You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
The perfect alternative<br />
With a passion for promoting uniqueness, Sophie de Oliveira Barata,<br />
founder of The Alternative Limb Project, shares her inspiration for<br />
developing bespoke and stunning prosthetics, and why her creations<br />
are an active invitation to see and celebrate difference<br />
Writing | Lucy Donoughue<br />
Founder of The Alternative<br />
Limb Project, Sophie<br />
de Oliveira Barata, is a<br />
little shocked when I<br />
congratulate her on 10 years of<br />
her company’s existence. It’s<br />
not something she’d realised,<br />
she laughs, slightly baffled as to<br />
why she hadn’t noted her own<br />
anniversary, but as we chat it<br />
becomes clear why this milestone<br />
may have passed her by.<br />
The Alternative Limb Project,<br />
her brainchild, was established<br />
in 2011 to create unique,<br />
imaginative limbs that empower<br />
the wearer, and inspire a positive<br />
dialogue about the human body<br />
and its differences. Her drive to<br />
design and realise these pieces,<br />
she confesses, keeps her artistic<br />
brain more than busy, and she<br />
recalls many years of working<br />
through the night, and excited<br />
conversations about materials<br />
from crystals to light beams,<br />
clocks to faux porcelain. No<br />
wonder the years have flown by.<br />
During this time, Sophie has<br />
collaborated with amputees<br />
including models, paralympians,<br />
children, charity founders, and<br />
ex-military personnel to create<br />
bespoke limbs that are both<br />
stunning to look at, and actively<br />
draw attention to what can be<br />
seen, rather than a part of the<br />
body that is no longer there, or<br />
was never present. She’s also<br />
exhibited creations across the<br />
world, prompting conversations<br />
about transhumanism, body<br />
perception, and personal<br />
choices of limb representation<br />
and expression.<br />
Sophie, how did you first<br />
become interested in<br />
working with prosthetics?<br />
I studied art in my early 20s,<br />
and worked in a hospital in<br />
my spare time. I was offered<br />
an opportunity to help with a<br />
medical disaster re-enactment<br />
they were carrying out for<br />
training, by creating realisticlooking<br />
wounds with makeup.<br />
The experience marked the<br />
beginning of medicine and art<br />
running side by side throughout<br />
my work ever since.<br />
I went on to study special effects<br />
makeup at the London College of<br />
Fashion, and I became fascinated<br />
with the ways makeup can trick<br />
the human eye. Shortly after<br />
graduating, I took some work<br />
experience at a company that<br />
made prosthetics for amputees.<br />
To me that was the ultimate trick<br />
of the eye: making an artificial<br />
limb appear convincing!<br />
I worked there for eight years,<br />
and was lucky enough to learn<br />
how to make fingers and toes,<br />
partial hands and feet, forearm<br />
and leg covers.<br />
How did your limb creation<br />
practise evolve?<br />
The process within that company<br />
was for the prosthetist to see<br />
clients, and then I’d create the<br />
limb required from drawings,<br />
measurements, and photographs.<br />
So, I rarely met the people we<br />
were making limbs for. However,<br />
one of our prosthetists met with<br />
a little girl called Pollyanna Hope<br />
who was just 2 years old and<br />
travelling in a pushchair when a<br />
bus mounted the pavement and<br />
sadly killed her grandmother,<br />
severely scarred her mother, and<br />
injured her, resulting in a leg<br />
amputation.<br />
28 | September <strong>2021</strong> | <strong>happiful</strong>.com