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Semiotics for Beginners by Daniel Chandler

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<strong>Semiotics</strong> <strong>for</strong> <strong>Beginners</strong> <strong>by</strong> <strong>Daniel</strong> <strong>Chandler</strong><br />

• Converse oppositions: Pairs of mutually-exclusive signifiers in a paradigm set representing categories which do<br />

not together define a complete universe of discourse (relevant ontological domain), e.g. sun/moon (Leymore).<br />

See also: Analogue oppositions, Binary oppositions<br />

• Copenhagen school: This was a structuralist and <strong>for</strong>malist group of linguists founded <strong>by</strong> the Danish linguists<br />

Louis Hjelmslev (1899-1966) and Viggo Brondal (1887-1953). Roman Jakobson (1896-1982) was associated with<br />

this group from 1939-1949. Influenced <strong>by</strong> Saussure, its most distinctive contribution was a concern with<br />

'glossematics'. Whilst Hjelmslev did accord a privileged status to language, his glossematics included both<br />

linguistics and 'non-linguistic languages' - which Hjelmslev claimed could be analysed independently of their<br />

material substance. It is a <strong>for</strong>malist approach in that it considers semiotic systems without regard <strong>for</strong> their social<br />

context. Hjelmslev's theories strongly influenced Algirdas Greimas (1917-1992), and to a lesser extent the French<br />

cultural theorist Roland Barthes (1915-1980) and the film theorist Christian Metz (1931-1993). See also: Moscow<br />

school, Paris school, Structuralism<br />

• Correspondence theory of truth: Realism depends on a correspondence theory of truth, on comparing<br />

propositions with an independent and external reality. For constructivists, reality is a construction of discourse, so<br />

all we can compare is one discourse with another. Realists insist that things exist in the external world<br />

independently of our modes of apprehending them. See also: Constructivism, Epistemology, Realism<br />

(objectivism), Reality, Relativism, epistemological<br />

• Cultural materialism: See Materialism<br />

• Cultural relativism/relativity: Cultural relativism is the view that each culture has its own worldview and that none<br />

of these can be regarded as more or less privileged or 'authentic' in its representation of 'reality' than another.<br />

Cultural worldviews are historically-situated social constructions. Cultural relativists tend also to be linguistic<br />

relativists, arguing that dominant cultural worldviews are reflected in ontologies which are built into the language<br />

of that culture. Cultural relativism is a fundamental assumption involved in Whorfianism. Anthropologists and<br />

others who study signifying practices within a culture can be seen as cultural relativists insofar as they seek to<br />

understand each culture in its own terms. However, as with epistemological relativism (with which it is closely<br />

associated), the label is often used as a criticism, being equated with extreme idealism or nihilism. See also:<br />

Constructivism, Conventionalism, Relativism, epistemological, Linguistic relativism, Social determinism,<br />

Universalism, cognitive, Whorfianism<br />

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z<br />

• Decoding: The comprehension and interpretation of texts <strong>by</strong> decoders with reference to relevant codes<br />

(Jakobson). Most commentators assume that the reader actively constructs meaning rather than simply<br />

'extracting' it from the text (see Literalism). See also: Aberrant decoding, Affective fallacy, Code, Encoding,<br />

Intentional fallacy, Literalism<br />

• Deconstruction: This is a poststructuralist strategy <strong>for</strong> textual analysis which was developed <strong>by</strong> Jacques Derrida.<br />

Practitioners seek to dismantle the rhetorical structures within a text to demonstrate how key concepts within it<br />

depend on their unstated oppositional relation to absent signifiers (this involved building on the structuralist<br />

method of paradigmatic analysis). Texts do not 'mean what they say'. Contradictions can be identified within texts<br />

in such backgrounded features as footnotes, recurrent concepts or tropes, casual allusions, paradoxical phrases,<br />

discontinuities and omissions. Searching <strong>for</strong> inexplicit oppositions can reveal what is being excluded. That which<br />

has been repressed can be used as a key to an oppositional reading of the text. Poststructuralists insist that no<br />

hierarchy of meanings can ever be established and no solid underlying structural foundation can ever be located.<br />

Derrida aimed to undermine what he called the 'metaphysics of presence' in Western culture - the bias towards<br />

what we fondly assume to be 'unmediated' perception and interaction. This bias involves phonocentrism<br />

(including that of Saussure) and the myth of the 'transcendent signified'. Other deconstructionists have also<br />

exposed culturally-embedded conceptual oppositions in which the initial term is privileged, leaving 'term B'<br />

negatively 'marked'. Radical deconstruction is not simply a reversal of the valorization in an opposition but a<br />

demonstration of the instability of the opposition (since challenging the valorization alone may be taken to imply<br />

that one nevertheless accepts an ontological division along the lines of the opposition in question). Indeed, the<br />

most radical deconstruction challenges both the framework of the relevant opposition and binary frameworks in<br />

general. Deconstructionists acknowledge that their own texts are open to further deconstruction: there is no<br />

definitive reading; all texts contain contradictions, gaps and disjunctions - they undermine themselves. More<br />

broadly, deconstructive cultural criticism involves demonstrating how signifying practices construct, rather than

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