ADAPTING TRISTRAM SHANDY by Adria Young Submitted in ...

Lyon, Shauna. “Tristram Shandy: A Cock and Bull Story.” The Film File. The New
Yorker. 6 February 2005. Web.
Lynch, Jack. “The Relicks of Learning: Sterne Among the Renaissance
Encyclopaedists.” ECF 13 (2000): 1-17. Web.
Mack, Roger L. "Introduction." The Genius of Parody: Imitation and Originality in
Seventeenth- and Eighteenth-Century English Literature. New York: Palgrave
MacMillan, 2007. 1-14. Print.
--------- “How Critics Learned to Stop Worrying and Love Literary Parody.” The
Genius of Parody: Imitation and Originality in Seventeenth- and Eighteenth-
Century English Literature. New York: Palgrave MacMillan, 2007. 15-48. Print.
Macksey, Richard. “Foreword.” Paratexts: Thresholds of Interpretation. Trans. Jane
E. Lewin. Cambridge: Cambridge UP, 1997. xi-xxii. Print.
Mallon, Thomas. “Too Little, Too Soon.” Atlantic Monthly. 290.2002. 144. Web.
Martin Rowson on Hogarth. Dir. Martin Rowson.Perf. Martin Rowson. Tate Shots.
2008.Web.
MacCabe, Colin. “Bazinian Adaptation: The Butcher Boy as Example.” True to the
Spirit: Film Adaptation and the Question of Fidelity. Oxford: Oxford UP, 2011.
3-26. Web.
Mayer, Robert B. “Did You Say Middle Class? The Question of Taste and the Rise
of the Novel.” Eighteenth-Century Fiction 12.2 (2000): 1-31. Web.
-------- “Introduction: Is There a Text in This Screening Room?” Eighteenth-
Century Film on Screen. Cambridge: Cambridge UP, 2002. 1-15. Print.
McCloud, Scott. Understanding Comics. New York: Paradox Press, 2000. Print.
104