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Foundation Magazine 2021-2022 | Mount Kelly

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PERFORMING & CREATIVE ARTS<br />

DRAMA AT<br />

THE COLLEGE<br />

BLUE STOCKINGS<br />

Having been postponed by<br />

Covid-19, the main College<br />

production of the year, Blue<br />

Stockings, was at last brought to the<br />

stage with a very young cast giving a<br />

stellar performance. The play tells the<br />

story of a small group of young women<br />

at Girton College, Cambridge, in 1896,<br />

and their campaign to overturn the<br />

university’s ruling that though they may<br />

study, women may not graduate. Faced<br />

with the institutionalised misogyny of the<br />

university, and the ridicule of their male<br />

peers, their campaign was a central<br />

moment in the campaign for equal rights.<br />

Grace Cazzoli and Will Scruby took the<br />

leads with tremendous assurance and<br />

perfect timing, and were supported by<br />

a similarly talented and committed cast.<br />

Alfred Forer was alarmingly convincing as<br />

the misogynist old professor, whilst Zac<br />

Briggs put in a memorable performance<br />

as an effortlessly entitled and snarlingly<br />

unpleasant young male undergraduate.<br />

Honey-Rose Boulting dominated the<br />

stage as the worldly sophisticate, Holly<br />

Tasker emanated earnest endeavour,<br />

and Samara Chaudhry perfectly<br />

captured the conflicted emotions of the<br />

working-class scholarship girl.<br />

This was the first dramatic production<br />

at the College since lockdown two<br />

years ago, and it was both a pleasure<br />

and privilege to see the stage alive once<br />

more. As a member of the audience was<br />

overheard saying as she left Big School,<br />

“I had no idea how much I’d missed the<br />

school play, until it came back.”.<br />

PERFORMING & CREATIVE ARTS<br />

96 | THE FOUNDATION 21-22 THE FOUNDATION 21-22 | 97

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