The Isis Papers: The Keys to the Colors

The Isis Papers
It is clear that Diagram lll, a highly abstracted line drawing of the male
genitalia, is a "cross."
I submit that the cross, as an important and provocative symbol in the
white supremacy system/culture, is none other than a brain-computer
distillate of the white collective's fear-induced obsession with the genitals
of all non-white men (of Black men in particular), who have the potential
to genetically annihilate the white race. Furthermore, the cross represents
the Black male's genitals removed from the Black male's body-meaning
castrated genitals. Thus, the cross is a critical symbol in the thought
processes of the white supremacy system, beginning its evolution almost
2,000 years ago during early white aggression against Blacks in Africa
and Asia. This particular interpretation of the cross never has been given
before.
Support for this interpretation may be found in the examination of the
sword as a secondary critical symbol in the white supremacy culture.
Here I am referring to the so-called "Western" sword with its straight
blade, in contrast to the "Oriental" sword, which has a curved blade. J .E.
Cirlot' sA Dictionary of Symbols, relating to the symbolism of the sword,
states, "Here one must recall the general meaning of weapons, which is
the antithesis of the monster." In the same discussion, he notes, "There
can be no doubt that there is a sociological factor in sword-symbolism,
since the sword is an instrument proper to the knight, who is the defender
of the forces of light against the forces of darkness." In the white
supremacy system/culture, the "monster" is always the Black male (e.g.,
King Kong) and, more specifically, his white-genetic-annihilating genitals.
As the white male (the knight) moves to control the monster (Black
male genitalia), indeed he does become" the defender of the forces of light
against the forces of darkness." The Western sword is shaped exactly as
"the cross," the brain-computer distillate of the male genitalia.
In an article entitled "Values, Myths and Symbols," which appeared in
the July 1973 issue of the American Journal of Psychiatry, Rollo May
had the following to say about the cross: "For example, the Christian cross
draws together the horizontal and vertical dimensions of life and unites
them perpendicularly to each other, embracing their conflict." However,
Symbolism of Christ
thi~ is a sup~rficial de~cription of a cross, and it is totally inadequate as
an m-depth mterpretatlOn of this major symbol in the white supremacy
system/culture. The white collective seems unable to decode their 0
boll
wn
sym . sm completely. Their own translations of their major symbols,
and therr analyses of their unconscious,remain superficial incoherent and
unconvincing. Therefore, the white collective remains u~aware of itself
and unpre~ictable to ~tself and to others who lack deep understanding.
If my mterpretation of the cross symbol is correct (that in the white
male psyc~e it represents the Black male genitalia in the context of the
global white supremacy system), then it is possible to understand the
portrayal of the white female in the popular book and fllm, The Exorcist.
Here, the female used the cross to masturbate herself when she was
possessed by.the devil (i.e., the black monster). This symbolic portrayal
emerged dunng a time period in which increasing numbers of white
fe~ales were selecting Black males as "mates" or, more correctly stated,
white females began sexually aggressing against socially powerless Black
males to gain possession of the Black phallus.
The use of the cross as a symbolic object in white female masturbation
als~ ~curred when large numbers of white females actively were fan­
~Izmg abou~ b~ing raped by Black males and were establishing organizatiOns
and soc1et1es to prevent it. This was a reaction formation to their
own uncons~ious desires. The white female's preoccupation with writing
books on,,bemg raped also occured during this time period. In the white
supremacy culture, the historic symbol of the rapist of white females is
the Black male. The white female, until recently, has been held back in
her sexual desires of the Black male by white male constraint. Since
"white-female-liberation" has been granted to white women in small
measure, the white female fmds herself unable to hold her own desires
and aggressions in check. Still she is unable to admit these desires and
aggressions consciously. (It is common knowledge that the ideal male£
the white ~emale is "~I, d~rk and handsome.") Interestingly, followi::
The Exorcw, the movie Kmg Kong became a major focus of attention in
1976. The entire movie suggests an impending sexual attack on the white
female by the giant black ape (the symbol of the Black male). Finally,
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