Foundation Magazine 2021-2022 | Mount Kelly
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
PERFORMING & CREATIVE ARTS<br />
DRAMA AT<br />
THE COLLEGE<br />
BLUE STOCKINGS<br />
Having been postponed by<br />
Covid-19, the main College<br />
production of the year, Blue<br />
Stockings, was at last brought to the<br />
stage with a very young cast giving a<br />
stellar performance. The play tells the<br />
story of a small group of young women<br />
at Girton College, Cambridge, in 1896,<br />
and their campaign to overturn the<br />
university’s ruling that though they may<br />
study, women may not graduate. Faced<br />
with the institutionalised misogyny of the<br />
university, and the ridicule of their male<br />
peers, their campaign was a central<br />
moment in the campaign for equal rights.<br />
Grace Cazzoli and Will Scruby took the<br />
leads with tremendous assurance and<br />
perfect timing, and were supported by<br />
a similarly talented and committed cast.<br />
Alfred Forer was alarmingly convincing as<br />
the misogynist old professor, whilst Zac<br />
Briggs put in a memorable performance<br />
as an effortlessly entitled and snarlingly<br />
unpleasant young male undergraduate.<br />
Honey-Rose Boulting dominated the<br />
stage as the worldly sophisticate, Holly<br />
Tasker emanated earnest endeavour,<br />
and Samara Chaudhry perfectly<br />
captured the conflicted emotions of the<br />
working-class scholarship girl.<br />
This was the first dramatic production<br />
at the College since lockdown two<br />
years ago, and it was both a pleasure<br />
and privilege to see the stage alive once<br />
more. As a member of the audience was<br />
overheard saying as she left Big School,<br />
“I had no idea how much I’d missed the<br />
school play, until it came back.”.<br />
PERFORMING & CREATIVE ARTS<br />
96 | THE FOUNDATION 21-22 THE FOUNDATION 21-22 | 97