BOOKS IN REVIEWtance des écoles et de la radio francophones,a<strong>in</strong>si que des "vieilles vertus."Venue de la région de W<strong>in</strong>nipeg, villedont le nom, comme nous l'apprend Valais,signifie "eau boueuse," Maud va serendre dans l'Est du pays, faire la connaissanced'un Québec où elle se sentiradéplacée, étrangère et où elle va donc serendre compte que le Manitoba est sonpays. Y retournera-t-elle ou bien f<strong>in</strong>ira-tellepar se laisser assimiler per la mondequébécois? Valais ne nous le dit pas, nouslaisse libre d'imag<strong>in</strong>er la suite.La forme épistolaire, tout comme lemonologue <strong>in</strong>térieur, permet de nouveauun discours-fleuve, avec rapides, chutes,affluents. Valais utilise les deux formesavec aisance et un évident plaisir qui f<strong>in</strong>itpar devenir celui du lecteur. Les deuxsoeurs est un beau livre, un de ceux quifont que les Éditions des Pla<strong>in</strong>es méritentnotre respect et notre <strong>in</strong>térêt.ON STRATEGIESMARGUERITE ANDERSENROBERT KROETSCH & REINGARD M. NISCHIK,eds., Ga<strong>in</strong><strong>in</strong>g Ground: European Critics onCanadian Literature. NeWest Press, $21.95;pa. $11.95.SERIOUS READERS <strong>OF</strong> Canadian literaturehave cause to be grateful to RobertKroetsch and Re<strong>in</strong>gard Nischik for focus<strong>in</strong>gattention <strong>in</strong> Ga<strong>in</strong><strong>in</strong>g Ground onsignificant studies <strong>of</strong> the subject currentlybe<strong>in</strong>g produced by European scholars.Although it has been an open secretamong academic specialists for the pastdecade that the study <strong>of</strong> Canadian literatureis a m<strong>in</strong>or growth <strong>in</strong>dustry <strong>in</strong>European universities, this is the firstbook to describe and illustrate the phenomenon<strong>in</strong> a reasonably comprehensivefashion. And it must be said at the outsetthat the book is a good one: divided<strong>in</strong>to two sections, it not only <strong>of</strong>fers atimely survey <strong>of</strong> the state <strong>of</strong> Canadianliterary studies <strong>in</strong> about twenty Europeancountries, but also presents evidence<strong>of</strong> the scope and maturity <strong>of</strong> scholarly<strong>in</strong>terest <strong>in</strong> the form <strong>of</strong> seventeencritical essays.In "New Horizons: Canadian Literature<strong>in</strong> Europe," Dr. Nischik expla<strong>in</strong>s thegenesis and development <strong>of</strong> Canadianliterary studies <strong>in</strong> the countries where itcommands the most attention: France,Italy, and West Germany. She po<strong>in</strong>ts tothe success <strong>of</strong> <strong>in</strong>dividual scholars <strong>in</strong> thesecountries <strong>in</strong> <strong>in</strong>itiat<strong>in</strong>g and develop<strong>in</strong>gcourses for high schools and universities,up to the graduate level, and <strong>in</strong> specialprojects, such as Walter Pache's development<strong>of</strong> an <strong>in</strong>ter-library loan base forCanadian journals at Cologne <strong>University</strong>,and the marathon translation workdone by Amleto Lorenz<strong>in</strong>i <strong>in</strong> Rome. Shealso notes the growth <strong>of</strong> Canadian StudiesCentres such as those at the Universities<strong>of</strong> Bordeaux, Dijon, and Rouen,the proliferation <strong>of</strong> Canadian StudiesAssociations, and the <strong>in</strong>creas<strong>in</strong>gly frequentconferences on both general andspecialized aspects <strong>of</strong> Canadian writ<strong>in</strong>g.There is also a useful survey <strong>of</strong> CanadianStudies <strong>in</strong> the United K<strong>in</strong>gdom;and we learn that, curiously, <strong>British</strong>scholars seem more <strong>in</strong>terested <strong>in</strong> French-Canadian writ<strong>in</strong>g than <strong>in</strong> Anglo-Canadianliterature, a situation that is reversed<strong>in</strong> France. There are brieferdescriptions <strong>of</strong> the <strong>in</strong>terest <strong>in</strong> Canadianliterature <strong>in</strong> Scand<strong>in</strong>avia, the Low Countries,Austria, Switzerland, and EasternEurope, with names and university affiliations<strong>of</strong> prom<strong>in</strong>ent scholars. There isalso a 300-item bibliography, divided byscholars' nationalities and entitled "EuropeanPublications on Canadian Literature,"which gives an <strong>in</strong>dication <strong>of</strong>the range and focus <strong>of</strong> European scholarship<strong>in</strong> the last ten years or so.Early <strong>in</strong> her survey, Dr. Nischik <strong>of</strong>fersperceptive observations on the nature <strong>of</strong>184
BOOKS IN REVIEWcurrent European scholarship. She po<strong>in</strong>tsout, for example, that s<strong>in</strong>ce Canadianliterature is a foreign literature to Europeanreaders, it has rarely been seen <strong>in</strong>the thematic context <strong>of</strong>ten favoured byCanadian critics, and can never, <strong>of</strong>course, be "regarded as a means <strong>of</strong> 'see<strong>in</strong>gourselves.'" Instead, "the critical approach. . . has <strong>of</strong>ten been more textual.Individual works have been regarded asaesthetic artifacts rather than as sociologicaland socio-psychological documents,"and the prevail<strong>in</strong>g critical trendis to analyze narrative strategies, or moregenerally, to look at structural and technicalaspects <strong>of</strong> the works. Europeancritics also favour subject<strong>in</strong>g Canadianworks to comparative or generic study:"more distant from the works <strong>in</strong> po<strong>in</strong>t<strong>of</strong> language, cultural background, andpersonal concern, European scholarshave felt freer from the beg<strong>in</strong>n<strong>in</strong>g to putspecific Canadian works <strong>in</strong>to a larger <strong>in</strong>ternationalcontext than has been thehabit <strong>in</strong> Canada itself."The critical approaches found <strong>in</strong> theessays <strong>in</strong>cluded <strong>in</strong> this collection givecredence to Dr. Nischik's observations.(It should be po<strong>in</strong>ted out here that theeditors made no restrictions as to subjectmatter or approach when they contactedpotential contributors.) Twelve <strong>of</strong> theseventeen essays <strong>of</strong>fer either a closeanalysis <strong>of</strong> text or narrative technique,or subject the creative works to a comparativeor generic consideration, whilethree others straddle the two approaches,adapt<strong>in</strong>g elements <strong>of</strong> each as they help toillum<strong>in</strong>ate particular works.Ga<strong>in</strong><strong>in</strong>g Ground beg<strong>in</strong>s and f<strong>in</strong>isheswith remarkably strong essays. SimoneVauthier's "The Dubious Battle <strong>of</strong> Story-Tell<strong>in</strong>g: Narrative Strategies <strong>in</strong> TimothyF<strong>in</strong>dley's The Wars" which opensthe volume, is <strong>in</strong> one sense the ideal criticalstudy. Through <strong>in</strong>cisive analysis andlucid presentation it provokes the readernot only to reread the novel carefully,but to reth<strong>in</strong>k the larger question <strong>of</strong>effective narrative strategies <strong>in</strong> fiction.Problems <strong>of</strong> authority posed by the coexistence<strong>of</strong> two narrative strands <strong>in</strong> thenovel, for example, are exam<strong>in</strong>ed <strong>in</strong> aclosely reasoned and conv<strong>in</strong>c<strong>in</strong>g analysis<strong>of</strong> F<strong>in</strong>dley's complex narrative techniques.A later essay <strong>in</strong> the collection,Walter Pache's '"The Fiction Makes UsReal' : Aspects <strong>of</strong> Postmodernism <strong>in</strong> Canada,"exam<strong>in</strong>es the related narrative experiments<strong>of</strong> Robert Kroetsch (particularly<strong>in</strong> The Studhorse Man and GoneIndian) and George Bower<strong>in</strong>g (<strong>in</strong> Burn<strong>in</strong>gWater). In do<strong>in</strong>g so, Pache arguesthat "the rejection <strong>of</strong> literary conventions,patterns <strong>of</strong> thought, and old valuesystems clearly implies more than a newstructure for the narrative text. It becomesa means <strong>of</strong> giv<strong>in</strong>g a new 'voice' toCanadian fiction." Vauthier would undoubtedlyagree.Other explorations <strong>of</strong> narrative technique<strong>in</strong> the work <strong>of</strong> contemporary Canadiannovelists (a group the Europeancritics overwhelm<strong>in</strong>gly favour), <strong>in</strong>cludestudies <strong>of</strong> Rudy Wiebe by WolfgangKloos, "Narrative Modes and Forms <strong>of</strong>Literary Perception <strong>in</strong> Rudy Wiebe'sThe Scorched-Wood People," and PierreSpriet, "Structure and Mean<strong>in</strong>g <strong>in</strong> RudyWiebe's My Lovely Enemy." The latteressay is <strong>in</strong>trigu<strong>in</strong>g for its <strong>in</strong>sights <strong>in</strong>to therelationship between Wiebe's latest noveland earlier works <strong>in</strong> terms <strong>of</strong> "the rejection<strong>of</strong> rational sense which <strong>in</strong>forms MyLovely Enemy . . . [and] the refusal <strong>of</strong>logical or conventional mean<strong>in</strong>g detected"elsewhere <strong>in</strong> his fiction. In anotheressay, "Narrative Technique <strong>in</strong>Aritha van Herk's Novels," Re<strong>in</strong>gardNischik <strong>of</strong>fers a rather tentative comparison<strong>of</strong> techniques employed <strong>in</strong> Judithand The Tent Peg; while Michel Fabrelooks <strong>in</strong> detail at some <strong>of</strong> the short stories<strong>of</strong> Mavis Gallant and their "complexjuxtapositions <strong>of</strong> po<strong>in</strong>ts <strong>of</strong> view" <strong>in</strong>"Orphan's Progress,' Reader's Progress:185
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