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Foundation Magazine 2021-2022 | Mount Kelly

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PERFORMING & CREATIVE ARTS<br />

THE MERCHANT OF VENICE<br />

The Studio Production Company made history by performing the first Shakespeare play at the newly refurbished Guildhall in<br />

Tavistock. As one of the earliest examples in the country of a purpose-built combined courtroom and police station, it was<br />

the perfect venue for The Merchant of Venice, and the young cast was superb. Alfred Forer characterised Shylock as both<br />

menacing and vulnerable, whilst Grace Cazzoli and Lily Nordmann presented Portia and Nerissa’s words with passion and humour.<br />

Zak Briggs, Harvey Lucas-Chave, Harry Parr Ferris, Adejola Adekoya, Poppy Taylor, Rowena Hill, Eleanora Webber and Ella Tanner,<br />

all rose to the challenge of capturing the essence of Elizabethan attitudes and concerns in their roles, delivering an unforgettable<br />

performance of Shakespeare’s most controversial play.<br />

BTEC PERFORMING ARTS<br />

THE MIND OF A MAN, SUFFERING IN SILENCE<br />

Upper Sixth BTEC Performing Arts pupils produced a moving and intelligent piece of theatre, called The Mind of a Man,<br />

Suffering in Silence. Emerging from research into social media, the pupils studied the effects of depersonalisation and the<br />

disassociation that it can create, and how differentiating between reality and one’s subconscious narrative can be difficult.<br />

Within a moving story of a man who clearly needs to reach out and speak, the pupils expertly juxtaposed the same scenes<br />

on screen and on stage but from differing perspectives, using both naturalistic and abstract methods of communicating to an<br />

audience. The pupils should be very proud of their performances, which together with their design ideas, created an insightful and<br />

interesting piece.<br />

PERFORMING & CREATIVE ARTS<br />

ELLA TANNER | PRE-PREP PLAY<br />

Ella Tanner performed an exciting piece of Theatre in Education for Prep-Prep, based on the story Mr Gumpy’s Outing, as part<br />

of her BTEC Performing Arts course. Ella’s show was extremely well received by the children, and she should feel very proud<br />

of her performance. In comparison with this piece, Ella had to devise a contrasting piece of theatre. Inspired by a modern play<br />

about the creation of stories, Ella cleverly re-imagined the work into a one-woman show, using recorded voice-over techniques. The<br />

audience of College pupils were moved by the tenderly told journey of the writer struggling to find a beginning, and Ella showcased<br />

her abilities in an exemplary manner.<br />

98 | THE FOUNDATION 21-22 THE FOUNDATION 21-22 | 99

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