on contemporaryl<strong>in</strong>guistic issues <strong>in</strong> Québec.Elsewhere, the differences between thetwo books are strik<strong>in</strong>g. If anyth<strong>in</strong>g, it isnot the century between their compositionsthat sets the books apart, but theirrespective tones. Leprohon's book is one<strong>of</strong> the earliest Canadian novels <strong>in</strong> English.It appeared serialized <strong>in</strong> the MontrealFamily Herald <strong>in</strong> 1859 and i860,and its pages are replete with the quietromanticism and the gilt-edged feel<strong>in</strong>gs<strong>of</strong> affection and loyalty that coloured thefrontier ra<strong>in</strong>bow dreams <strong>of</strong> colonial Canada.Bertil's book (if, <strong>in</strong> fact, Bertil exists)is a late twentieth century allegoricalsatire about language, class, socialprétentions and the vanity <strong>of</strong> nationaldreams. The contrast <strong>in</strong> genre betweenthe two books is therefore almost absolute.But despite the contrast, the two booksshare one powerful idea. They both dealstrongly with the desire for cultural survival<strong>of</strong> a vanquished race aga<strong>in</strong>st whicha conquest was never anyth<strong>in</strong>g more thanmilitary. In the background is the commonhistorical theme that the conquestwreaked by one culturally and politicallysophisticated race on another leaves allbut its immediate military problems unresolved.The theme <strong>of</strong> the imperfect conquestis dom<strong>in</strong>ant <strong>in</strong> both books. In TheManor House <strong>of</strong> De Villeray, the themeis responsible for many <strong>of</strong> the types <strong>of</strong>characters and many <strong>of</strong> the circumstancesbeh<strong>in</strong>d the novel's plot. In LeTour du Québec par deux enfants, thetheme is the source itself <strong>of</strong> the dream<strong>of</strong> the Québécoise grandmother (exiled <strong>in</strong>Manitoba <strong>in</strong> childhood) <strong>of</strong> someday f<strong>in</strong>d<strong>in</strong>gaga<strong>in</strong> "le coeur vibrant du Québec."This search for the vibrant heart <strong>of</strong> theprov<strong>in</strong>ce is the central and unify<strong>in</strong>g idea<strong>of</strong> Bertil's book. The perfection <strong>of</strong> thehopes, dreams, and desires <strong>of</strong> the characters<strong>of</strong> both books throws <strong>in</strong>to reliefthe utter imperfection <strong>of</strong> the eighteenthandn<strong>in</strong>eteenth-century conquests <strong>of</strong> Europeanwars which provoked them. Inthe name <strong>of</strong> their respective glories, theimperial powers tried to subjugate oneanother's settlers <strong>in</strong> the various NewWorlds scattered about the globe, and abattlefield won was so <strong>of</strong>ten a culturalwar born.And yet the stories <strong>of</strong> these two novelshave little <strong>in</strong> common. The ManorHouse <strong>of</strong> De Villeray, written by aMontreal-born woman <strong>of</strong> Irish-Catholicdescent, and published a century and aquarter ago, is a sad love story <strong>of</strong> yet acentury earlier. The fall <strong>of</strong> Quebec tothe English is its background. Its <strong>in</strong>trigueis the parentally arranged engagement<strong>of</strong> a beautiful young aristocrat, the172

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