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ADAPTING TRISTRAM SHANDY by Adria Young Submitted in ...

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Commentary about Tristram Shandy mirrors the commentary with<strong>in</strong> Tristram<br />

Shandy; the <strong>in</strong>tertexts of the novel are adapted <strong>in</strong>to this “comic book about the writ<strong>in</strong>g of<br />

a comic book about the writ<strong>in</strong>g of a novel about the writ<strong>in</strong>g of a novel” (Rowson 69),<br />

which makes Rowson’s version both critical and metacritical. The reader is made aware<br />

of the difficulties of read<strong>in</strong>g Sterne’s narrative <strong>in</strong> an imitation of the difficulty Trim<br />

encounters read<strong>in</strong>g Sterne’s sermon paralleled <strong>by</strong> Pete’s <strong>in</strong>terruption <strong>in</strong> the graphic novel<br />

narrative. Just as Walter and To<strong>by</strong> <strong>in</strong>terrupt the read<strong>in</strong>g of Yorick’s sermon <strong>in</strong> Volume II,<br />

Pete <strong>in</strong>terrupts the <strong>in</strong>terruptions: as Pete walks out of the eighteenth-century panel and<br />

<strong>in</strong>to a desert, he yells, “I’m not spend<strong>in</strong>g another m<strong>in</strong>ute listen<strong>in</strong>g to those old twats<br />

sitt<strong>in</strong>g around talk<strong>in</strong>g a load of old cock” (Rowson np). Rowson’s engagement with the<br />

reader, as <strong>in</strong>terpretative of Sterne’s text and <strong>in</strong>terpretive through commentary,<br />

renegotiates the conventions of narrativity,<br />

and <strong>in</strong>teracts with the contexts of the<br />

orig<strong>in</strong>al source text. Rowson’s unflatter<strong>in</strong>g<br />

caricature of Samuel Johnson, for example,<br />

(Figure 7) who holds a book under one<br />

arm and spouts off his famous op<strong>in</strong>ion of<br />

the novel, gestures to the “Anti-Shandean”<br />

criticism Sterne received for the novel’s<br />

unconventional and difficult structure. 63<br />

Part of Shandyism is the difficulty <strong>in</strong>herent<br />

<strong>in</strong> process<strong>in</strong>g the convergence of media.<br />

47<br />

Figure 7. Dr. Johnson.

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