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Using a Music Therapy Collaborative Consultative Approach - World ...

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models, including hierarchies of skills (Briggs, 1991; Steele, 1985), Davis presented three<br />

levels of functioning and related goals “through which children can learn, practice, and<br />

expand their repertoire of skills” (p. 37). The described program incorporates many aspects<br />

of McWilliam’s (1995) proposed model of integrated therapy, and emphasizes the<br />

importance of interdisciplinary collaboration and the possibility of co-treatment with other<br />

specialists. No research has been conducted to evaluate the effectiveness of this music<br />

therapy model.<br />

One intervention technique Davis applied to enhance social interaction within<br />

classroom routines was first introduced and studied by Gunsberg in 1988 and 1991. He used<br />

improvised music and lyrics to facilitate and maintain social play between children with<br />

developmental delays and their typically developing peers age three to five during free time<br />

play in a preschool program. By analyzing ten videotaped episodes, Gunsberg’s<br />

investigation provided evidence that when using this technique (Improvised <strong>Music</strong> Play),<br />

social play episodes lasted more than three times the duration of typical free-time play<br />

episodes among children with developmental delays and their typically developing peers. In<br />

William’s (1995) continuum of six models of service delivery, Gunsberg’s approach can be<br />

seen as a group activity within classroom routines.<br />

Another pilot program conducted by Hughes, Robbins, McKenzie, and Robb (1990)<br />

provided structured music activities and unstructured social playtime activities for one<br />

hundred pre-kindergarten children with special needs and typically developing children<br />

coming from various schools. Although quantitative data were not reported due to

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