The Isis Papers: The Keys to the Colors

The Isis Papers
Christ hung on it, everyone in the global white collective unconsciously
understood that they must unite against the threat of Black (non-white)
male genital material, which the black wooden cross represented. White
genetic survival could be achieved only by a united, continuous offensive
attack by the global white minority. This organized attack is now at least
2000 years old. The greed and the strivings for domination, which Kovel
fails to fully understand, were compensation for a profound sense of
genetic inadequacy.
Only in this context of symbol translation can the Christian hymn,
"Onward Christian Soldier," be appreciated. This is not only an important
religious song, but also a significant battle song in the white supremacy
culture. One stanZa of the song is as follows:
Onward Christian Soldier,
Marching as to war,
With the cross of Jesus,
going on before.
Christ our loyal master,
leads against the foe,
Forward into battle,
see his banners glow.
Chorus
Onward Christian Soldier,
Marching as to war
With the cross of Jesus
going on before.
My translation in prose of the above words and symbol-images in this
song is, "Onward white male (and white female) soldiers, marching to war
to establish and maintain white genetic survival. You have the symbol of
the Black male genitals before you keeping your true purpose in mind so
that you can unite to subdue this common threat. Christ (the white male
image) is your loyal master, who is leading you in the attack against the
Symbolism ofCiuist
Black male genital-monster enemy. The white male leads you into battle
behind our glowing flags (phallic symbols)."
With the picture of a dying, weak white man held fmnly in mind,
white people fully understand what they must prevent from occurring, and
why they must fight and, if necessary, die so that whites can survive.
"Onward Christian Soldier" is a marching religious song for the white
supremacy culture, but "Were You There When They Crucified My
Lord?" in stark contrast, is a song of deep pain and sorrow about the
castration and destruction of the Black male by the marching white
supremacy army or its individual storm troopers.
In modem times, the gun has become the contemporary symbolic
weapon used against the non-white male and his white annihilating
genetic potential. Also, the gun is an abstraction of the male genitalia,
functioning exactly like the male genital apparatus. (See Chapter 8.)
Thus, it is no accident that Dr. Martin Luther King, Jr. -the modem day
Jesus- was killed by a gun after being brought into focus on the cross of
the cross hairs on the telescopic gun site. Dr. King brought only love to
the white collective, but mating love (Black with white) causes white
genetic annihilation, so he had to be destroyed.
The Communion
Since the 16th century, Protestants have believed that the act of
communion is a symbolic reenactment of the crucifixion, with the bread
and wine becoming the body and blood of Jesus. The Christian worshipper
ingests the bread and wine as an act to remove sin (not to internalize
divinity). The Orthodox Christian believed that the communion was a
spiritual act that could not be explained. In August 1976, the Catholic
Church, the Orthodox Christians and the Protestants came together and
agreed that the communion, or the Eucharist, conveys Christ's real
presence and represents his sacrifice(the giving up of his body and blood),
although it is not to be viewed as an actual reenactment of the crucifixion.
The author's analysis of this symbolism of the communion, in the
context of the white supremacy system/culture in which itevolved,reveals
that the white population has had an historic awareness (albeit now largely
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