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The perfect alternative<br />

With a passion for promoting uniqueness, Sophie de Oliveira Barata,<br />

founder of The Alternative Limb Project, shares her inspiration for<br />

developing bespoke and stunning prosthetics, and why her creations<br />

are an active invitation to see and celebrate difference<br />

Writing | Lucy Donoughue<br />

Founder of The Alternative<br />

Limb Project, Sophie<br />

de Oliveira Barata, is a<br />

little shocked when I<br />

congratulate her on 10 years of<br />

her company’s existence. It’s<br />

not something she’d realised,<br />

she laughs, slightly baffled as to<br />

why she hadn’t noted her own<br />

anniversary, but as we chat it<br />

becomes clear why this milestone<br />

may have passed her by.<br />

The Alternative Limb Project,<br />

her brainchild, was established<br />

in 2011 to create unique,<br />

imaginative limbs that empower<br />

the wearer, and inspire a positive<br />

dialogue about the human body<br />

and its differences. Her drive to<br />

design and realise these pieces,<br />

she confesses, keeps her artistic<br />

brain more than busy, and she<br />

recalls many years of working<br />

through the night, and excited<br />

conversations about materials<br />

from crystals to light beams,<br />

clocks to faux porcelain. No<br />

wonder the years have flown by.<br />

During this time, Sophie has<br />

collaborated with amputees<br />

including models, paralympians,<br />

children, charity founders, and<br />

ex-military personnel to create<br />

bespoke limbs that are both<br />

stunning to look at, and actively<br />

draw attention to what can be<br />

seen, rather than a part of the<br />

body that is no longer there, or<br />

was never present. She’s also<br />

exhibited creations across the<br />

world, prompting conversations<br />

about transhumanism, body<br />

perception, and personal<br />

choices of limb representation<br />

and expression.<br />

Sophie, how did you first<br />

become interested in<br />

working with prosthetics?<br />

I studied art in my early 20s,<br />

and worked in a hospital in<br />

my spare time. I was offered<br />

an opportunity to help with a<br />

medical disaster re-enactment<br />

they were carrying out for<br />

training, by creating realisticlooking<br />

wounds with makeup.<br />

The experience marked the<br />

beginning of medicine and art<br />

running side by side throughout<br />

my work ever since.<br />

I went on to study special effects<br />

makeup at the London College of<br />

Fashion, and I became fascinated<br />

with the ways makeup can trick<br />

the human eye. Shortly after<br />

graduating, I took some work<br />

experience at a company that<br />

made prosthetics for amputees.<br />

To me that was the ultimate trick<br />

of the eye: making an artificial<br />

limb appear convincing!<br />

I worked there for eight years,<br />

and was lucky enough to learn<br />

how to make fingers and toes,<br />

partial hands and feet, forearm<br />

and leg covers.<br />

How did your limb creation<br />

practise evolve?<br />

The process within that company<br />

was for the prosthetist to see<br />

clients, and then I’d create the<br />

limb required from drawings,<br />

measurements, and photographs.<br />

So, I rarely met the people we<br />

were making limbs for. However,<br />

one of our prosthetists met with<br />

a little girl called Pollyanna Hope<br />

who was just 2 years old and<br />

travelling in a pushchair when a<br />

bus mounted the pavement and<br />

sadly killed her grandmother,<br />

severely scarred her mother, and<br />

injured her, resulting in a leg<br />

amputation.<br />

28 | September <strong>2021</strong> | <strong>happiful</strong>.com

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