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<strong>The</strong> I sis <strong>Papers</strong><br />
<strong>the</strong> great festival of destruction that <strong>the</strong>y, <strong>the</strong> sane ones, have<br />
prepared.<br />
·n his nationwide best selling book, People<br />
Psychiatrist M. Scott Peck, 1 E 'l contends II Science has also<br />
Th H for Healing Human vt • '<br />
of <strong>the</strong> Lie. e ope f il because of <strong>the</strong> immensity of <strong>the</strong><br />
steered clear of <strong>the</strong> problem o ehv body of scientific knowledge of<br />
. 1 ed we do not yet ave a<br />
mystery mvo v .... . h 1<br />
II He also states,<br />
human evil deserving of bemg called a psyc o ogy.<br />
Caucasians seem <strong>to</strong> have fewer<br />
Those of. us who ~~ blacks or Indians or Orientals than<br />
comp~cu~n.s about kil~:; white men. It is easier for a white<br />
we do m ktlhng our fe , d eck' <strong>The</strong> matter of <strong>the</strong><br />
1 h 'nigger' than a re n ....<br />
man <strong>to</strong> ync a . . killing is yet ano<strong>the</strong>r one<br />
racial aspects of mtraspe~•es. . .<br />
deserving significant scientific mvesugatiOn.<br />
f · 1 pride<br />
"War <strong>to</strong>day is at least as much a matter o nauona<br />
He cone 1 u d es,<br />
as of racial pride."<br />
. nee has steered clear of <strong>the</strong> subject<br />
Even though Peck suggests that scte . lved II Herman Melville, <strong>the</strong><br />
ofevilbecauseof<strong>the</strong>"immensemysterymvo ' . t1 <strong>the</strong>sub'ect<br />
19th century novelist, pe.~ha~~ :~:n~c~eu:~~=~:::~ th~ ~bite w~le,<br />
of evil. He approached evil g . . d him Ahab<br />
. and <strong>the</strong> crippled white shtp captam who pursue , .<br />
Moby Dtck, ed S tan) Melville uses an entire chapter of hts<br />
(who is often compar <strong>to</strong> a · 11 H b · s<br />
book <strong>to</strong> discourse on "<strong>The</strong> Whiteness of <strong>the</strong> Whale. e egm '<br />
Wh . hale was <strong>to</strong> Ahab, has been hinted; what, at<br />
What <strong>the</strong> tte w . . · d Aside from those<br />
times, he was <strong>to</strong> me, as yet rematns u~sru . Dick which<br />
mo re bvious considerations <strong>to</strong>uchmg Moby • O<br />
ak · any man's sou 1 some<br />
could not but occasi~all~awgh:no~ ra<strong>the</strong>r vague, nameless<br />
alarm, <strong>the</strong>re wa~ anoh. er oh~ ch , at times by its intensity<br />
horror concernmg tm, w t . al d<br />
d all <strong>the</strong> rest; and yet so mystic ~<br />
completely overpowere . th t I almost despair of putting ll m<br />
well nigh ineffable was tt, a h' f <strong>the</strong> whale that<br />
h 'bl form It was <strong>the</strong> w tteness o<br />
a compre e~st e all. d me But how can I hope <strong>to</strong> explain<br />
above all thmgs app e ·<br />
Neurochemical Basis for Evil<br />
myself here; and yet, in some dim, random way, explain myself<br />
I must, else all <strong>the</strong>se chapters might be naught.<br />
Melville proceeds <strong>to</strong> detail many positive associations with whiteness:<br />
"and though this pre-eminence in it [whiteness] applies <strong>to</strong> <strong>the</strong> human race<br />
itself, giving <strong>the</strong> white man ideal mastership over every dusky tribe." He<br />
continues,<br />
.. .yet for all <strong>the</strong>se accumulated associations, with whatever is<br />
sweet, and honorable, and sublime, <strong>the</strong>re yet lurks an elusive<br />
something in <strong>the</strong> innermost idea of this hue, which strikes more<br />
of panic <strong>to</strong> <strong>the</strong> soul than that redness which affrights in blood ....<br />
That ghastly whiteness it is which imparts such an abhorrent<br />
mildness even more loathsome than terrific, <strong>to</strong> <strong>the</strong> dumb<br />
gloating of <strong>the</strong>ir aspect. So that not <strong>the</strong> fierce-fanged tiger in<br />
his heraldic coat can so stagger courage as <strong>the</strong> white-shrouded<br />
bear or shark.<br />
Fur<strong>the</strong>r on, Melville contemplates,<br />
What is it that in <strong>the</strong> Albino man so peculiarly repels and often<br />
shocks <strong>the</strong> eye, as that sometimes he is loa<strong>the</strong>d by his own kith<br />
and kin! It is that whiteness which invests him, a thing<br />
expressed by <strong>the</strong> name he bears, <strong>The</strong> Albino is as well made as<br />
o<strong>the</strong>r men - has no substantive deformity - and yet this mere<br />
aspect of all-pervading whiteness makes him more strangely<br />
hideous than <strong>the</strong> ugliest abortion. Why should this be so?<br />
. Again referring <strong>to</strong> whiteness, Melville writes, " ... it is at once <strong>the</strong> most<br />
meaning symbol of spiritual things, nay, <strong>the</strong> very veil of <strong>the</strong> Christian's<br />
and yet should be as it is, <strong>the</strong> intensifying agent in things <strong>the</strong> most<br />
"I'I""Uli&F, <strong>to</strong> mankind, 11<br />
Melville's Captain Ahab sees <strong>the</strong> white whale as all evil of which he<br />
in pursuit. In a letter <strong>to</strong> Nathaniel Hawthorne, Melville referred <strong>to</strong> Moby<br />
as a "wicked book." My own interpretation of <strong>the</strong> symbolism in this<br />
which has been regarded as <strong>the</strong> greatest of all American novels, is<br />
236<br />
237